Get started podcasting with students

What makes a podcast? A digital recording and an online sharing service

New to podcasts?  Listen to a few!

Before you jump into creating a podcast, get familiar with the format.  Here are a few that are friendly for middle school students and their teachers:

What is a podcast anyway?

Podcasting takes the best of a classic medium — radio — and puts that power in the palm of your hand. And in the palm of your neighbor’s hand. Heck, everyone’s hands. Podcasting makes great conversations, research, and storytelling available in an on-demand, on-the-go format that fits well into busy lives. All you’ve gotta do is tell a story, get it on tape, put it online, and share it with others.

https://twitter.com/innovativeEd/status/964315033533669377

Podcasting how to:

In realistic busy teaching terms, let’s look at how to get started podcasting with students by planning, recording, editing and sharing a podcast.

What makes a podcast? A digital recording and an online sharing service

 

1. Planning

First off, figure out why you and your students want a podcast. What’s the payoff? What stories are y’all trying to tell, and why is podcasting the perfect fit for them?

Different stories require different structures, and thus different ways of planning.  Here are some examples:

Podcasts in one voice:

Stories like a This I Believe essay, a book review, or a narrative require a script.  Students will want to draft and revise their story, starting with a hook to really capture their audience.  These types of podcasts often start with an introduction to the host and a conclusion thanking the audience for listening.

Interviews and Conversations:

StoryCorps is a great example of an interview or conversation style podcast.  These types of podcasts require some thought about the questions you will ask.  Students will want to draft some questions, but they’ll also want to practice follow-up questions.

Podcasts in many voices:

Podcasts like Dorothy’s List use many voices to tell a story.  These require both a lot of planning and the flexibility to incorporate the words and ideas of others.  Students will want to script portions of the podcast that introduce guests and their ideas and summarize and synthesize their words.  They will also want to have great questions and prompts for those they interview.  This format will require a lot of editing!

No matter the format, remember these questions:

NPR offers a plethora of resources for teachers and students, including the Teaching Podcasting: A Curriculum Guide for Educators.  In it, they share these questions for focusing student stories:

What is my story’s driving question?

What is the story NOT about?

How will I ensure my story is fair to the people and ideas it represents?

How will I engage my audience — and hold them?

What are my dream ingredients?

What will the audience remember when it’s over?

There is also a guide for students, perfect for self-directed learners!

Overwhelmed?  Start Small!

If this all seems like too much planning to start with.  Start with a very small class podcast like one of these:

  • Tell some jokes!  Here is your hook:
    • Voice 1: Knock, knock
    • Voice 2: Who’s there?
    • Back to Voice 1: (name)
    • Back to Voice 2: and (name) with the Knock Knock Cast where we tell three laugh, or groan, worthy knock knock jokes.
    • [Gather jokes from students and teachers]
  • The Wish Cast:
    • Hook: What would you do if you caught a fish who offered you a wish in exchange for its freedom?  This is (name) and (name) with the Wish Cast.
    • Content:  In Kate Messner’s book The Seventh Wish, Charlie Brennan is ice fishing when she catches a magic fish.  She can hardly believe it but thinks it might be worth it just to make a wish for the fun of it.  “Let Roberto Sullivan fall in love with me,” she tells the fish. The wish doesn’t work out the way she had hoped… but she gets more chances to make wishes. And what about you?  What would you wish for?  We asked some friends and this is what they said:
    • [Interview several people in the room: What would you wish for?]

2. Recording

There are a ton of ways to record your podcasts, depending on the equipment you have on hand.  Here are a few:

  • The Voice Memos app is available on all iPad, iPod, and iPhones and is an easy way to record audio. Unfortunately, this app does not allow for editing.
  • Audacity is free software for any computer that allows you to record and edit audio.
  • GarageBand is available for MAC and IOS devices and provides recording and editing capabilities.
  • Soundrap is an online audio recorder and editor, making it a great choice for Chromebooks.

While software and apps are always changing, you can find some basic step by step instructions and pros and cons of each application here.

All hail the podbox, baby

Because classrooms can be a little noisy at times, and it can be challenging to find a quiet space to record, we recommend trying out a podbox. This snazzy device is modeled on the type of mobile sound-dampening enclosures used by professional voice-over artists and designed by our very own Mark Olofson.

3. Editing and mixing

Once students have recorded their audio, they’ll find they need to edit it to make it sound great.  Here is a step by step process for producing a podcast.

  • Cut your clips: select the audio you want to use and cut out the stuff you don’t want.
  • Order your clips: put your clips in order to tell your story.
  • Check your sound: are some clips too loud?  Are others to quiet?  Adjust the volume on your clips so that they are relatively uniform and won’t be too hard to listen to.
  • Add some sound: sound effects and music can make a podcast even better.  If there is time, add these in to help tell the story.

Some students may master this process quickly, for more advanced mixing check out NPR’s Producers Handbook to Mixing Audio Stories.

4. Sharing

Once you’ve begun creating finished episodes, it’s time to release them out into this big beautiful world of ours. Which begs the age-old question: how?

Send it out online

At the most basic, a podcast is a series of audio episodes you make available online. Soundcloud allows you to upload 180 minutes of audio for free. PodBean also provides free podcast hosting.

Once you have your podcast uploaded to an online service, you can share it with the world via social media, email, QR code, or adding it to your website.  Be sure to use multiple formats so it can find an authentic audience, otherwise, what is the point?!

Send it out over the airwaves

Brattleboro, Vermont was incorporated back in 1753, a former military fort that embraced trading, commerce and the power of nearby Whetstone Falls to spur mill production. It’s been home to countless tiny, fascinating episodes of Vermont history — episodes that current residents now listen to each week on the radio, being described and re-enacted by students from Brattleboro Area Middle School.

These students partner with the Brattleboro Historical Society in researching and recording 3-4 minute long episodes. And local radio station WKVT airs those episodes weekly. The community’s response to the episodes has been astounding, and the series is closing in on its 200th episode. Partnering with a resource-rich organization like a historical society provides a rich stream of content and expert knowledge. And approaching your local community radio station with educational content actually helps stations stay on the air, by partially fulfilling the terms of their FCC licenses.

Additional resources:

Podcasts with and by Vermont students

Have you tried podcasting with students? What tips can you recommend?

Tools for broadening reflection

book creator

There is very little learning without reflection. John Dewey himself noted:

“We do not learn from experience… we learn from reflecting on experience.”

So how do we get students reflecting in a way that is creative, dynamic, has choice, and doesn’t promote groans and sighs? We move away from “Please write 7 sentences about your learning,” and into other options, both with virtual and by hand options.

But, let’s consider, why reflection?

According to Ireland’s National Council for Curriculum and assessment, reflection helps students:
  • become more aware of the knowledge and skills that they have developed, growing confidence and self-efficacy;
  • identify their strengths and areas for growth and development;
  • create new goals and develop and action plan for future learning;
  • gain greater understanding of their own learning preferences and  take more responsibility for their learning. (NCCA, 2015 (.pdf)).

Sound pretty dang aligned with the goals of personalized learning to me!

Also, the research is super sound about the benefit of reflection in both project-based and service learning. Without solid reflection, learning is limited and diminished. (cite).
Reflection can come in many forms other than the dreaded 7 sentence paragraph.

Visual Reflection

 

You can create choices for reflection by using a reflection menu to have students pick from. Model the tools first for students, showing them how they can use a visual as the basis of their reflection, and share either verbally or with limited words about what they created.
Here is a reflection menu I recently created for the faculty at the College of Education and Social Sciences here at UVM.

Audio Reflection

We have many tools at our finger tips for audio students reflection.  One sits right there, called QuickTime, and students can record a bit of audio anytime. This can be less intimidating for students who don’t want to be seen but being heard is okay. The reflections can also be gathered into a nifty podcast as a project, as well, as we have shared here before, like this oh-so powerful podcast of student reflection of what they want you to know about school.
Audio can also be a lovely addition to any written piece, having students practice their reading fluency and expression, by embedding a little QuickTime link, like Sarah Adelman at Cabot did with her fifth and sixth grade students on their This I Believe essays. Check out this beautiful one about removing snow!

Video Reflection

Some educators are using Flipgrid to elicit reflection and make it a more social experience. Flipgrid describes itself as a “social learning platform that allows educators to ask a question, then the students respond in a video. Students are able to then respond to one another, creating a web of discussion. Responses can be fifteen seconds to five minutes in length. There are both paid and free versions of Flipgrid.
Check out this one created by the Tarrant Institute Staff last year to describe what we are thankful for (a lot!).
And here are the middle school students of Cabot describing some of their work in the Cabot Leads service learning program. We used Flipgrid to record student and teacher reflections on this program.

Add them all up for some creative reflection

I am just loving Book Creator lately. Have you seen it? It’s an incredibly easy to use book creator students can use to make projects, reflection, share info, just about anything. You can add images, audio, video, drawings, and snazzy graphics. This one is a page from a core values activity I did with the Burke Town School teachers. We reflected on our core values as educators, trimming them down to just three, then created a book to express those values.

What are some of your favorite out-of-the-box ideas for reflection? A 3D sculpture reflection? Do tell!

Fractions, Llamas, Self-Directed Learning

llamas

 

Tasha Grey’s Learning Lab Reflection:

As much as I love division with fractions, and think it makes perfect sense, no matter how much time we spend and how many different approaches I take, student understanding is always incredibly fragile. Like baby hummingbird fragile.

Taking the advice of a cohort member, instead of pulling out my hair after several weeks of modeling and connecting different mathematical representations as explicitly as I could, only to find that the majority of students could barely hold onto their understanding from one day to the next, I put the learning in their hands. Really in their hands. I assigned each student a teammate and a specific fraction problem. Their job was to create a teaching tool that would allow anyone to learn how to solve problems similar to one that had been assigned.

Cue student groaning. “Ms. Grey, I don’t even know how to solve this problem!” “Why can’t you just teach them?” and many more comments I pretended not to hear. I provided them with an explicit checklist, a list of resources to help them understand how to solve the problem themselves and whatever technology they needed.

Completing this project was not a straight line for most students. First, they had to understand what they knew and didn’t know about solving their problem. Then they had to try to explain it. Next, they had to admit that they either knew way less than they were letting on, or quite a bit more. Finally, they had to come up with a product that wasn’t just fun and funny, but something that someone could actually use to learn.

I collected all of their finished products on a Padlet site, then set them up to use each others’ products to study for a summative assessment.

Even after feedback from me throughout the process of creating these products, some students didn’t create a usable learning tool despite knowing the material themselves. However, when a peer would complain that they needed to know how to complete the problem, and that the poster/video/slideshow wasn’t helpful, suddenly there was a rush to edit.

This project was no magic wand that made all of my students hit the targets. However, it did help a lot of students take more ownership over their learning, forcing them to come to terms with the fact that they didn’t know the material, and they needed to, and that they had the power to learn it themselves. Not the brightest spot, but also not a complete bellyflop. If nothing else, I got to see llamas incorporated into fraction division.  

 

Llamas

 

  How can I get students to use these resources during our work times to engage in the learn, assess and relearn cycle? There seems to be a chronic desire for me to spoon-feed them information.

 

  Bright Spots:

  • Students were forced to confront the fact that they may not know this material as well as they thought
  • Students had the chance to work collaboratively with partners working at the same level of understanding, as well as those with a different level of understanding
  • Students saw how the quality of their work mattered- it could affect others’ learning as well as their own
  • Students had to actually use their resources (online resources, anchor charts, notes, peers and teachers) to learn deeply
  • Many students had fun- writing and solving problems about their interests, working creatively, and working on their own time frame
  • Some students really learned the material (FINALLY!)

 

  Belly Flops:

  • Some students needed an adult with them throughout the project to stay on task and to maintain accuracy in their work
  • The project was clunky- it needed a lot of adult management throughout, and didn’t always result in accurate or helpful end products
  • It took a lot of time
  • Classic group work problem: It was difficult to maintain the intended collaborative nature of the project, as some students fell into the trap of trying to ride on the coattails of others
  • Technology easily became a big distraction for some students

 

  Questions Moving Forward:

  • How do I consistently provide opportunities like this (where students can continue to work on a topic we have already studied, creating a product that is meaningful to them that shows their increased knowledge- all while continuing to move forward in our learning?)
  • How can I make sure that ALL students are doing the work of learning and creating, while still having them work in groups?
  • How can I help students independently recognize what they know and don’t know, and more importantly, foster a sense of agency which drives them to use our available resources to do the learning?

Student-led conferences come to Leland & Gray

What to assess in a student-led conference: Ruthie's student-led conference at Leland and Gray

Change is hard!

And changing a school procedure that has been the same forever is even harder! Leland and Gray Middle School teachers started planning a transformation this past summer. Their goal? To increase student engagement through student-led conferences.

(Click or tap to enlarge)

The Process

Start with identity.

Middle school students began the year by focusing on identity. Educators charged them with answering the question, “Who am I?”  Specifically: who am I as a learner, a family member, a community member, and a citizen?


Identify strengths and challenges

And learning more about themselves helped students think about their areas of strength and areas for growth. While the original plan was to have students write goals in advance of student-led conferences, time ran short.  Instead, students asked their parents for feedback on their strengths and challenges and used then that feedback when formulating their goals.

Communicate the change

And change is especially unwelcome if you aren’t expecting it!  It’s crucial to communicate the change in plans to parents and community members.  Leland and Gray middle school teachers sent out a letter to let parents and guardians know that conferences would look and feel different.

Prepare and practice!

The first round of student-led conferences can be scary, for both students and teachers.  Scaffolding the process can help.  Students used a script to prepare for the conversation.

And they practiced, a ton, in pairs.  So when the big night arrived, students explained their learning to their parents with ease. (Because they had practiced explaining it to their peers!)

Ask for feedback

Parents AND students were asked for feedback on the new format.  How will you know what went well and what might be improved if you don’t ask?  Leland and Gray middle school teachers know that this process will grow and improve over time, and they plan to use this feedback to revise the student-led conference process.

Celebrate success!

https://twitter.com/innovativeEd/status/1053050893736857600

Student-led conferences received amazingly positive feedback from parents.

I liked that my child is engaged in his progress and aware of it. Loved seeing him voice his strengths — good confidence builder!

It involved the student to the point of accountability. My child was not able ot “zone out” from the meeting, and claim ignorance on subjects.

This format forced [student name] to think, process, and articulate who and where he is academically and personally.

Participation in conferences was higher than it had been in recent years.  And students took ownership of their learning!

Student-led conferences at Leland & Gray

16 tips for writing a great blog post

tips for writing great blogposts

#10 will shock and appall you…

Here are 16 best practices we try to follow as writers on this blog. Many of them stem from two key factors: one, people online now have the attention span of lint, and two, search engine algorithms are really picky about what they deem “quality content”. And you want to keep people reading all about the amazing work going on in your schools!

So let’s jump right in with those guidelines.

1. Use short paragraphs and short sentences. As of 2015, when we’re online, we officially have less of an attention span than goldfish. Goldfish: nine seconds. Humans with multiple browser tabs open: 8.7 seconds.

2. Break up blocks of text with images or videos. It’s the attention span thing. You can reset your reader’s attention span by letting them off the hook on reading. Let them relax their eyes looking at something that’s not text, along with some restful white space.

tips for writing great blogposts
Photo credit: pixabay

3. White space is your friend. For both print and online reading, human eyes like white space. It’s a nice way to rest your eye muscles as you consume a large amount of text.

4. Use frequent subheadings.

Even if a reader’s skimming your post, at least they’re still reading.

5. Feel free to write Listicles. (We know, we know, but it’s a term recognized by the AP Stylebook.) They take less time to consume than actual articles and are super popular.

6. Bold key terms. A lot of your readers are skimming. We’re guessing right about now you yourself have started skimming to see what other items are included in this lovely reference guide. Don’t lie; we’re just excited you didn’t run off to check twitter. But bold terms make it possible to skim lists in a way that’s similar to what subheadings do for regular articles.

7. Don’t ever do the clickbait thing with lists. You know the thing I’m talking about: where you promise N things about a topic, and assure the reader that [thing N-minus-five] “will shock and appall you…” For one, search engines have totally caught onto this and it lowers your overall quality assessment as a resource. But for two, it’s gross.

8. End your blogpost with a question to spur reader reflection. This works especially well if you frame the question in such a way that you explicitly invite the reader into a conversation with you. Say you’ve just written a kick-butt post on 16 ways to incorporate live snails into content units. A great way to end that post might look like: “What are some ways you’ve used snails to liven up your content?” You’re inviting readers to tell you their stories.

9. Create a connection with your reader by addressing them directly in the second person. (“You’ve tried every trick in the book to keep students engaged. Well, here’s something you might not have tried: clowns.“)

10. Stick to one topic per blogpost, and feel free to go deep with it. Blogposts can quickly get out of hand if you try to address too many topics or ideas at once. Remember, you can always create a series of thematically linked blogposts.

11. Use active voice. Do not let yourself get used by passive voice.

12. Feel free to take and include screenshots. Rubrics and lesson plans are great for breaking up long screens full of text. Even a Google Doc makes a nice screenshot for teachers who would really love to get their hands on those rubrics and lesson plans.

The rule of thumb is that you can include screenshots of webpages as long as you reference where they’re from (or link back to them) and don’t take shots of paywall- or firewall-protected content.

13. Present your information independent of media type. Not everyone watches videos. Not everyone listens to audio pieces. The default internet stream is still text, with multimedia adding to the information presented in the text. So if you bring in a video, make sure you’re summarizing the relevant information in the video in your text. Not just:

“Watch the video above and notice what Katy says at the 3:10 mark. Powerful!”

For everyone who skips videos, the information is lost. In a case like this, you’d probably want to take the quote, type it up, and set it as a blockquote.

14. If you link to a document that’s not a webpage, indicate what it is in parentheses after the link. No one likes surprise downloads. Example: How Excited Are You For The New Year? An Exercise for Teams (.pdf)

Now, we realize you’re just skimming at this point, but if you take only two things from this page, it should be this:

15. Be nice

16. Practice accessibility

Nice means inclusive and respectful. The Sum of Us (.pdf) is a wonderful comprehensive guide to intersectional, respectful and inclusive language use. We all try to avoid language that negatively reference people’s ethnicities, genders, sexual orientations, economic backgrounds, physical ability and citizenship statuses. But we’re all carrying implicit, unpacked biases, so it’s useful to have touchstones and to just keep niceness present.

Accessible means that our readers should be able to access all our content regardless of physical ability. Writing for screen readers, transcribing audio and captioning videos is an equity issue. It’s also an issue when we’re choosing what types of examples, links and other media to include with our posts.

Accessibility also includes other less well-known strategies, such as:

  • Don’t use color to indicate semantic differences. (“Click the red button for flexible pathways, and the green button for flexible classrooms.”)
  • Include three or four words in your links. This way visitors using motion-support devices can easily move to your link.
  • Maximize the difference between text and background colors. Black text on a white background always works. White text on a black or dark background works for very short pieces of text. Pale pink text on a medium orange background is illegible to pretty much everyone.
  • Use alt-tags. Alt-tags are descriptions of images that are read out by screen readers. They’re fairly crucial.
  • Twitter has a built-in screen reader tool. So if you include a photo or image, you can write a quick description of it for screen readers. Here’s how to turn that feature on.

What other tips have you come across in creating quality blogposts?

This Is Really Scary (And I’ve Never Been More Excited)

Flood Brook monument with students

When asked “what is your working definition of personalized learning?” Charlie Herzog, an educator at Flood Brook replied:

Relevancy is the essence of personalized learning. It’s about giving students voice & choice regarding content, and offering multiple pathways to explore/learn the chosen content. It’s about students reflecting on their learning journeys; considering where they’ve come from, and where they desire to take their learning next.”

We think this definition works equally well for the adult learners doing the hard work of designing and orchestrating personalized learning. Once Herzog launched this year’s crew at Flood Brook School with the intention of putting his working definition into practice, he too found time to reflect on his learning journey and consider where to take his learning next. Here’s Herzog’s candid and courageous reflection, which reminds us how vulnerable and thrilling this journey can be.

–Susan Hennessey & Bill Rich

 

But There Will Be Graphic Organizers

I never-endingly wrestle with our integrated studies endeavor at Flood Brook. We integrate science and social studies around compelling questions while employing a “project-based” approach, in multiage fashion, grades 6-8.

Among the students the reviews are mixed. If we offered them a thumbs up or down poll I fear the results. What then? In the name of personalization do we end it? If they don’t want it, and what they want is science and social studies completely separate, why not do it? Hell, it would be easier for me to end it.

No, I’m not ready to end it. The reason is I haven’t done project-based learning right. I haven’t personalized it enough.

I trapped myself. Under the burden of urgency I fell into the comfortable: deliver content, provide graphic organizers, require Cornell note-taking, check all the boxes…and now start the project and be excited about it. Sure, be excited by it after I sucked all the air out of it. I understand why students might feel integrated studies is a slog.

I was about to do it again. Oh, the content is always delivered with a certain flair. It wouldn’t have been boring, but there would be graphic organizers to fill out.

My partner, Joey Blane, snapped me out of it. Turns out, her spirit for integrated studies needed a jump start too. Weren’t the kids supposed to like this? Weren’t we?

We changed the entire plan we wrote at MGI. Now we’re going to build a monument that’s going to address, “Why should we care about human rights?” We have zero idea what it’s going to look like because the kids are going to design and build the whole thing.

This is really scary. What if it’s a disaster? It’s beyond my comfort zone. But doesn’t project-based learning push all teachers beyond their comfort zone?

The root of our problem with integrated studies is we haven’t personalized it enough. Yes, we offer a slew of project options. Yes, we give students choice of compelling questions to pursue. Yes, we give students a voice in the planning of the units. But we haven’t put the project at the front of the experience.

This New Tech Network image graphically represents what I’m getting at here.

 

Despite our hard work, our excitement, and our best intentions for our students, we haven’t given kids reason to care. In my mind I hear, Even if I did care, even a little about it at the start, you’ve tortured the content to such an extent that any motivation I had to start the project is dead.

So, I’m going to spend quite some time learning about engineering monuments, human rights issues, activism, symbolism, physical sciences, etc. I don’t know what the monument is going to look like. I don’t know how to build it. Beyond the Holocaust, I have no idea what human rights issues we’ll be investigating, nor do I have any idea what form of activism the students will take.

I’m scared. I’m really nervous, but I’m excited, and I haven’t been this excited in a while.

 

Herzog’s updated inquiry question now reads “How might putting the project at the front of a project-based learning experience increase personalization for students?”

Watch the video below and consider visiting his class to learn more about his journey. Schedule a visit here!

How to build teacher advisory

Peoples Academy Middle Level action research advisory

Peoples Academy Middle Level shares their action research

“It’s getting personal”. Peoples Academy Middle Level teachers discuss how they’ve created personal connections with students in their TAs (teacher advisories), and the difference that’s made to classroom environments. Presented at the 2017 Middle Grades Conference, at the University of Vermont.

 

Peoples Academy Middle Level on building teacher advisory

 

Transcript pending.

The athlete, the artist & the PLP

The athlete, the artist & the PLP

How Passion Projects can fire up a student-led conference

Julia is a student at Frederick H. Tuttle Middle School, in South Burlington VT. She’s an athlete and an artist. So for her Passion Project, she found a way to combine the two disciplines.

And embracing these two important parts of her identity gave her a lot more to talk about at her student-led conference than in years past.

The athlete, the artist & the PLP

For her Passion Project, Julia transformed a photo of herself at a gymnastics competition and reproduced it using buttons. She took Tuttle’s button mural, depicting their new mascot, as inspiration. In addition, her parents had worked on a portrait of Julia using spray-painted pennies. This too served as inspiration.

 

Tuttle Passion Projects

 

Once she’d completed her personal button mural, she discovered that she had much more to talk about at her student-led conference with her family.

As Julia herself puts it,

“When you enjoy doing something, you want to talk about it.”

Several teams at Tuttle Middle School are taking a project-based approach to Personal Learning Plans to “hook” students into the goal-setting, planning, and reflection cycle. Check out Julia’s project reflection sheet, below. There you can see how she documented her journey.

Julia's planning document

How can you help students enjoy PLPs and student-led conferences?

Randolph students turn digital audio producers with PBL

Randolph Union High School digital audio producers

Flexible pathways in digital music

The 21st Century Classroom podcastWe had a chance to hear from student digital audio producers at Randolph Union High School, in Randolph VT.

They, along with innovative educator Raymond Cole, shared what makes this project-based learning class such a hit.

 

A full transcript follows below.


In this episode of The 21st Century Classroom, in tiny Randolph VT, students are turning digital audio producers, complete with a CD release party and plays on local radio.

And they’re doing it in school.

Bailey: Right now, I’m currently working on a more trance piece. If you know DeadMau5, he’s a trance deejay and he makes kind of trance-y song. It makes you, like, get upbeat but it’s kind of like you’re lost in the world. That’s what I’m working on right now. And it’s very… It has live synths and pads, which is all very airy.

Randolph Union High School has begun offering a digital music class that uses a technique known as project-based learning to support students in learning about music, technology.

And more importantly, how they best learn in a classroom setting.

Emma: Well, usually, we come together in the beginning of class and do something together. Maybe we’ll analyze a piece of music, share some of our music, talk about tempo, chord progressions. Then, we branch off a d either work in collaboration with each other or alone. And that’s the time when you really start to need to be… Like your mind goes into its creative space.

I think something I really struggle with sometimes is that writer’s block sort of thing. I think if anybody, or any other student’s experience that while writing music, it’s a really real thing. And it’s hard to overcome and it can feel really frustrating. But if you have somebody to collaborate with and say,

“Hey, come on, will you listen to my piece?”

It can be really helpful to gather other people’s input and really help move along the creative process.

Raymond Cole is teaching Randolph’s digital music course as part of the school’s focus on project-based learning. Project-based learning is a type of personalized learning that fuses student passions with concrete actions in the world.

Students begin each project-based learning cycle by focusing on an idea they want to bring to life in the world, creating meaningful change.

Raymond Cole: My name is Raymond Cole. I am the music teacher here at RUHS, Randolph Union High school. I teach grade seven through 12. I teach jazz band, concert band, choir, digital music, and then a seventh grade general music class here at the school. I have done music technology in the past at other schools that I have taught at, and it’s been a really big part of my musical growth since I started doing music. I thought it was really really cool being able to teach a project based learning class at PBL. I usually teach most of my classes through projects anyways, so it kind of really fit really, really well.

At the beginning of this year I went to a weeklong professional development session on PBLs and project-based learning classes, and learned how to teach a project based learning class, and ended up coming up with this idea, then working backwards from it. And it ended up working out really well.

Cole has found that project-based learning’s focus on creating, making and doing has changed how he approaches his role in the classroom.

But not the content.

Raymond Cole: I’m really more of a facilitator in this class than a teacher. Very rarely do I spend a lot of time in front of the students lecturing or giving out information that way. I usually build projects that allow them to figure out the information for themselves. I ended up having our big end-of-the-year exhibition project planned out, where we were going to create a CD and then broadcast it on a radio station and worked backwards from there.

We started out the year basically saying,

“Okay, this is where we need to be. What do we already know that will help us reach our goal, and what do we need to know in order to reach our goal?”

I already had an idea of what we did, but I wanted the students to be able to kind of figure that out for themselves, and then from there I structured projects that allowed them to gain this knowledge through doing the project. We started out on some more basic softwares, and working with loops, and already premade music, and they had to piece together.

That way I was able to teach the structures of music through a non-traditional sense instead of just saying, “This is form and this is how it sounds.” I have them say, “Okay this is form” and build a song using these pre-made loops to emulate that form. It’s all learning through doing versus learning through absorbing.

A key component of project-based learning requires that students undertake projects that are both personally meaningful and authentically connected to the world around them in some way.

For these students, focusing on their tracks included anticipating releasing them as a digital mixtape, complete with a potential CD release and outreach to local radio stations.

Willam: With this, we have to email and talk to people, call and get communicating with the radio station. It’s been a lot easier to know how to set stuff up. Like groups, parties, releases and stuff like that.We had Adam, one of the students, email the radio station, collaborate with them. Like:

“When do you want it to happen? When is a good time? What’s going to happen? How do you want us to set it up? What do you need?”

Just stuff like that.

Emma: I hope to be able to share something that I feel really proud of and say, “Yeah, I wrote this.” And be a little surprised at where I’ve come. I hope to take away a lot more music theory knowledge of more tempo and stuff like that, and harmony, and just music theory that I could take away to use in the traditional music world.

Meet Emma. She plays multiple traditional musical instruments, and this class is her first foray into digital music.

But she’s already noticed a change in how she approaches both disciplines, and creative effort in general.

Emma: Okay. My name is Emma. I’m in 10th grade and I go to Randolph Union High School.

I had been playing several instruments since I was younger. I mostly played the flute, but I do play a little bit of piano and guitar here and there, and music is just something that really interests me, and I happened to have this period free. Digital music is something I had never really tried out so I figured, “Why not take a chance?” It ended up being something I like. I’m really glad I decided to do it.

Usually, we come together in the beginning of class and do something together. Maybe we’ll analyze a piece of music, share some of our music, talk about tempo, chord progressions. Then, we branch off in either work in collaboration with each other or alone. And that’s the time when you really start to need to be… Like your mind goes into its creative space.

I think something I really struggle with sometimes is that writer’s block sort of thing. I think if anybody, or any other student’s experience that while writing music, it’s a really real thing, and it’s hard to overcome and it can feel really frustrating. But if you have somebody to collaborate with and say, “Hey, come on, will you listen to my piece?” It can be really helpful to gather other people’s input and really help move along the creative process.

When I first started the class, it was a little hard to share my music because music can be a really vulnerable thing. I think I’ve grown though since then like, become more proud of the pieces I’m making; I don’t think that any of the challenges are bad though.

I think that’s helped translate into like other classes or just life in general, like being more proud of what I’m doing and taking pride in the creative process. Yeah.

Bailey: After you make something, and you like it, and you hear it, and you hear it… And if you show someone else and they like it, then that’s probably the most satisfying. As long as you like it. Then when you hear someone else confirm that your feeling is right. Then that’s probably the most satisfying part.

Project-based learning provides a space for different levels of learners to take enjoyment from the shared, collective experience of building. In project-based learning, when you have a shared purpose, it creates something greater than the sum of its parts.

Randolph senior Max came to the class with a very different set of musical experiences, and has taken a different pathway through it.

Max: Yeah, I started producing music on my own when I was in 8th grade and I learned a couple of different types of software. I mostly taught myself how to do it all. I started releasing music on SoundCloud under my name and released an E.P. when I was in 10th grade. I’ve learned all the technology mostly on my own and over the course of it, I got a really solid understanding of using multiple kinds of software.

So I signed up for this PBL digital music class because I’m actually someone who’s been a music producer for a long time, and it’s always been a passion of mine. But it’s never been something that’s been taught at school. I haven’t really seen very other people getting into it. So, I signed up for this class to kind of be a resource, to help others learn and to have fun with people who are into something that I’m really into.

It’s been really good for me in this course to be able to help other people through every step of the process because we have people at every different skill level come into this class.

Yeah, this class isn’t so much about my own goals. I think I’m mostly in this class to really teach others what I know. I think it’s really important to have classes like this, and have this stuff being taught in schools because it enables people to express themselves musically and actually have a platform for that and not just have ideas but not be able to pursue them. I think that’s kind of why I’m in here, is to really make people want to take it seriously and inspire people.

 

And for teacher Raymond Cole, all of these outcomes are a success for the class.

And for project-based learning at Randolph.

Raymond Cole: Well, with music it’s all very subjective. Success means a lot of different things. We actually had a discussion about what success was towards the beginning of the year. Because some people might think success would be being able to write their own song without any help and all that kind of stuff. Whereas some people would find success in being able to even understand what they are doing.

It really depends on the student, and I think what we ended up coming up with was success meant reaching the goal they had set for themselves before they started the project.

Being able to write the song that they wanted to write or convey the message they wanted to convey whether it’s through loops or through stuff that they wrote and it’s on varying levels too, which I thought was really cool because each student could kind of have their own measure of success as they went.

I basically tried to sculpt the beginning of the year in a way that everybody could be successful, and that everybody can learn what they needed to in order to progress. Which was really cool because that way I could kind of take my time being a new teacher here at Randolph. I could tell them, okay, this is what we are doing today. And then watch them figure it out on their own versus me having to stand in front of them. Then test to see whether or not they’ve figured out what they are supposed to figure out.

Bailey is an 8th grader at Randolph and when he joined the class, had no prior musical experience.

But he’s already gotten deeply into the production side of things.

Bailey: Right now, I’m currently working on a more trance piece. If you know DeadMau5, he’s a trance deejay and he makes kind of trance-y song… it makes you like get upbeat but it’s kind of like you’re lost in the world. That’s what I’m working on right now. It has live synths and pads, which is all very airy. We’re using popular song form right now — which is intro, verse, chorus — but pretty much what I’m doing right now is I’m adding in the beginning a very mystic feel. Then it’s going to have a lead up, a drop, and it’s just going to hopefully blow your mind.

Obviously, I hope when we release it to the radio station people are like,

“Oh, this is fire!”

And want it. But I guess it’s all up in the air, it depends what people want. If they like it, I guess we’ll go from there.

That’s a key component of project-based learning — and really any transformative learning experience.

Students have the choice of what they learn, how they learn, and why it means something.

Bailey: Hopefully, after this year, I’m hopefully going to be coming back to this PBL, and so hopefully by then I will have a track that I am very proud of. I’m still working on my main track right now, but at a year’s time I hope I have at least a small collection of tracks that I’m really proud of.

 

This has been an episode of The 21st Century Classroom, podcast of the Tarrant Institute for Innovative Education, at the University of Vermont. Huge, unending thanks to Raymond Cole, Elijah Hawkes, and all the students in Randolph Union High School’s digital music class for their generosity and their patience. The episode was produced by Audrey Homan and Life LeGeros.

It has been a true pleasure to listen to these students and their work, and if you want to hear more of their tracks, head over to Soundcloud.com and look up “The Galloping Circus”. It’s the name under which Randolph’s students released their first collaborative album, “The First Act”. Give it a listen.

 

4 ways twitter bots can help save the world

twitter bots

The Good, the Bad, and the Bot

What does it look like when twitter bots work towards improving our world?

Bots have a rightly deserved rap for being used nefariously, but much less attention is paid to when they’re used in ways that enhance the world. And you may have students for whom the exercise of writing a bot can unleash their specific creativity and introduce them to the idea that writing code can be used to effect positive change.

twitter bots

Let’s take a look at four functions for twitter bots that can actually improve the world.

Wait, slow down. What’s a bot?

Great question. A bot is an account you create on twitter that tweets automatically. You can set it to tweet when:

  • a specific set of conditions are met;
  • or when the value of a variable changes;
  • or to just tweet out a specific string of text at intervals.

Bots exist on other social media platforms, like Facebook, but today we’re going to be looking at the ones on twitter.

But aren’t bots a bad thing?

Like almost everything else online, they sure can be. A few years ago, social media platforms including twitter had much more relaxed rules about bots, which led to some people creating many bots that were designed to impersonate real people, with the aim of influencing political elections. There’s evidence this may be ongoing.

But this form of coding — creating a small tool that can do repetitive action indefinitely or quickly parse large data sets — shows no sign of going away. It’s a coding exercise that shows no sign of wanting to return to Pandora’s Box, so it’s up to us squishy, breakable humans to figure out how to use it to make things better.

1. twitter bots performing radical self-care

One of the most pernicious aspects of social media is how it can be a massive time-suck. This can be good (waiting at the doctor’s office) and bad (um, any other time). Sometimes you just need a responsible bot to step in and remind you of the world outside your screen.

Meet @tinycarebot and @Yayfrens.

https://twitter.com/tinycarebot/status/1057002930707066880

https://twitter.com/yayfrens/status/1056717702251905029

The two bots have a very simple, paradoxical purpose: to make twitter a more human place.

Additionally, most of their tweets encourage the user to work towards a healthy online-offline balance; that’s right, they exist online to help users remember to get offline.

Self-care bots you and your students could build:

  • A basic compliments bot;
  • A specifically class- or school-based compliments bot.

But what about a twitter bot that fights bullying? You can build a bot that’s set to search for certain terms and take actions based on them. So, for example, a bot keyed to search for the term “meanie”, could simply respond to each instance with “Hey, that’s not okay. We’re all here trying to be nice.”

Can someone build this for us, like, yesterday? Tia, you beautiful people, you.

2. twitter bots supporting civic engagement

One of the things twitter bots are best at is monitoring a data set and taking action when it changes. How does this make them good at civic engagement?

Angelina Bethoney wrote the twitter bot @LawsMass, which monitors which legislation is currently being worked on in Massachusetts. She made the code open-source, and encourages other people to write legislative bots for their own states. A good and easy way to keep paying attention to what’s going on in government.

twitter bots

Vermont does not currently have an Open States twitter bot. Hint, hint.

Another type of civic engagement bot is the popular “_edits” bot. Popularized by @NYPDedits and @congressedits, these bots simply make note of when the encyclopedic powerhouse wikipedia is edited. And by whom. As wikipedia continues to allow anonymous edits, bots like these that track edits to a range of IP addresses (such as those assigned to the NYPD, or Congress) provide valuable information.

What kinds of civic engagement bots could your students create?

  • How about partnering with your local school board in creating a bot that tweets out meeting agendas, guests and changes?

 

3. twitter bots creating art

Even though everything’s terrible, it’s still okay to make tiny, beautiful things. Maybe even because everything’s terrible. And you can make twitter bots that create and share tiny arts.

Meet the @BowieLyricsBot, and @grow_slow.

@BowieLyricsBot does what it says on the tin: shares a lyric from a random David Bowie song at one-hour intervals.

twitter bots

(Synchronicity: when two bot tweets appearing together in the timeline add up to a larger whole. Now all we need is a Police lyrics bot.)

 

@grow_slow, on the other hand, shares a daily photo of one plant, growing slowly.

@MuseumBot is a bot that tweets a photo of one item from the Metropolitan Museum of Art’s collection each day, along with accompanying details.

They’re small, powerful acts of tiny art that interrupt the unending flow of misery current news cycle on a user’s feed with the reminder that things can still be beautiful.

What kind of tiny art could your students share with the world?

  • A photo of a classroom bulletin board each morning;
  • A collection of student art that’s added to at regular intervals;
  • A photo of a random place around the school paired with a motivational quote.
  • In partnership with a local museum or historical society, artifacts from their collections.

Bots like these are relatively simple: they pull one piece of data from a larger data set and send it out into the world at regular intervals. The biggest challenge with these will be with assembling a data set in a uniform format to pull from.

4. twitter bots monitoring remotely

Need to know when a specific condition changes? Think of a door being opened, then closed. A light turning on and off. A cat going in and out. Wait, wha–

@PepitoTheCat is a bot whose sole purpose is to record when Pépito, who is a cat, goes out at night, and when he comes back home. That’s it. It’s brilliantly simple and powerful. It performs two valuable operations. One, it records data based on these conditional events. And two, it’s creating a new record with all this data that can be examined later.

Think about how your students could implement something like this as part of a science experiment:

  • How often does the temperature drop below a given value in the turtle tank?
  • How often does the heat lamp turn on or off in the chicken coop?
  • Overnight, how fast does water evaporate?
  • How much snow did we get today?

These are super fun. They work by connecting with tiny science-y (yes it’s a word) sensors and recording data from them. So, in Pépito’s case, there’s a sensor on the door flap that registers every time the door is opened. This, in turn, triggers a camera to take a photo. The photo is then tweeted out with its timestamp.

Folks who are looking for next stage arduino projects, projects that actually do something? Right over here.

But remember, these type of bots are also collecting data while they tweet. They’re doing the work of building a data set for your students to later analyze. Remember @grow_slow?

Wait, this is starting to sound complicated.

A twitter bot like Pépito’s certainly needs some additional parts and a little more thought than one that simply cranks out quotes from your favorite Agatha Christie novels.

What kind of bot could your students create? What problems do they want to use it to solve?

https://twitter.com/yayfrens/status/1056763000294686721

 

 

What does service learning look like in Vermont?

what does service learning look like

Leland & Gray students take on a school community makeover

At Leland & Gray Union Middle High School, students decided to make their school a more inspiring place to learn. They put in flower boxes, painted murals, planted a garden, assembled a forest nature walk and built an outdoor classroom — all in one week.

Here’s what it looked like.

What does service learning look like in Vermont?

Service learning can take many forms, but in Townshend VT, it took the form of adding light, paint, trees and butterflies to the school community.

Students:

  • wrote grants;
  • collected supplies;
  • researched flora & fauna;
  • designed murals;
  • cleared trails;

and built an outdoor classroom. All with an eye to making the school a more inspiring place not just for themselves, but for their community. And for the future.

I think maybe the most satisfying part was, like, knowing at the end we’re gonna have a lot more beautiful things, like, on the school campus? And outside in our community.

So, like, later on, when we’re like, seniors or juniors in high school we get to look back and say, like, ‘Oh, we did this.’ And it’s beautifying the community.

–Ansley, Leland & Gray 8th grader

Throughout the process, students planned what roles could look like in their groups, and consistently focused on how each individual contribution could better the school — and surrounding community — as a whole. Seventh grader Enzo explained the goals of the group focused on adding flower boxes to one of the school’s rear entrances:

We’re doing it to make this area beautiful. To make the parents who drop off the kids know that we like the community.

So exciting to see all this hard work come to fruition! Congratulations, Leland & Gray!

What does service learning look like at your school? What could it look like?

3 ways to use virtual bulletin boards

virtual bulletin board corkulous

Padlet, Google Keep and Corkulous — oh my!

1.Padlet

Padlet’s been a go-to for a number of our educators for a while now, based on both its easy drag-and-drop interface and the ability to add photos and video to individual boards. We’ve seen it used

Corey Smith, at Proctor Elementary School, uses Padlet to organize roles and responsibilities in group work. Check out how she organized this Padlet board so that students can clearly see and reference the responsibilities that go along with each role.

Made with Padlet

Additional resources:

2. Google Keep

For Google schools, Google Keep can be invaluable as a collaborative project management tool. Each Google account automatically has access to a virtual space where they can create post-its for data management. These post-its can be shared with other Google users, can include HTML and links, as well as images and — get this –drawings!

 

3. Corkulous

Meet Corkulous: a free iOS app and browser-based corkboard tool.

Sixth grade educator Joe Speers is using the tool for vocabulary development. The drag-and-drop format allows students to create one post on the board showing the word itself and a definition. Next they can bring in a picture that illustrates the definition of the word and physically link them together.

Using Corkulous to help students with vocabulary

 

How do you use virtual bulletin boards with your students?

 

Building a chicken coop at The Dorset School

Dorset School chicken coop
Building a chicken coop at The Dorset School

 

How do you get fresh eggs on a school menu? Students at The Dorset School, in Dorset VT, did it by researching, designing and building their own school chicken coop. They crowd-sourced donations for materials and had some hands-on help from community members, and now The Dorset School is home to some very happy chickens. We talked with some of the students involved in this project, about what they learned.

Previously:

Any other schools out there with advice for new coop builders?

How to get students to communicate with families

how to get students to communicate with their families

Welcome to the Best Part of My Week

And yours, likely. Peoples Academy Middle Level educator Joe Speers shares how to get students to communicate with their families. He uses a technique called The Best Part of My Week.

How to get students talking with families, with Explain Everything

Speers’ sixth grade students use the iOS Explain Everything app to record a short message to their families, talking about the best part of their week. Each message must include a selfie, a short text-based message and a voice recording. Then students store each message in their Google Drive. That way, families know where to go to get the latest updates from their students. But best of all, these messages can be included in the students’ PLPs. Short, personal, and emotional goalposts depicting what each student finds most satisfying about their lives as they grow and change.

how to get students to communicate with their families

While Peoples Academy uses the Explain Everything app, any digital app that can combine text, photo and audio can work. Shadow Puppet? Yup! iMovie or WeVideo? Why not! The tool’s almost immaterial, so long as students feel comfortable. The underlying principles here are mindfulness, reflection and repetition.

  • Mindfulness: It takes a steely resolve to carve ten minutes out of a busy school day for one specific activity.
  • Reflection: We know how much students benefit from reflecting on their learning. This is just applying that principle to their emotional selves as well.
  • Repetition: Every Friday. (Snow days notwithstanding.)

Joe previously showed us how his students use Corkulous to create vocab flashcards, and how he uses Google Drive to organize student work. Which is to say: he is rock n’ roll personified.

How do you get students to talk with their families?

What will your #1st5days be like this year?

Laura Botte Morning Check-In

Welcome back! You’re doing amazing.

#1st5days icon: which word will define your start to the new school year?Oh those heady #1st5days of school. So much shrieking, so much laughter — and students to contend with as well. Whether you’re a seasoned veteran, new to the classroom or somewhere in between, we’ve gathered some resources you can draw on as you jump back into the year.

As always, let’s start with students. Here are 5 resources for getting to know your students.

Continue reading “What will your #1st5days be like this year?”

How to make a mini-documentary

how to make a mini-documentary

You’ve captured video of ALL THE THINGS. You’ve diligently trained your device on the action as some truly amazing work has gone down in your school. You’re excited to have a video you can share with families, with the school board and add to your PLP portfolio. And now you’re just sitting there, overwhelmed by it all. Wondering how in the world you’re going to get from an iPad full of footage, to finished. You’re wondering how to make a mini-documentary.

So… now what?

Now it’s time to get from footage… to finished.

Getting from raw footage to finished video can feel overwhelming. A lot of times what you’ve shot may make the best sense only within a larger context. But how are you going to tell your story?

Here is one way to make a small, manageable documentary-style film from your footage. There are tons of other ways you can try, including going to film school. But this way should only take you one afternoon.

Behold: “All Fried: Carolina Fish Camps”

All Fried: Carolina Fish Camps from Southern Foodways on Vimeo.

Watch this video. It’s six minutes long and it will make you ridiculously hungry for fried food. After you watch it, we’ll talk you through a way to make your own school-related version of it out of three things: a good interview, some listening skills and B-roll.

But first, the fish. Get to the watching.

Now, what did you just watch?

You watched a person — in this case a university professor — telling the story of a practice they like — eating at fish camps — and explaining why they like it.

That’s it. An interview punctuated by interesting visuals that helped explain the interview. And even if fish aren’t your deal, now you have one way to take a very big and overwhelming topic and make a compelling video about it.

And you’re going to do this by:

  1. Shooting an interview;
  2. Grabbing its soundbites;
  3. Adding B-roll, and
  4. Getting fancy.
Let’s jump in.

1. First, get a good interview

Decide who is be the best person to tell the story of your school project. That person is going to be the narrator of your documentary. 

Grab your gear and a partner

We use this setup to record most of our interviews:

We use it because it’s durable, relatively low-cost and super easy to use. There are tons of other setups out there, and whichever one you use is awesome. You’re doing absolutely amazing and none of us are going to Cannes tomorrow. Let’s ease into this.

Now, using the plain old Camera app, you’re going to find a quiet space, make sure your microphone is on, and record a simple but informative interview.

After you’ve made sure your microphone is on, you’re going to answer these five questions:

  • What is it you’re doing?
  • What’s the most challenging part about it?
  • What’s the most satisfying part about it?
  • What one piece of advice would you give to other teachers who’d like to try what you’re doing?
  • If you had to do this over, would you change anything?

For your interview, get comfy. This works super well in pairs, but sometimes you just have to go it solo. As long as you have your questions and make sure you’re in a quiet space (and your microphone is on) you can make it work.

Some notes about the interview environment:
  • Natural light from a window will make you look your stunning best. Or just go outside into the natural light. Go on. Shoo.
  • If you’re outside you likely will want to have a wind muff over your microphone.
  • Take a moment to make sure you’re not sitting under an AC vent or a fan, or next to an aquarium.
  • If you can, find a small room to record in for good audio, or, because we’re being realistic about school settings, have the interviewee face a bookshelf or a breeze block wall. Look for a space with a low ceiling. Those are the types of features that will help you get great audio.

Finally, make sure you see black bars at the top and bottom of your iPad screen:

And hit the record button.

Interviewee, please start by introducing yourself with your full name, what grade you’re in (or what subject you teach, possibly both — you know yourself best) and what school you’re connected with.

Now let’s step through our five questions.

If you’re the interviewer, give those questions some breathing room,  and don’t interrupt. If you feel yourself starting to “Mm-hm” or “Oh yeah!” realize that those will have to be edited out and, in the words of Her Own Sainted Self Tyra Banks, smize it out instead:

Smizing is the art of giving your interviewee encouragement to keep talking without actually making a sound. Less editing to do at the end.

2. Next, find your soundbites.

Now that you each have a good interview clip, you’re going to watch it back and figure out what your soundbites are. Those are the moments that make you nod your head, like, yes, that’s exactly what I want people to know about this project.

If you transfer your video to a laptop or desktop for editing, and open your interview clip in Quicktime, you’ll have that great timescale at the bottom of your clip:

how to make a mini-documentary

 

Grab something to write with. Now, as you watch your interview, when you hear a soundbite, jot down the approximate time it starts and finishes, and some words or a phrase that will remind you why you liked it so much. Get through the entire video, and find those soundbites.

Then, rank your soundbites.

Start by starring the ones you really love, as opposed to the ones that were just pretty good. Then assign them numbers, number 1 being the best, number 2 the second best etc etc.

Now it’s time to crack open iMovie

Create a new Project in iMovie, and import your interview file. Drop it onto the timeline so the beginning lines up with 0:00.

You have your list of soundbites with approximate timestamps. Say you want to create a soundbite from 0:10 through to 0:23. Move your playhead to 0:10. Wiggle it around a bit until you’re a little before where the soundbite begins. Once you have your playhead in place, click on the clip so it turns yellow, then press command-B, or go up to the Modify menu and choose “Split Clip”. You have just made your first edit.

Click on the bits of the video you don’t want, the bits outside your edit, and hit Delete. They get deleted from your timeline.

Finally, go to the File menu, choose Share… and then File…

You get:

how to make a mini-documentary

 

Repeat this process until you have a directory of soundbite files to work with.

Now, create a fresh iMovie Project and import them all.

You’re now going to arrange them on your timeline in a way that makes sense to you narratively. Don’t worry about your visuals yet, just figure out the story they’re trying to tell.

We try to put our favorite soundbite first in line, to draw people in. And we put our second-favorite soundbite last, as a coda to the whole story.

3. Add your B-roll to keep things moving

B-roll can consist of video clips or it can consist of still images you feel contribute to the points you made in your interview. In the Fish Camp story, you see a lot of B-roll of inside the restaurants, and the food being made, but when Dr. Criswell starts talking about how much he loves looking at the old menus, the visual cuts away to still images of menus. Totally awesome use of B-roll.

One of the most interesting things about the Fish Camp video is how much of the B-roll is tied to the nouns in Dr. Criswell’s story. When he says:

The fish camps were a place you could go, and feed your whole family, and not blow your paycheck (0:37-0:42)

(emphasis ours)

The B-roll that’s being shown on-screen at that time is of a group of similar-looking people, like a family, giving their order, which the waitress writes on the check.

When Dr. Criswell says:

And the portions were always generous. (0:46-0:47)

(emphasis is us again, we’re shameless)

The B-roll on screen is of a plate or portion of food. The amount of food on the plate is large, or generous.

When Dr. Criswell says:

The food at the fish camp had a direct relationship to the mill workers (1:20-1:23)

you see B-roll of mill workers.

So this is a great point at which to stop and ask: What are the nouns in your story, and do you have B-roll to illustrate them?

You can also shoot extra B-roll, if you’d like.

If you’re talking about how amazing it was to learn to tie your shoes, for example, take the media kit and film a partner tying their shoes. Maybe film over their shoulder or get down on their level with the tripod.

Two tips:

  1. Watch B-roll on fast-forward using the slider to control how fast it goes. You can get through a ton of footage just looking for interesting pieces of movement that catch the eye. Note the filenames and approximate timestamps. It’s easier to pull B-roll in as large chunks and fasten it in place, then adjust.
  2. Look back at your soundbites for interesting movement. If you got really heated about the chihuahua story and did a lot of gesturing with your hands or imitated its facial expressions, that’s really interesting to look at. Think about whether you really need to cut to B-roll there, or whether you telling the story is enough on its own.
Over in iMovie, start importing your B-roll into your project.

Command-I is your friend, people.

Once you have it in your project, add a piece to your timeline by selecting the clip and placing it above your existing timeline:

how to make a mini-documentary
(click to enlarge)

 

3.5 Stop and take stock of your work

Try this as a starting exercise: add in your top three soundbites, and some B-roll, then watch your story. Do you like what you’ve made? What’s missing? Did you get all your nouns? Do you need to shoot more B-roll?

Aaaaaaaaand breathe.

4. Get fancy with it: titles and background music

You didn’t think we were done, did you? P’shaw, we’re just getting started.

But as you go back and watch the Fish Fry (yes again; just one last time), ask yourself:

  • When does the title appear?
  • What does the title appear over?
  • Is there background music?
  • When does it come in? How long does it hang around for? And what word would you use to describe it as a mood?
And now for the obligatory piece about copyright

There are many fine pieces of music you can use for background to your documentary that are generously made available for Creative Commons use. Some good places to look are at the Creative Commons site itself, and over on Soundcloud, where you might find some lists that surprise you…

A huge shout out to the fine folks at the Southern Foodways Alliance, especially “All Fried” director Ava Lowrey for making this and other fine documentary pieces.

Here’s one we made earlier:

What's Learning Lab?

 

What’s your secret recipe for getting from footage to finished?

How to bake an inspiring kickoff video

Launching a new project cycle with inspiration from the last one

"Video in the Classroom"Organizing your realia — testimonials, storytelling and artifacts — from a round of projects can feel overwhelming. So much footage! So many interviews! ALL THE IDEAS!

Resist the freakout: here’s a recipe for pulling your footage together to inspire a new cycle of learning with lessons from the previous rounds.

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3 tech-rich ways to study local history

Place-based learning with real world implications

tech-rich ways to study historyFor your students, learning about the local landscape can be amazing. What’s that tree? How long has that building been here? What does that plaque, “1927 Flood Level” mean?

Here’s 3 tech-rich ways to study local history: by updating your town on Google Maps, creating a QR code-powered history walk or shooting a historical documentary. Roll tape!

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Having the hard conversations in Southern Vermont

Refuse to Use

It takes a village to talk about substance abuse with students

The 21st Century Classroom podcastLondonderry, VT-based non-profit The Collaborative is in its 14th year of “Refuse to Use”, a substance abuse-prevention program that creates community conversations about alcohol, tobacco and drugs.

They base their curriculum off hyper-regional data and depend on community members — parents, educators and students — telling them what to talk about next.

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Self-care for educators

4 ways to stay well and focused heading into the holidays

@ThisIsVTEDIt’s that time of the year again: you’re almost to the halfway point, almost to the big holiday break. This time of year can be demanding: everyone’s looking forward to vacation, and it’s hard to stay focused on the classroom.

More than that, you’ve been working incredibly hard for and with your students. You’re so very ready for that break. There’s just one more week to go. So let’s talk a little self-care for educators.

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Digital badges as evidence of flexible pathways

Realizing the promise of micro-credentialing

Tarrant Institute tool tutoriallsAs teachers and students grapple with how to implement proficiency-based assessment, flexible pathways and personalized learning, what can we learn from digital badge eco-systems? What’s been tried? What’s worked? 

And what do we need to think about as we implement micro-credentialing to help us grapple, not just with the requirements of Vermont’s Act 77, but with this profound shift in education as we know it?

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The student architects of Shelburne VT

student architects of Shelburne Community School

Making math real-world relevant

real world project-based learningWould you tell the school board how to redesign your school? Students at Shelburne Community School, in Shelburne VT, did just that.

They were tasked with redesigning the school’s outdated “kiva” space. Using Google Sketch-Up, they created three different designs for renovating the space, and presented those designs to a panel of local architects, and their school board.

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How to start a difficult conversation

Conversations begin at home. And at the bus stop. Also the market. And–

#everydaycourageSo much of the change we need to see right now can be kicked off by starting conversations with members of your community.

It takes a certain amount of courage to address issues that affect your whole community — such as bullying, hate speech and equity — with people who you may never have spoken with before.

But it’s effective. And the more you do it, the easier it gets. Let’s look at 4 ways to start a difficult conversation in your community.

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What it looks like when students teach

#everydaycourage“It really is nice being able to teach others. I know that I had an effect on them.”

The Essex STEM Academy, at Essex High School, lets students pursue their passion for tech and science with support from the Vermont STEM community. They also let the students teach.

We spoke with Ian, an Essex STEM Academy student who taught arduino programming, for an episode of our podcast. Find out what it’s like when students are given the freedom, support and authority to step into a teaching role.

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Checking in with Stowe & PAML’s peer PLP collaboration

peer PLP collaboration

peer PLP collaborationWhen last we left the students of these two plucky Vermont middle schools, they had managed to connect students and educators via Google Hangout. They’d gotten together to make pizzas and plot the future of personalized learning plans (PLPs). And they’d paired up students as PLP peer collaborators and spent some time reviewing PLPs in pairs.

So we wanted to ask: what’s next? How’s this peer PLP collaboration thing going?

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Sharing STEAM projects with families

STEAM Proctor Elementary School

Proctor’s STEAM Family Night

STEAM projects with familiesThe sleepy little town of Proctor VT, is making some big waves when it comes to showcasing their students’ STEAM achievements. STEAM (Science, Technology, Engineering, Arts & Math) is a hot topic in school innovation right now, and rural towns like Proctor are primed and ready to show their communities just why STEAM matters so much to students.

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Machinima: using video games for storytelling

Be an X-Box Hero (with stars in your eyes)*

machinima in the classroomMeet machinima. The word’s a portmanteau of “machine” and “cinema”. It’s a unique form of storytelling that appears in video games, and students creating or mixing clips of video games to create new stories. And for educators, it presents a fabulous opportunity to channel students’ love of video games into producing personally relevant artifacts that demonstrate learning.

Machinima film festival, anyone?

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Dynamic Landscapes 2017: the power of authentic #vted student voice

Student keynotes, presentations, panels & partners

All with a side order of tech.

Dynamic Landscapes 2017Dynamic Landscapes 2017 is in the bag, and it was easily the best one yet.

Why? Because not only were there a ton of great tech-rich, innovative sessions for attendees to choose from, this year also featured authentic student voice.

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What we can learn from brand new educators

brand new educators

What advice would your 7th grade self give you about teaching?

what we can learn from brand new educatorsRemember when you were first starting out as an educator? The ink on your certification barely dried, and there you were, standing in front of your first class, 30-some pairs of eyeballs staring back at you, waiting for you to lead.

We hear from six amazing middle level educators graduating this spring from the University of Vermont. We ask them about their hopes, their fears, and… what their middle school selves would come back to tell them.

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Scheduling and student choice

iLearn action research

The middle school team at Rutland Town School in Rutland, VT have been working on a more fully integrated implementation of personal learning plans (PLPs) at their school.

They’re also passionate believers in student choice and learner-centered classrooms. Given some flexibility to change the school schedule, they came up with iLearn, a model of student self-direction and choice in tackling PLPs.

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How to use Google Docs so students talk to you

Using technology to help build relationships

[Editorial Note: We originally ran this post back in 2014, but have updated it for today’s unique and challenging remote learning situation. Let us know how things are going! We’re incredibly proud of all of #vted for putting students first during this momentous shift.]

Laura Botte, 6th grade math educator at Edmunds Middle School, in Burlington VT, shared with us how she’s been using Google Docs to encourage her students to open up about what’s going on in their lives, and how that affects their ability to be present in the classroom. This is how you can use Google Docs so students talk to you.

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How do adverse childhood events affect student performance?

Cognitive outcomes vs intersectional traumas

do adverse childhood events affect school performanceWe talk with legendary awesome stats guy Mark Olofson — now Dr. Legendary Awesome Stats Guy Mark Olofson — about his research into adverse childhood events and school performance.

It’s some pretty important stuff, about how the intersecting traumas that affect students have some long-reaching consequences.

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Looking at ways students can create VR content

Help students become creators of this engaging new technology

ways students can create VR contentWith the astronomical rise in popularity of virtual reality in education, it’s important to make available tools for students to create virtual reality content as well as consuming it. So while you get ready to send your students off on Expeditions to amazing new worlds and experiences, have ways for them to make their own waiting when they return.

Let’s look at a couple ways students can create VR content.

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The great Brian Eno-powered STEAM PBL caper

STEAM PBL unit

Wondering how to blend project-based learning with STEAM?

Real World PBLYes, STEAM: Science, Technology, Engineering, Arts and Math. Earlier this year we profiled The Cabot School’s amazing public exhibition of sound sculptures highlighting water conservation. They were a big hit with the Cabot community, the students who made them and, it turns out, a fair number of you guys, too: our readers.

In this episode of The 21st Century Classroom, we talk with Cabot School educator Michael Hendrix. We hear about what it takes to pull off STEAM-powered PBL and why Hendrix feels you can’t ever really teach science without art.

Continue reading “The great Brian Eno-powered STEAM PBL caper”

Student TED Talks, sound sculptures and a funk band

STEAM Cabot School

Student exhibitions of project-based learning

student TED talksAt this point we all know how important it is for students to share project-based learning with an authentic audience. It shows students they have power in the world, and that their research really makes a difference. But how best to design an exhibition that empowers students and provides a compelling, informative experience for the community?

Cabot High School did it by hosting an evening that combined student TED Talks, interactive sound sculptures and a high school funk band.

It. Was. Glorious.

In this episode of our podcast, we take you to Cabot High School’s FLOW event, where you’ll hear what it was like to connect with their community around water conservation PBL.

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Data shows #vted leads nation in educators on Twitter

Vermont’s new leading role online

educators on twitterIn today’s podcast, Mark Olofson talks with Joshua Rosenberg and Spencer Greenhalgh, education researchers from Michigan State University. Their research focuses on the state-level twitter conversations among educators: who is doing it, and what they’re getting out of it.

And, spoiler alert, when they looked around the country, Vermont emerged as a pretty special place.

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Profiles in Educator Excellence: Laura Botte

Recipient of the Presidential Award for Excellence in Math & Science Teaching

presidential award for excellenceLaura Botte, a 6th grade math educator at Edmunds Middle School in Burlington VT, was one of four recent recipients of the Presidential Award for Excellence in Mathematics and Science Teaching from Vermont.

We’ve been lucky enough to partner with Botte as she constantly innovates new visions of student-centered, tech-rich middle school education.

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Tackling school change as a community

Community conversations about education

community conversations about educationWhat would you tell your neighbors about your school? What do you think they’d say in return? The Washington West Supervisory Union has set out to find out, by hosting a series of community conversations.

Life LeGeros, a Tarrant Institute professional development coordinator and WWSU community member, is taking part in those conversations, and sharing out what he learns.

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How can students reflect on their PLPs?

Students themselves tell the best stories of their learning

how can students reflect on their PLPs?We wish we could hand you the one right way for students to reflect on their personal learning, on a silver platter. It sure would make the rest of the year a lot easier, right? But there are as many ways for students to reflect on their PLPs as there are students, so the best we can do is show up with these SIX SPECTACULAR STUDENT EXAMPLES.

Roll tape!

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Idle-Free Vermont in Shelburne

8th grade scientists tackle carbon emissions at a busy traffic circle

community based learningThis past year, Shelburne Community School middle grades students took part in Idle-Free VT‘s ongoing efforts to reduce carbon emissions from idling cars near schools.

The students’ outreach efforts led to a 79% measured reduction in carbon emissions at the school’s traffic circle, while an unanticipated response from drivers led the students to initiate a change in the study’s protocol.

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VT Secretary of Education speaks on equity in Vermont

equity in Vermont

“I don’t believe you can be an educator committed to student voice and not be a powerful advocate for equity.”

This past August, the University of Vermont played host to an international conference focused on ways to amplify student voice and increase student partnership in the classroom.

Attendees were lucky enough to hear an address by Vermont Secretary of Education Dr. Rebecca Holcombe, who spoke powerfully on the need for intersectional equity in Vermont, in supporting students.

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What work-based learning in Vermont can look like

On exploring flexible pathways to learning

equity in educationThis past August, Vermont Secretary of Education Dr Rebecca Holcombe addressed the 2016 Amplifying Student Voice & Partnership Conference on the topic of equity in education. She was also kind enough to allow us to record and share her remarks.

In the first of two installments, we hear from Secretary Holcombe as she highlights the story of one particular student from Randolph Union High School, who, along with support from his community, found a way to channel his passion for farming into work-based learning in Vermont, and from there, a world of high-level business skills.

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twitter etiquette

Modeling twitter interactions as an educator and parent

digital citizenship and twitter etiquetteWith twitter’s explosive growth in popularity with educators, it can get a little confusing as to what the new rules of social media look like. Hint: they’re a lot like the old rules. Kindness, empathy and listening rule the day.

Let’s look at how one educator and parent models twitter etiquette.

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Use Thinglink to explore identity

using Thinglink to explore identity

Creating and sharing digital selves

identityI’m participating in Thinglink’s Summer VR Challenge, and the first exercise in the challenge is to design your Digital Self, a visual representation of yourself with embedded links to things you feel are important people know about you.

A key component of the exercise is to share your Digital Self with your PLN. But I warn you: you’re not ready for this jelly.

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Social reading tools for summer reading

Audrey’s 2016 summer reading list

Tarrant Institute tool tutoriallsI’ve been thinking a lot lately about where technology fits into reading. Not just the e-book vs print book discussion (spoiler: both choices are valid for any individual) but also how tech tools and platforms can bring readers together to talk about books. And I’m doing that by reading a lot and trying things.

So my summer reading list comes with a tool kit.

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Negotiated curriculum and project-based learning

negotiated curriculum

Building a democratic classroom at The Edge

negotiated curriculumPart of the power of implementing a negotiated curriculum is that it doesn’t just center student voice, it actually moves the learning space towards a democratic classroom, a place where students can advocate for themselves and their learning interests, goals and styles. It’s an important piece of the personalized learning plan (PLP) picture.

The Edge Academy at Essex Middle School, in Essex Junction VT, has been doing project-based learning alongside negotiated curriculum for the past six years. Facilitators Lindsey Halman and Phil Young explain what makes it work and what makes it especially powerful for middle schoolers.

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Negotiated curriculum at the unit level

Set boundaries, then let students drive the conversation

negotiated curriculumNegotiated curriculum is the idea that you can assemble a curriculum for your class by entering into negotiations with your students: you, as the teacher, have certain non-negotiables or standards you need students to meet, and students tell you what or how they want to learn. That’s a huge concept, and impossible to wrap your head around without seeing it in action.

Social studies educator Sam Nelson shares how he implemented negotiated curriculum in his classroom, beginning by tackling just. One. Unit.

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Mathew’s Y.E.A.R. at The Compass School

scaffolding year-end reflections

Scaffolding year-end reflections

The 21st Century Classroom podcastAt The Compass School in Westminster, Vermont, students advance through grades by producing evidence of their accomplishments from the year, using the previous year’s reflection to inform the current one. We had the chance to sit down with a student just finishing 11th grade at Compass, and hear not just about his Y.E.A.R. (year-end academic reflection) but how it’s going to prepare him for the all-important graduating Roundtable.

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Making history on the radio with community partners

making history on the radio

Middle school students power Brattleboro’s radio days

The 21st Century Classroom podcastBrattleboro, Vermont was incorporated back in 1753, a former military fort that embraced trading, commerce and the power of nearby Whetstone Falls to spur mill production. It was where Rudyard Kipling settled to write The Jungle Book, and where Harriet Beecher Stowe came to seek the famous 18th century water cure. It’s been home to countless tiny, fascinating episodes of Vermont history — episodes that current residents can now listen to each week on the radio, being described and re-enacted by students from Brattleboro Area Middle School.

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Implementing 1:1 norms and digital citizenship

1:1 norms and digital citizenship action research

How do student behaviors change?

how does professional development affect technology integration?Debi Serafino, a math teacher at Brattleboro Area Middle School, presents the results of her semester-long action research project examining the effects of implementing 1:1 norms and digital citizenship on the behavior of the incoming 7th graders, all of whom participate in a 1:1 Chromebook project.

Here’s what she and her team discovered.

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How Vermont middle grades educators are powering up PLPs this summer

Why the 2016 Middle Grades Institute may be the most important one yet

The 21st Century Classroom podcastNew podcast ep: We visit with educators at last summer’s Middle Grades Institute to look at how this unique professional development opportunity is helping Vermont’s middle grades educators deal with the challenges posed by legislative Act 77, the Flexible Pathways Initiative.

Also, 200 Vermont educators dance like dinosaurs. And rock at it.

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Interactive map tools for creating deeper place-based learning

Revisiting the possibilities of student-created geographies

Tarrant Institute tool tutoriallsThe rate at which technology changes has reached a dizzying speed, with new tools and platforms emerging constantly. But what hasn’t changed is students’ curiosity about the world and their need to explore their own place in it. Young adolescents in particular, burn with the urge to make and personalize. So what does it look like to tap into that urge as it pertains to physical landscapes?

Yes indeedy, folks, it’s time once again to talk place-based learning and edtech.

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