#vted Reads: The Benefits of Being an Octopus

Corey Smith

This one goes deep, folks. On this episode educator Corey Smith joins me to talk about The Benefits of Being an Octopus, by Ann Braden. We talk glitter and posterboard, coffee and peanut-butter smoothies, and using the Equity Literacy Framework to dismantle inequality in our systems of learning with both students AND adults. What might we — and you — miss about students’ complicated home lives? And what can we learn from gun control debates about community conversations?

Told ya. Strap in. It’s #vted Reads.

Let’s chat.

Jeanie: I’m Jeanie Phillips and welcome to #vted Reads, we’re here to talk books for educators by educators and with educators. Today I’m with Corey Smith and we’ll be talking about The Benefits of Being an Octopus by Ann Braden. Thank you for joining me, Corey. Tell us a little bit about who you are and what you do.

Corey Smith reads "The Benefits of Being an Octopus"

Corey: Sure. Thanks for having me. So, my name is Corey Smith and I work at the Greater Rutland County Supervisory Union. Up until last year, I was a classroom teacher. I had taught first grade, second grade, third grade and fourth grade with third grade being my most recent and at the end of the year I was given the opportunity to become a PBL coach. So now I get to have the opportunity to go into the schools within our district and work with the teachers to implement project-based learning, proficiency-based education, place-based learning, technology and student-centered learning. So that’s what I do now.

Jeanie: Excellent. We are recording in the school in which Corey was a first, second, third and fourth grade teacher, Proctor Elementary School, in Proctor VT. And I’ve got to tell you, there’s more flexible seating in this school than I’ve seen anywhere. It’s really a lovely, lovely building. Thanks for inviting me in.

Flexible seating at Proctor Elementary School

 

Corey: Thanks for coming here.

Jeanie: So I’m going to start us off with my favorite question.

What are you reading now?

Corey: So, I am reading Harbor Me by Jacqueline Woodson right now. I have an 11 year old, sixth grader at home who has been an incredibly reluctant reader his entire life and this year’s DCF lists came out and it excited him and he has been reading nonstop, so we decided to pick out a book from the DCF list to read together. So that’s what we’re reading. We’re not too far into it yet, but I’m really excited about it so far.

Jeanie: I really love all of Jacqueline Woodson’s books, but Harbor Me was a really special one. I think it’s a great empathy builder. So good choice for both of you. So let’s get to this book which we both adored and which Vermont educators are really loving and educators all over the country, The Benefits of Being an Octopus by Ann Braden. I wondered if you could introduce us to Zoey by reading the first few paragraphs of the book.

"I settled onto the couch with the chocolate pudding I saved from Friday school lunch. The silence is amazing. Well, it's not complete silence -- Hector is spinning the whirring dragon on his baby seat while he eats Cheerios -- but it's pretty close. I savor a spoonful of pudding. How long do I have before Bryce and Aurora burst out of our bedroom arguing about something? When I left them in there, Aurora was pretending to be Bryce's cat and he was pretending to feed her milk, but that can't last. I mean, they're three and four. That's not how it works. I take another bite with my eye on the bedroom door, but it stays closed. This never happens. I glance down at my backpack, my debate prep packet is inside and I'm actually tempted to work on it. I'm not a kid who does homework. And I definitely don't do big projects, which usually require glitter and markers and poster board and all sorts of things. None of which I have. Plus, last year in sixth grade when I actually turned in a poster project, Kaylee Vine announced to the whole class, “Everyone! Alert the authorities! Zoey Albro turned in a project. The world must be ending.” Then she made that aghn aghn aghn sound like a fire drill and did it every time she passed me in the hall for the whole next week."

Jeanie: Perfect. So here we’ve got Zoey, she’s a seventh grader. She’s got a lot of responsibilities.

Corey: Zoey has two younger brothers and a younger sister. We just met Bryce and Aurora, three and four, and then she has an even younger sibling, Hector, who is around toddler age.

And Zoey is responsible for caring for these kids because her mom works.

In the afternoon, Zoey will get off the bus and she’ll meet the kids at their bus stop to pick them up to take them home. She’ll go to the pizza shop where her mom works to pick up the baby and she cares for these kids. As you get to know her, you find that a lot of what caring for the kids means is keeping them quiet. Making sure that they’re not interrupting others adults in the house.

Jeanie: Yeah. She gets them ready for school every morning. I mean, it’s hard enough to get myself ready for work! But she’s a seventh grader who gets herself ready for school *and* she gets two of these three kids ready to get onto the Head Start bus every single school day.

Corey: It’s amazing.

Jeanie: It’s a tremendous amount of responsibility and yet we could also hear the way Zoey’s teachers must see her: she owns up that she doesn’t really do projects or homework. So, I’m sure that given the lens of school, they really see her as a not-responsible person.

Corey: As I read the book, what struck me was my own teaching practice. And I really used the book to reflect upon myself as a teacher. How many times have I made quick judgements about students without really knowing who they are, what their background is, what they come to school with every day. With Zoey as the reader, she comes off as incredibly responsible, a caretaker. And yet the people at school don’t see that from her.

Jeanie: Yeah. I love that Ann Braden as an author, gives us this real appreciative lens to look at Zoey and her many strengths — and she has so many!

Corey: She does.

Jeanie: She’s a creative as a caretaker of these children. She makes up stories every single evening.

Corey: Yeah. I love the stories! The stories that she tells them are incredible.

Jeanie: Right? And yet at school she’s completely silent. But at home, she’s this incredible story-weaver. What other strengths did you notice in Zoey?

Corey: Zoey’s incredibly creative — though it comes out in ways that we might not expect, or ways that most people wouldn’t see from her. She is adaptable. I don’t know that she views herself as adaptable? But she has so many different situations within her life, so many responsibilities. And she adapts to what she needs to be for each of those people in her life. Her friend Silas, her friend Fuchsia, her siblings, her mom — we see her take on different… I don’t want to say personalities, but different *characteristics* to help her be the strong person in each of those scenarios.

I also thought she was incredibly brave for everything that she goes through.

She is a seventh grader. So that puts her at 12 or 13. And… look at everything that she’s going through! I felt like she’s the glue that holds her family together, that she’s the one who brings the family together and make sure that it functions.

Jeanie: Yes! Her mother could not do it without her, for sure. And that brings up that Zoey has a lot of obstacles in her life. There are a lot of struggles and obstacles to her success, not just in school but in general.

I wondered if we wanted to name some of those obstacles that Zoey faces.

Corey: Yeah. I feel like a lot of her strengths are also obstacles. Being the caregiver is a strength for her, but at the same time, it’s an obstacle. Because she is a seventh grader who does not get to do seventh grade things. If you look through what she had to go through to get paperwork signed to be on the debate club, it wasn’t what your typical seventh grade student would have to do.

I think another one of her struggles is her family dynamic.

Mom works quite a bit and when she comes home she has to be a caregiver, not necessarily to the children, but to her boyfriend and her boyfriend’s father. Zoey is responsible for making sure the kids are quiet so that Lenny, the stepfather, or boyfriend, doesn’t get agitated or annoyed at the kids. So, I think her family life can be a struggle.

Jeanie: Right. And her family is complicated, right? She has a father: her father is one man. The two older siblings have a different father and then Hector’s father is Lenny. And Lenny doesn’t have a lot of affection for Zoey or her two older siblings. He only has eyes for Hector and Zoey, her housing situation has been rocky… And she’s really invested in staying in this house, in this trailer because it’s clean. Because it’s tidy. Because it’s a home. But Lenny doesn’t make that easy for them. He’s got pretty strict high standards — especially given that there are toddlers. And he’s… well, he seems like a stable guy: he’s got a job, the place is tidy, the bills are mostly paid.

But he’s got other issues.

Corey: …Yeah. You hear the way that he talks to people throughout the story especially to Zoey’s mom and you hear a lot of blaming. So he does come off as being this responsible guy who provides, but at the same time he provides the home, but not the stability or the caring environment that these kids need.

Jeanie: Yeah. He undercuts Zoey’s mom a lot and she spends a lot of time wondering why her mom isn’t as strong as she remembers her. And that’s another obstacle, I think. Zoey’s concern for her mother and her mother’s wellbeing and the whole family’s wellbeing. She carries a lot.

Corey: I think at some point too, she starts to hear what Lenny is saying to her mom and she starts questioning herself and wondering if she fits those character traits that Lenny *says* her mom has, not necessarily that her mom does have.

Jeanie: Right. Yeah. There’s a lot of emotional tension in this house that Zoey has to navigate constantly.

Then there are just these like practical things, these obstacles to just belonging that Zoey carries.

Her clothes are usually not clean. She rarely has time to brush her hair or her sibling’s hair. So her appearance — at a time when appearance is everything, seventh grade — her appearance doesn’t really fit in and so she gets made fun of for the way she looks or smells. And so she’s really… doesn’t have a sense of belonging at school.

Corey: No, and because of her family struggles, she comes with assignments not done. She doesn’t participate in extracurricular activities like other kids do. So when she does, kids tend to poke fun at her.

Jeanie: Yeah. It just flies just under the radar in ways that we’re a little familiar with I think when we spend time in schools.

So, the octopus comes out having a really special meaning for Zoey.

I wondered, given the title, The Benefits Of Being An Octopus and the octopus theme runs throughout the book, if you want to talk a little bit about what the octopus represents for Zoey.

Corey: Yeah. So, Zoey brings up the octopus pretty quickly at the beginning of the book because she has this assignment that she’s thinking that she might actually complete this time. They have to debate which animal they think is the best. And so she goes on to explain the octopus and she views the octopus as this really strong creature. That it has multiple tentacles or arms, which would allow her to handle multiple tasks at a time: do her homework, pack her backpack, take care of the kids.

She talks about how the octopus can camouflage itself. So if it’s in a really nervous situation? If that were her, she could blend in, people wouldn’t necessarily notice her during those really uncomfortable times.

She at one point talks about the octopus starting out as this really small vulnerable creature and it grows into this really powerful creature. And that it sort of defies the odds in that sense. And that she wishes that that could be her, that I think she feels pretty small, maybe invisible or potentially even useless. That if she were this octopus, she could grow into this creature that is powerful and doesn’t let things bother her.

She oftentimes is listening near her mother’s bedroom to how Lenny is talking to her mother. And when she talks about going up to these spaces to do things, she’s talking about slinking along. How quiet and stealthy an octopus is, which would allow her to do what she’s doing in taking care of her family and keeping them safe? Without the challenges in her life affecting her.

Jeanie:  You know, at Middle Grades Institute, Ann Braden, the author came to meet with teachers and talk about this book and I had lunch with her, with a couple other MGI folks. She, and a couple of us have this great fondness for animal names of groups of animals.

Like the one I recently came across was a group of hummingbirds is called a charm. A charm of hummingbirds.

Another one is a flamboyance of flamingos. They’re so much fun!

So I looked up what a group of octopus is called — and turns out, by the way, you guys, Zoey tells me that the plural could be octopi or octopus. So I’m choosing octopus, a group of octopus doesn’t have a name because octopus are solitary creatures. It occurs to me that Zooey is also a very solitary creature. She doesn’t really feel like she fits in anywhere.

Corey: I think she views the octopus as this big, strong creature but at the same time, a creature that’s by itself. One of the things I was thinking of as I was reading the book is she talks so much about how if she were an octopus and I think she’s more like the octopus than she ever gives herself credit for, in the ways of being solitary but also in the ways of strength.

Jeanie: Yes! Yes. She has *so* many strengths. And also in the way of camouflage! She often flies under the radar at school, from her peers, and from her teachers. Except one teacher who takes a special interest in her: Ms. Rochambeau, her social studies teacher. I’m just going to pull up page 38 to do a little introducing of this teacher.

Octopuses can squish their bodies down to no bigger than a crumpled-up bag of chips. By the time Ms. Rochambeau gets to my desk, I might as well be that balled-up bag with all the chip bits eaten, ready to be tossed into the trash. Ms. Rochambeau raises her eyebrows when she gets to me, not in a "how clever to ball up like a bag of chips" way, but in a "you have disappointed me with your very being" way that teachers are so good at. She shakes her head as she writes my zero in her grade book. “Sometime, Zoey, I hope you surprise me.” "I forgot it at home", I say to my desk. "I promise I finished it." "Mm-hmmm", she murmurs. "It doesn't do you any good at home, unfortunately." She pretends she believes me. I pretend I don't want to squirt octopus ink all over this classroom. "Maybe I could be in the debate anyway", I say even though she's already moved on to the next kid. "I know all my facts." She doesn't look up from the other kid's packet. "Then you should've brought in your filled-out packet so I could see that. I was very clear with my expectations."
page 38, The Benefits of Being an Octopus

Phew! What are you thinking about that Corey?

Corey: Yeah, I had mixed feelings about Ms. Rochambeau! You read passages like that and oh, the emotions. You feel very frustrated. And then there are moments throughout the book where I think maybe she gets Zoey? But she goes back and forth so often that I really wonder if she really understands who Zoey is. And then I think about me and being a teacher and I wonder how many times have I done that exact thing to a student. Not intentionally, but out of frustration. So I try to see Mrs. Rochambeau’s or Miss Rochambeau’s point of view, but at the same time it’s…

You come away feeling hurt for Zoey.

Jeanie: Yeah. Yes. I think one of the things that really interests me is that while I was doing research for this episode and thinking about what we were going to talk about, I stumbled across this really interesting website. It’s called Writing Mindsets. ‘Using mentor texts to analyze how kids see schools and teachers.’

And the author of this blog has pulled a bunch of pieces from young adult and middle grades literature — including Harbor Me, by the way — to look at teachers in schools through the lens of young students and imagine what *they* see.

It really made me think about my own experience as a school librarian and the ways I might have come across in ways I didn’t intend to. It lets me reflect on that. And reflect on how much power our words and our tone and our way of being in a classroom has and in ways that we don’t intend, or realize.

And Ms. Rochambeau I think would be mortified to know what’s going on in Zoey’s mind.

Corey: Yeah. I think it goes, I think throughout the book as she’s trying to reach out to Zoey, you see those moments where she thinks she’s doing the right thing. So I think it’s very unintentional, but at the same time, sometimes she comes off as this villain.

Jeanie: I have to say what I appreciated about how Ann Braden wrote Ms. Rochambeau is that Ms. Rochambeau gets these glimpses of Zoey. She sees her in this particularly tense moment in the bus stop when things go awry and she’s picking up her siblings. So she gets to see these little windows into Zoey’s real life and the responsibility that Zoey is caring and so she becomes more empathetic.

But I also really appreciated that she didn’t rescue Zoey.

That this does not use that teacher as savior trope, that we are complicated people as educators. And that it’s not our job to save kids.

Corey: No. I don’t think it’s realistic for us. I think what she did do is she gave Zoey the stepping-off points that Zoey needed to save herself. That Zoey may not have been happy with how the whole debate club came about, but if she was never given that push. Everything that came of that — standing up for her friends, standing up for her family — never would have happened.

So, I think that she was not Zoey’s savior your by any means. But she certainly gave Zoey the tools that she needed to be her own savior.

Jeanie: Ms. Rochambeau eventually does see some real potential in Zoey, and she invites her into this after school debate club and offers her a ride to make it possible. So by no means a villain, at all, in many ways a great help in the way that teachers ALL OVER #VTED ARE, she gives Zoey these opportunities to shine in different ways.

I had a little love hate relationship with ‘Ms R.’

Corey: I did too. I didn’t know if I liked her or if I didn’t like her. I think ultimately she did the best that she could. Teachers can do so much, and we are human and have limitations as well. So, I think that she did what she needed to do with Zoey? Maybe not in a way that Zoey always was happy with? But I think in maybe a way that Zoey needed.

Jeanie: Yes, absolutely. Thank you for that analysis of Ms. R.

Let’s move on to another character. I wondered if you’d introduce us to Zoey’s neighbors, Silas on pages 28 and 29.

Let’s get a little picture of Silas.

“Maybe Silas is stealthy enough to figure out how to reconnect our electricity without the company knowing.
But it might have to be a bobcat-shaped electrical box for him to pay any attention to it. He’s going on now about what its scratch marks look like on trees. About how you have to keep your face to the wind when you’re tracking. “Whatever bobcat is out there, It’s one that knows how to hide, knows how to disappear.”

“Too bad, man.” I say.

Silas stops walking, looks at me and gives that same weird, “we’re part of an awesome conspiracy” smile. “No. Not bad at all.”

I stare at him. I picture his dad and him sitting in the front seat of their truck talking about bobcat tracks. They always seem so happy together. Like they’re on the same team.

“Hey”, I say. “Do you know where you filed that form to get help with electricity and stuff like that?”

He stops and looks at me. “I think my dad used to bring it to Family Services up on Route 14.”

“Oh yeah, thanks.”

He nods and goes back to talking about the bobcat stuff. About how snow conditions are perfect because they prefer to be able to walk on hard crusted snow, but this most recent dusting over that icy stuff, will let him pick up its tracks. On and on.

Until we reached the bus stop — it’s packed with kids older than us and who look a whole lot less grimy than I do — and he clams up like he’s never once heard of a bobcat. Because that’s Silas’s superpower: going for entire school days without talking. He’s been doing it since the fifth grade when Brendan Farley got people to place bets on how quickly Silas would start crying, so he’s really good at it by now.”

Jeanie: Silas breaks my heart a little bit! I love him.

Corey: Yeah. He goes through just as many struggles as Zoey does. Which is perhaps why they have this connection throughout the book.

Jeanie: I’ve known Silases in schools. Kids who slide under the radar, who are quiet, who don’t engage… And I don’t know. I worried about him all the time, throughout the book. He’s got such a good heart and no one can see it because he’s completely closed off. And made himself invisible. He erases himself at school. I wonder what we could do for kids like Silas in schools.

Corey: I liked his character so much? And I would worry what would happen if he didn’t have Zoey in his life someone that he could connect with because he and Zoey would always meet at the bus stop and they would always chat and — most times about hunting and bobcats. But he goes through a period in the book where he even shuts Zoey out. And you worry about him quite a bit.

Jeanie: He has a strong connection, though with his father as well. So, he’s got this home connection, but so many of the things he’s good at is tracking. And don’t show up at school. I think he is alienated from much of the content in school because it doesn’t have relevance to the rest of his life.

Corey: Yes. I think that’s something that Vermont educators are starting to understand about their students? And with the implementation of passion projects or PLPs that we’re starting to see more kids taking on content that they really like.

Polaris Passion Projects are out of this world

Jeanie: I was talking to a friend who was saying that her middle school son is really passionate about his Hunter Ed program. And that it has nothing to do with her or her husband, but that he gets there, he’s studying, he’s really engaged and it’s all this learning he’s doing outside of school in the way that Silas is doing all this learning about bobcats.

How do we get teachers to understand that so that finds a place on his learning portfolio or his PLP?

Corey: I think so often we’re so stuck in these standards. And that there’s one right way to teach standards — and certain content that goes with certain standards.

As we start exploring giving students more voice in their education, I think we’re going to start seeing more kids meeting proficiencies because it’s content that excites them. It’s stuff that they’re already doing.

I mean, how many kids are out there doing exactly what Silas is doing?

If you look at the transferable skills, how many kids could meet those transferable skills through their passion?

Jeanie: Yes. I love that.

So, Silas and Zoey have a lot in common. But Zoey has one other friend at school, Fuchsia, who’s got a life that’s as complicated as hers, but there’s another classmate that she really admires, maybe in a crushy kind of way, named Matt. I think she likes him because he’s a nice kid. He works really hard at school. He gets good grades. Everybody likes Matt. I think there’s this really interesting contrast between his life and hers.

I’m going to read from page 83 to give a little sense of who Matt is, and the role he plays in Zoey’s life.

On the bus, I ignore the eighth grade boy who pretend-coughs some comment I can't understand and lean my face against the window. I can see Matt's house as soon as we turn the corner onto his street. His front door is open, and when the bus pulls up in front of his house I can make out his mom in the doorway with him, pushing a travel mug into his hand. She gives him a kiss on the cheek just as he heads toward the bus. “Is that coffee?” someone calls as Matt makes his way down the aisle of the bus. “Yeah, right,” Matt says, "Banana peanut butter smoothie. I was up late working on the essay for social studies, and I didn't have time for breakfast." I try to picture my mom pulling herself out of bed to make me a smoothie because I'm tired in the morning. As if she wasn't exhausted. As if she didn't have to take care of Hector. As if Frank wouldn’t throw a fit for getting woken up by a blender. As if we had a working blender. As if we had bananas. As if.

There’s just this really great tension between Zoey’s life as she becomes aware of how different other people’s lives are.

Corey: Yeah, Matt comes off as almost having the perfect life. Mom that kisses him goodbye at the door and gives him breakfast. He runs for class president. He’s part of the debate club. He comes off as seemingly perfect. I think at one point Zoey even acknowledges him and says something along the lines of, it’s not so much in a crush way, but it’s more of an admiration way. She *admires* the traits that he has.

Jeanie: Yes, and he’s kind to her, especially when she joins the debate club and shows herself to be a worthy opponent. He acknowledges her, her knowledge and her knowledge of baseball, I believe it is.

Corey: Yes.

Jeanie: So baseball or football.

Corey: Football! Because Zoey likes football. She watches that with Lenny. It’s the one time she and Lenny connect.

Jeanie: Yes, and Lenny actually shares food with her.

Corey: Yes.

Jeanie: There’s something about that that’s really interesting to me and one of the most wonderful things about Ann Braden is, she’s a former educator, a middle school educator, social studies, I believe. She has the best teacher’s guide (.pdf) on her website for this book.

link to The Benefits of Being an Octopus educator's guide

One of the things she does is there’s an activity in there about comparing Zoey’s family’s budget with Matt’s family’s budget.

It’s a great opportunity to work with students around some math, around difference, how people’s lives are different, around equity really. Thinking about the resources that are available to us, the obstacles that are in our way. I really love that and so it builds this into the novel and then also into the educator’s guide.

So, that brings me to this next question, which is:

How might you use this book in the classroom?

Corey: I’ve been thinking a lot about this. I have never been a middle grades educator, because I’ve always taught fourth-grade and under, but I think what I love so much about this book is there’s such a movement in education right now with equity. Acknowledging inequities and educating people on inequities and equities and how to approach that.

I think it’s so easy for us in little rural Vermont to say we don’t have a problem. We don’t have racial difference, or cultural differences. We all outwardly appear to be the same, but the inequity that is so common in our little schools is our socioeconomic status. And poverty. I think that this book brings that to light.

Just the differences in home lives with all of our students. And I think students need to recognize that within one another. When my son and I chose the DCF book we wanted to read together, one of the books that we had talked about was The Benefits Of Being An Octopus. I was hoping he would pick it only because I felt like it was something that he could really relate to within our own town. Students need to see what all students go through. I think that this book just paints a nice picture, whether it’s Silas or Fuchsia or Zoey or even Matt. It brings in all of those students and all of their home lives.

Jeanie: Yes. I think when we ignore the way in which difference shows up and is privileged or not in our schools, it’s an act of erasure. Because I travel around schools all the time and we have more students of color in our schools, even our small schools than we acknowledge. There’s an act of erasure when we say, “Oh, we don’t really have racism as an issue we need to deal with”, because we do actually. We have students of color in great numbers in some of our schools, and then in some of our schools that even, race impacts all of us.

Corey: It does, whether it’s viewed as big or not, the idea of “we don’t have racial problems” or “we don’t have race” *is* a problem in and of itself.

Jeanie: Exactly. And then you’re right too about how economics plays a huge role in the way that kids have access to the resources and privileges that help them exceed in school or excel in school, I should say. Or not.

I love this question from Paul Gorski that I think plays well with this book, which is:

“How has your school set up to bestow unearned privilege on some and unearned obstacles on others?”

For Zoey, a place that we can recognize right away that there’s some variation in access is the homework policy.

Whether it’s that she doesn’t have access to poster board and glitter, so she just gets newsprint, or just the *time* she has available and the help she has available to her after school hours to do that homework that is required of her.

When Ann Braden came to MGI, we looked at Zoey’s life through the Equity Literacy Framework, and thought about:

  • How do we first recognize those things such as homework?
  • And then: what might we do as a school to respond to those in some way
  • And then readdress. How does our policy need to change to meet the needs of students like Zoey?
  • How do we create and sustain equitable school environments over time?

We really use that lens to examine Zoey’s circumstances.

Corey: And I think what’s great is that we can bring students into that conversation. With a book like this, we can use that framework to have *students* have that conversation and talk about how can we make our schools better for all. Because it’s ultimately, it’s their education.

Jeanie: Yeah! How do we look at school policies or school procedures or just everyday events in school through all sorts of lenses to see who benefits and who doesn’t?

I love helping students use the equity literacy framework from a young age. Imagine the society we will be if kids can do that! In sixth and seventh and eighth grade.

So, another way to use this book is with teachers.

Corey: Yes. I think for the same reason. For me it was eye-opening because I questioned my own practice. I questioned who I am as a teacher and I questioned how I can make myself better. How can I talk to students? How can I build relationships? I’m not afraid to admit that at one point in my career I was one of those teachers who said, we don’t have a problem. I don’t have a problem, but I do, and that’s okay.

But I think it takes reading something like this for me to be like, “Huh, you know, is that me?” Then having conversations as a faculty, it’s the same thing. You use the same framework, the literacy equity framework of looking at our policies. And how do we make them more equitable for all students.

Jeanie: Yes, I’m a huge fan of adults reading middle grades and young adult novels, and picture books frankly, as a librarian. With an eye towards empathy.

How do we step into the shoes of students in general again? Because it’s hard to remember what you were like at 12. It’s hard to remember what it was like to go through the day as an eight year old or as a 15 year old.

I’m a big fan of using young adult in middle grades literature to step into the shoes of young people in general. And then whether we were raised middle-class or not, we are now as educators, middle-class. And so, being able to step into the shoes of a working class or working poor kid is huge. …I think about how much we don’t see because we’ve never experienced it.

I was raised working poor, and so this book for me was like being seen in a different way. When I was a kid all the books I read about kids were middle-class kids, and I thought that was a normal life. I thought that if only we were normal. I think Zoey has that a little bit too, like, “If only I… like everybody else.” And so this book was like an act of like, “Oh, this is normal too.” And to feel really seen.

Corey: I think it lets kids see themselves in literature.

Jeanie: Yes, and for their strengths! Like Zoey’s not somebody we pity.

Corey: No. No! She’s strong. I even was thinking throughout the whole thing that to me she would be a hero for me, because of everything that she works really hard for and accomplishes.

Jeanie: Yeah. I love the dual play that you can use this with kids and with teachers in really profound ways. When I was a school librarian, I used to have debates sometimes. Did you ever have debates in your classroom?

Corey: No. *laughs*

Jeanie: No. Maybe it’s an older thing. I think with fifth and sixth graders we used to have debates and Ann offers this other structure that comes out of her work with guns. Conversations around guns and gun control in Vermont. Which is: although we might differ in our opinions about an issue, whether it’s about guns and gun control or about something else, how do we come to common ground?

So, this idea that instead of debating each other, pitting ourselves and our opinions against each other, how do we have conversations and listen well? So that we can find that space where we agree, even though we’re not going to agree on everything. And I think that would be a profound thing to do with teachers as well as with students. Right?

Corey: I think so, too.

Jeanie: So, I highly recommend folks, I can’t recommend the educator’s guide enough.

What other books would you recommend for our listeners who are interested in this one?

Have maybe already read The Benefits of Being an Octopus and are looking for other ways to be empathetic for the student experience or the experience of poor working families.

Corey: There are a few books that have been recommended to me, but I have not yet read myself? But I’ve heard wonderful things. I know No Fixed Address, was a book that was recommended to me.

Jeanie: I just want to say I loved that book. We did a podcast on it last spring. It is a tremendously good book about a kid. He lives in Canada, but it could be a Vermont experience of a kid in housing insecurity, which is what we call it in schools, right? We don’t call it homelessness. Usually, we call it being housing-insecure. I just adored Felix, the main character in that book. It’s a great read. It’s a great companion to this book actually.

Corey: It’s on my list. And then another book that was recommended to me was Front Desk. I have not yet read that one, but I have an aunt who’s a librarian who highly recommended that one, because I was looking for books to start conversations with my 11 year old.

Jeanie: Front Desk, I haven’t read that one yet either. It’s on my list, but it’s got a highly capable young woman who helps her family–

Corey: –run the front desk of their motel, hotel, whatever it is.

Jeanie: I’m going to put some other titles on. One of my very favorite, YA books, is a little bit older is Eleanor and Park by Rainbow Rowell. Eleanor lives in poverty and really brings to light what it’s like to be a high school kid struggling with and under financial tension. I have a couple of other titles.

And I’m also going to make sure to link that, 33 passages from middle grade and young adult books to spark discussions about schools and teachers for your use. Because I’d love to hear folks, if you decide to have a conversation as a faculty or as a team about some of these quotes and how they help you think about your presence in the classroom.

Any other thoughts on The Benefits of Being an Octopus? Anything we didn’t get to that you want to make sure we get to?

Corey: No, the only thing that I would say is that if there is one book that you choose to read, it should be this book. I think that it will open your eyes. I think you’ll find it to be an incredibly great read and a really reflective read.

Jeanie: Yeah. I recommend it as a read-aloud too. It’d be a great read aloud in the classroom. I know a teacher at Flood Brook is planning to read it aloud to seventh grade students this year. We had a long chat about that. And connect with Ann! She’s a busy woman because her book is on fire, but, she does do Skype visits. Check out her website for all the resources that she provides. She’s so lovely! She’s a really lovely human. It was such a pleasure to have her at the Middle Grades Institute this summer, and it’s such a pleasure to have you Corey on the podcast. Thank you so much for your enthusiasm for this book and for joining me to talk about it.

Corey: Yes. Thanks for inviting me to talk about it.


Books mentioned in this episode:

 

#vted Reads: Reaching and Teaching Students in Poverty

reaching and teaching students in poverty

In this episode of #vted Reads, I return to my old stomping grounds at Green Mountain Union High School. I’m talking with school counselor Ally Oswald, about the realities of reaching and teaching students in poverty. Reaching and Teaching Students in Poverty is also the title of a 2013 book by educator and reformer Paul Gorski. And we’re going to use Gorski’s text to identify some concrete strategies to help us, as educators, move from wishful thinking to direct action. Our students need us, and we all know they’re worth it.

So let’s roll up our sleeves and figure it out.

Let’s chat.

Jeanie: I am Jeanie Phillips and welcome to #vted Reads. We are here to talk books for educators, by educators, and with educators. Today, I’m with Ally Oswald. We’ll be talking about Reaching and Teaching Students in Poverty: Strategies for Erasing the Opportunity Gap by Paul Gorski. Thanks for joining me, Ally. Tell us a little bit about who you are and what you do.

Ally: Thanks, Jeanie. It’s great to be here. I’m a school counselor here at Green Mountain in Southern Vermont. I’ve been here for about 10 or 12 years now. My husband is an educator in the building. My two sons come to school here so, this is really a family affair.

We’ve been reading this book as part of a group of teachers from our district, as a study group. We meet once a month and discuss a chapter. It’s really helped me learn about the wealth gap. To learn about how we think about students in poverty. The stereotypes that get associated with families and really question my own practices. It’s been really great to be a part of that group.

How poverty shows up in Vermont schools

Jeanie: You are the perfect guest then for us to dig into this book and think about what action it calls to us in our Vermont schools. Thank you so much for joining me.

So, Paul Gorski begins this book by dispelling the myth that public education is a great equalizer. He says, that’s what we want it to be, but that’s not how it works out. And sighting just countless research, he begins with this,

Students from poor families continue to be subject, on average, to what Jonathan Kozol has called the savage inequalities of schooling. The examples of these inequalities are numerous. Poor students are assigned disproportionately to the most inadequately funded schools with the largest class sizes and lowest paid teachers. They are more likely than their wealthiest peers to be bullied and to attend school in poorly maintained buildings. They are denied access to the sorts of school resources and opportunities other children take for granted, such as dedicated school nurses, well-stocked school libraries, and engaging pedagogies. In fact, by these and almost every other possible measure, students from poor families, the ones most desperate to find truth in the “great equalizer” promise, appear to pay a great price for their poverty, even at school. Of course, these conditions are not the fault of teachers, who are often are blamed unjustly for their effects. In fact, teachers who teach at high-poverty schools, as well as an increasing number of their colleagues at all public schools, too often are themselves denied access to adequate resources.

I wondered Ally, as a school counselor in Vermont School, do you see this playing out in your experience? That schools are being blamed for the effects of poverty over which they have no control.

Ally: Yes. I mean, I think it’s really interesting here in rural Vermont, because there’s not a whole lot of coordination of services between towns and so, schools become the community centers. They become the hub where people come to expect services. Expect food and clothing. The schools are the one place where we can provide those services, because we have access to families. We have access to students and we do have the funding to do that.

I worry about our students in poverty here in Vermont. Especially because housing is so hard to find. Long term housing is so hard to find. I think that students often have to leave schools and transition to different schools. That really gets in the way of their learning.

It just seems to be present all the time. As I’m sitting with students in my office and I’m reading this book, I keep seeing evidence where poverty is getting in the way of students being successful in school. Things like when kids are being evicted from their home, that’s definitely a stressor. When kids don’t have access to food, that’s definitely a stressor.

Health care, I had a student tell me that their parents had to decide whether they’re going to get their wisdom teeth pulled. If they were going to do that, they were going to have to sell their car, or dad was going to have to lose his second job because their family was making too much money to on Dr. Dinosaur. These things are present all the time in our Vermont schools.

Jeanie: Right. While teachers can be there for students in so many ways, we can’t make sure kids get adequate health care.

Ally:  Yes.

I think that’s what great about this book is that it allows us to understand sort of the full spectrum of how these injustices sort of reoccur both in and out of school for families.

Our job as taking care of kids like, we just have to be aware that these things are at play. At least we can’t perpetuate these stereotypes and these biases that we have. We work to serve kids and remove these obstacles and remove these barriers.

Jeanie: Yes. So, let’s get into that.

Ally: Yes.

The transformative power of educators

Jeanie: The mission of Gorski’s book is really to expand our capacity to teach for class equity, as he says. He starts with a really awesome quote. I thought I’d ask if you could read it. In my book, it’s on page five.

Ally: He writes,

I also wrote it because I believe in the transformative power of educators, perhaps not always as the frontline people in the struggle to end global poverty (at least not on their own), but as people committed enough to walk into classrooms and schools full of students, dedicated to do the right thing by each of them despite all the challenges.

Jeanie: We see you, teachers. We know that you want to do right by kids. We just want to honor you at the very start of this. Even as we’re digging into things we might do differently or ask you to look at differently, we see you and your vision to be there for kids. To help every kid learn.

Ally:  Schools are full of educators who care and want nothing but the best for these kids despite what kids actually think what their teachers think about them.

I have yet to meet educators who don’t want the best for these kids. So, I really believe in the power of educators coming together and understanding these issues deeply and working towards solutions.

Jeanie: Yes. I have yet to meet an educator who doesn’t work their butt off for kids, who doesn’t work so super hard. We just want to honor you from the beginning. I think Gorski does that too. He sees you and knows that you work hard and that you love kids. So, here we go. Let’s see what he’s asking us to think about.

Starting with definitions

Gorski really begins this book with definitions. He defines poverty and working class, middle class. He goes through all these different terms. I was really struck by this. I think we throw around terms like poverty and middle class, right, without really thinking about what they mean.

There are always these studies out for years now in the paper that say, “Most people see themselves as middle class even if they aren’t.” It’s like we all sort of put ourselves in that middle class bucket. I found it really interesting that Gorski starts with definitions and what he means in this book in order to be more precise.

Ally:  Yes. To really clarify who the injustices are happening to. How it’s been designed and framed in the last 30 years in terms of politics. I think that really plays into how we fund things and how we make decisions about policies. All of those things.

Language is important.

He talks about how important language is in his text and framing the language.

Jeanie: Yes. We’re going to get to that more because he talks about a strength-based approach to language too. I just found this so interesting because it’s really easy to be unclear. That causes like obfuscation, right? If we’re unclear, then what are we really talking about.

It’s really nice that he starts this book with some real clarity about what he means when he says working class,  and middle class. He talks about the owning class. He talks about wealth in ways that are different than I’ve seen in other places. I just appreciated his frankness about that.

… and numbers

Ally:  Can I point out some statistics?

Jeanie: Yes, please.

Ally: Is that okay?

Jeanie: Yes.

Ally: I’m going to turn to page 41 in my copy.*

A record 47 million people in the United States live in poverty, about 15% of the population. Actually, that figure is based on that government standard for poverty line income we explored earlier, which is, for example, $24,600 for a family of four. Another 30 million are living just above the poverty line, in constant danger of dipping below it. That’s 77 million people at or near the poverty line in the United States alone.

I just think it’s really important to know that the poverty line in the United States is $24,600 for a family of four. I don’t know about you, but my family of four is struggling to get by on quite a bit more than that. So, I’m wondering why these numbers are these numbers. Who benefits from the numbers being this low?

The fact that we have another 30 million people living just above that line and are constantly in danger. He talks about us being an emergency visit away from poverty.

Jeanie: Yes. I don’t know many educators living a lush life either, right?

Ally: Right.

Jeanie: On their salaries and yet, we are as educators formally in the middle class. Even if we weren’t middle class growing up, we’re middle class now by virtue of being educators. Yet, most educators I know have to take second jobs or think about how to make ends meet.

Unequal access

Ally: He talks about how poverty… so, in public schools, we say that everybody has equal access to things, right? But, when we talk about wealth. Kids actually don’t have equal access, right? Every summer program that my kids are signing up for, costs money, right? I’m fortunately in a place and I have family who can help pay for those things.

But, my kids are learning math this summer at camps. So, of course, they’re going to come in better prepared next year. Other kids don’t have access to those kinds of camps. I think VSAC in our State does a great job of trying to reach out and provide services for kids who are first generation and who fall in this poverty line. But, like what I just said, that $24,600 annual income, if that’s our basis, then we’re missing out on a whole lot of kids who need some extra supports.

Jeanie: Yes, absolutely. In that way, just like some families are just missing out on Dr. Dinosaur. You know, Ally? This isn’t in the book, but it makes me think about lately the news has been full of talk about how the economy is so strong.

I’ve got to tell you, every time Marketplace comes on NPR, I turn it off because I’m a little ticked off that our measure of economic success is all wrapped up in the owning class, as Gorski would refer to them, and how much they’ve traded stocks. Like if our measure is only in the Dow.

I want us to measure economic progress by how many children are living in poverty.

I want to know the number of kids who went without a meal on an average day as a measure of economic success. And I want to know how many families had to make really tough choices between medicine and food. Like, I want our measures of economic success to not be wrapped up in the owning class, but to be wrapped up in the working poor.

Ally: And the number of jobs that are available. I keep hearing that that number is so low right now. It’s because people are working two or three jobs to get by. That’s not the measure of how successful we’re doing.

Quite frankly, we’re not taking good care of our children right now. We need to invest money in feeding our kids, in providing preschool, education for our kids.

We’re here to talk about the book. I’m not going to go on a political rant, but this book helps me see these small injustices that happen every day, right?

Kids can’t… our food service people do a great job getting people access to food here on campus, but the fact that a family has to fill out a form to get access to free food. Why aren’t we just feeding every kid? Why do they have to… he talks about showing their poverty or… I forgot the word he uses now, but I’ll see if I can find it.

But, we’re asking kids to like present their poverty for food. Let’s just feed everybody. What’s the harm in that? How much would that really cost us? I’m sure that we can find money to feed kids in schools, right?

Jeanie: Yes. It’s like demonstrating your poverty.

Ally: Yes.

The Equity Literacy Framework

Jeanie: Yes. I’m sure we can talk about this for a long time. I actually think that Gorski’s point is that we have to act up in society if we want equitable conditions in schools. We’ll talk about that as we begin to delve in to the equity literacy framework that Gorski outlines.

I really want to spend some time on this. Let’s do a pair reading Ally. I’ll read one and you read two, et cetera. Because there are four abilities of equity literacy. The first ability is:

the ability to Recognize both subtle and not-so-subtle biases and inequities in classroom dynamics, school cultures and policies, and the broader society, and how these biases and inequities affect students and their families

Ally:  It’s recognizing these small injustices that are happening.

Jeanie: Yes. What’s number two?

Ally:  It’s about responding.

the ability to Respond to biases and inequities in the immediate term

He says, it’s having the skill and will to call it out when you see it happening in schools.

Jeanie: Yes. Number three is:

the ability to Redress biases and inequities in a longer term, so that they do not continue to crop up in classrooms in schools

Not only do we have to recognize them and respond right in our classroom in the moment, we’ve got to figure out what’s causing them.

Ally:  Right. Understand where it’s coming from and change the system. Like, consciously find solutions that solve the problem and not further perpetuate the inequities.

Jeanie: Yes. Number four?

Ally:  Number four is:

the ability to Create and Sustain a bias-free and equitable learning environment

Doesn’t that sound amazing?

Jeanie: It sounds amazing. It sounds aspirational.

Ally: It does.

Jeanie: I think that you and I both saw Paul Gorski speak at a School Reform Initiative Fall Meeting. I’m not sure if it was the same one, but this is reminding me of a story that you and I both love from one of those fall meetings.

Pulling babies out of a river

The story was this, there’s a person standing by a river. They start seeing these babies coming down the river. First one baby, so they pulled the baby out of the water. Then, another baby floats down the river and they pull that baby out of the water. Then, another baby, and they pull that baby out of the water. The person with them goes running off, “Wait, wait, where are you going?” There are all of these babies, right?

The person that runs off said, “I’m going to find out how come these babies are getting into the river in the first place.” In a way, number three redress biases and inequities in a long term, is about figuring out why the babies are in the river in the first place. I know that story resonated for you because I know you as a school counselor feel like you’re yanking babies out of the river.

Ally: I do.

I feel so helpless in this current system to be able to provide what children need.

Nothing is more frustrating in my job than… I get to know kids and be with kids through really tough times. I feel like that’s something that I do really well. I’m proud of the fact that I can sit with kids in their grief and in their struggles.

But it would be so satisfying to find ways to help them not feel like their suffering so much. To find solutions so that they aren’t ashamed of their lives. So that they feel empowered to become these amazing people that they are. I want them to see that.

Jeanie: I wanted to be able to unpack the equity literacy framework. I wondered if you would play along with me. I chose an example that’s a little easier than poverty, that I think is a little clearer. I’m going to lay out a situation, a scenario if you will. Let’s see if we can figure out what it would look like to use these four abilities to get underneath of it.

Ally: Okay.

Applying the Equity Literacy Framework to school dress codes

Jeanie: Here’s my scenario. It comes from real life. This is not made up. When I was a librarian here at Green Mountain, I heard… this is actually not unique to Green Mountain actually. I would suggest almost every school in Vermont probably has this same issue and across that country.

I would often hear kids, female kids, girls talk about the dress code. They were really annoyed by the dress code. I would hear some girls say, “Oh well, if you’re skinny, you can get away with dress code violations, but if you’ve got a little flesh on you, you can’t.” Or I would hear, “None of the boys ever get called down for dress code violations. If they do, they just have to turn their shirt inside out because it has something on it.”

So, I would guess, that if we looked at dress code violation data in almost any school in Vermont it is disproportionately affecting girls.

If we go through this framework, the ability to recognize both subtle and not so subtle bias, what do we see?

Ally: Yes, I think we see girls in half-tops who are getting called down because they are a distraction to other people, right? They are a distraction to boys or other adults in the room. We’re not really… the first recognition is that, that’s sort of unjust. She’s not responsible for the distractions that are happening in the classroom.

Jeanie: Yes. When my son was in middle school many years ago now. A lot of the boys in his class tried to get called out for dress code violations and couldn’t. Meanwhile, girls were shopping at the stores available to them, buying the clothes available to them and they couldn’t wear them to school.

In order to meet the dress code regulations at his middle school, those girls had to go buy clothes at like, old lady shops. Shops that I shop at, right? Not fashionable teenager wear.

It was almost impossible sometimes, especially the short requirement. That the shorts had to be longer than your fingertips. Pity that poor tall girl with the long arms and the long legs, right? She always ended up in the office for a dress code violation. These were often families who had money to go buy clothes. Imagine how challenging it is if your wardrobe is limited because of the income of your family.

Ally: I would say that this is… there’s also an unjust piece to this about kids in poverty because I often see the kids who are well off or who are popular, well put together wearing real skimpy stuff and nobody calls them out. Where it’s a red flag if one of the kids who often gets in trouble, who might be a little bit on the larger size, who is more noticeable as a student on… at somebody’s radar gets called out more often for it than the kids who are well behaved in our school. I think that that’s unjust as well.

Jeanie: Yes.

I call that the red sports car, having been the mother of a red sports car. The red sports car gets more speeding tickets because it’s more visible.

We do have those kids who stand out and get in trouble because then they have a reputation for getting in trouble. We unjustly call them out for wearing the same thing that somebody else is wearing.

There’s all sorts of ways we can recognize both subtle and not so subtle bias about who’s getting called out. I would say just the disproportionate number of girls that get called out for dress code violation should be a flashing red light that says something’s wrong with our policy if only girls are getting in trouble.

Then, if we move on to set two, the ability to respond to biases and inequities in the immediate term as they crop up in classrooms and schools.

Ally: This is a hard part, Jeanie. This is where I am struggling to find the courage to do this. It’s in those everyday moments when we’re talking as teachers about… well, those parents just don’t care. They won’t take time to come meet and talk about their kid. I think we all know these moments when they happen where they are cringe worthy and I let them slide.

This is about not letting them slide. It’s about having the skill to say… actually, parents of students in poverty care just as much about their kid’s futures as kids from their wealthier peers. Having the skill and will to call it out.

Jeanie: Yes. I also didn’t take a very courageous tack. Now that I’m no longer employed by a school, I can honestly say that my response to what I deemed as sexist dress codes was just to ignore kids’ clothing. Like, I didn’t call. I never once reported a kid for a dress code violation. Because I felt like the policy was not worthy of being implemented. Not a very courageous move. Not really a response that changed anything, but that was my response.

Now, if I could go back and have a do-over, I might respond differently. I might actually seek out and get a group of girls to go with me to the principal’s office and say, “Hey, let’s have a look at this dress code. Let’s talk about it.”

Ally:  And really get to the root of what the problem is.

Who is affected? How are they affect… what is the problem? I feel like in education so often we go and thinking, making all kinds of assumptions about what’s at play and putting a band-aid on things. Instead of really deeply looking at and figuring out what the problem is.

Then, practical solutions to that problem.

Jeanie: This is an example I think where band-aids are prevalent because I remember a staff meeting here at Green Mountain about the dress code. One of the things that I think we can all agree on is that not one of us wants our young women to be preyed upon by predators outside of this building.

Like, we’re genuinely concerned for their safety. So we want them to dress appropriately so, they don’t draw that kind of attention to themselves and that they don’t get in trouble. That’s a legitimate concern for kids that we don’t want them to get hurt.

But unfortunately, what we’re demonizing is girl’s bodies instead of a culture that preys on young women and that’s really problematic when we make girls feel like their bodies are shameful or should be hidden when the real problem is elsewhere.

I remember having that conversation. I remember feeling like… obviously, I don’t want these girls to be assaulted. I also want them to feel free in their bodies.

Ally:  Mm-hmm. And feel good about themselves.

Jeanie: Yes.

Ally:  And powerful, right?

Jeanie: And powerful. That gets us to that next ability.

The ability to redress bias and inequities in the longer term. This is where I feel like activism about rape culture and calling out that women are not responsible if men and boys are distracted by their bodies. That women have a right to their own bodies. That their bodies are their own. Men too, by the way, your bodies are your own too.

Ally:     Yes.

Jeanie: So, that gets to that. This is where I think Gorski is asking us really to step up beyond what’s in our control in our classrooms and schools and address larger societal problems. Because they show up so often in our schools, right? So rape culture shows up in schools. Even if it doesn’t originate in schools.

Ally:  Right.

Advocating for young people

Jeanie: Yes. It’s complicated. He asks us in a way to be political. To be engaged. To be advocates for young people beyond our schools.

Ally: Yes. He does this. I wanted to talk about this at the end, but now might be a good time to talk about it. I’m going to turn to page 87. One of the things that was really helpful for me in understanding, I think I had a really narrow window of what it meant to live in poverty. But, in this chapter, I think… I forget what chapter it is.

He talks about how… it’s chapter six. Class inequities beyond school walls and why they matter at school. So, he helps us… even though we may not be able to change things about food, and housing, and access to medical care, we need to understand that those things are intertwined, right?

Ally:   

As we strengthen our equity literacy, we begin to see how these disparities are the result of structural disadvantages.

He talks about livable wage jobs with benefits, health care, adequate and healthy food, stable affordable quality housing, healthy living and working environments, recreation and fitness options, community and social services, quality child care, cognitive enrichment resources and a validating and bias-free society.

Jeanie: That’s a tall order.

Ally:   We can do it, Jeanie. I know we can. But when we’re talking about creating and sustaining equitable ways of living and creating educational opportunities for kids that are free of bias. He’s really talking about these things. These things that are outside of our realm of control. It is bigger than us and we have a responsibility.

Building our Equity Literacy muscles

Jeanie:  I love how he started with, “As we strengthen our equity literacy skills.” This idea that this is a muscle. That these four steps recognize response, redress, create and sustain feel like a lot.

But, we can start just with recognizing. Then, we can recognize and respond, right? We can slowly build up this muscle like, we would a muscle at the gym, right? We can slowly practice this until we become stronger and stronger.

It starts with just being able to see the inequities that are present for our students.

Ally:     I’m going to tell you a story about fall meeting this year. I was at the School Reform Initiative’s Fall Meeting. I was facilitating a small group. It was educators from across the country at all levels who are really interested in this particular conversation, talking about race and inequities around race.

We met and we were all on the same page. Paul Gorski has a second book that’s called Case Studies on Diversity and Social Justice Education, by Paul Gorski and Seema Pothini. In this book, they outline actual case scenarios from school around bias and inequities.

With that group, we started reading three of these. We sat in different groups. We read three and processed what would you do in this scenario?

One was about a student with a physical disability and a field trip. Getting access to the learning that other kids were doing on that field trip when a state park is not allowing a student to go on a particular trail.

We were practicing that muscle. When we were debriefing that, people in the room were like, “Oh my god! I thought I knew. Like, just because I believe in justice doesn’t mean I can call it out and change it.”

It’s so confusing, it’s so murky. What’s the right thing to do in the moment? And then how do I respond. I have to take care of this kid who doesn’t have access. I have to deal with the parents.

Like, there’s so many layers to this that I think it is really good to find a group of people and practice these things with and keep talking about it and thinking about it because there’s no simple solution.

Teachers as life-long learners

Jeanie: Yes. This just makes me think about how as educators, we have to constantly be learners. So many of our schools right now are sort of engaged in some sort of learning around trauma-informed practice. We’re doing work on proficiency. We have to constantly be learners. Our students are changing, but this is just another way in which we have to keep learning. Keep getting better. But we can, we can get better.

Ally:  It’s for the benefit for our kids. We want to do better.

We don’t want to hold the stereotypes in our brains and in our hearts.

Educators want kids to be successful. It’s worth it if we can start to explore sort of all these things that we hold to be true in ourselves.

Jeanie: There’s another way in which we can have our students help us with this work too. Christie Nold is doing amazing work where she has kids recognizing bias into her classroom, in the books they read.

There’s a school library in Ottaquechee which is engaging students in finding, doing an audit of the library collection to find bias and redress bias.

Our students can be our partners in this work, but also we need to be doing this work.

https://twitter.com/innovativeEd/status/1130117805834231810

10 principles of equity literacy

As if these four abilities weren’t enough, Gorski also outlines ten principles of equity literacy that all seem really important. We don’t have time to talk about all ten, but I wondered if you wanted to talk about one that is especially meaningful to you in your work.

Ally:  Yes, I think I’d like to talk about number five.

What we believe about people experiencing poverty informs how we teach, interact with, and advocate (or fail to advocate) for them.

One of the truths that he explores over and over in this book is that the most powerful change a teacher can make or the most powerful learning that we can have is this recognition that we hold stereotypes about people of poverty. We have those and we need to challenge those. We need to look at those and understand them so that we can challenge them.

Because the biggest shift that can happen for educators is if we do this. If we believe in students experiencing poverty and have high expectations for them. Believe in their power, then we can help them be successful.

He talks about no amount of professional development, no books, or number of pencils you provide is a substitute for shifting your beliefs about students in poverty.

Jeanie: Yes. It’s like starting with your heart before you move to your head. I’ve been thinking a lot about how in education we try to shift practice without shifting beliefs. This is really important. What we believe in our hearts shows up in our bodies, in our heads, in our brains, right? Comes out of our mouth.

Ally:  Right.

Jeanie: So, we have to believe that all students can learn. We have to believe that all students are doing their best. That makes a huge difference. That really resonates for me.

Number eight. These all stand out for me. But number eight, I think ties in really… these all tie in together too. In my book it says,

Equitable educators adopt a resiliency rather than a deficit view of low-income students and families.

Equity illiterate educators recognize and draw upon the resiliencies and other funds of knowledge accumulated by poor and working class individuals and communities and reject deficit views that focus on fixing disenfranchised students rather than fixing the things that disenfranchise students.

For me, this is all about shifting my language from a deficit-based vocabulary to a strengths-based vocabulary. That is constant work. I think I used to use words like, I think I used to refer to students in ways that I thought was really sensitive to them, but actually was further marginalizing them, right?

So, I tried to change my language to be more strength-based. That ties in with what I believe. It helps me more adequately express what I believe and also shifts what I believe when I use a different language.

So, the title of this book is a perfect example. For years, we’ve heard about the achievement gap. Kids of color are not achieving at the same level as white kids. Kids in poverty are not achieving at the same level.

When we call it achievement gap, then we’re blaming the kids or their families. When we call it an opportunity gap, the implications of having different opportunities, a gap in opportunities if you’re poor turns that on its head.

Ally: Right. It completely shifts your thinking when you change the language and you frame it a different way.

Jeanie: Yes.

Ally:  He does that with the term generational poverty. We have this term generational poverty that we often use. He changes it to “generational injustice.” So generations of people having their lands taken away. Having their rights stripped. Not allowing access to purchasing things, purchasing land, owning land.

How you talk about things matters.

Do you mind if I find that place in the book?

Jeanie: Go ahead. I would love for you to share that. I think words do matter. Generational poverty makes it sound like we’re passing poverty down, right? Like, this is your inheritance. I was poor, so now, you’re poor. Generational injustice points to what’s really happened, that systems have made it impossible for certain groups of people to accumulate wealth.

Ally:

Reaching and Teaching Students in Poverty. Photo from the book with the quote: "...generational poverty always seemed to me to be a deficit suggestion: the idea that poverty is a result of a set of cultures, behaviors, and attitudes reproduced in families experiencing poverty and passed down from generation to generation."

Reaching and Teaching Students in Poverty. Photo of the book with this quote: "What if, instead of talking about generational poverty, we talk about generational injustice? How would it change the way we defined, understood, responded to, and redressed the problem? Suddenly, we’re not looking at poverty as a personal or cultural failure focusing on how deficit mindsets are passed from generation to generation. But instead, examining how policies, practices, and institutions marginalize generation after generation of some families and communities."

 

Jeanie: Thank you for sharing that. That really speaks to me about a question that I… you know I ‘m very fond of questions. A question that I often… that sits in my tool kit for equity is this question of… especially around policy is, is this policy trying to fix people?

Because if the answer is yes, it’s likely an inequitable or inadequate policy, right? Is this program trying to fix people?

If we’re trying to fix people, we’re part of the problem, right? What we need to do is fix systems.

As long as we’re focused on fixing people, we’re avoiding or ignoring the real problem which is systemic inequities, systemic biases that create the disenfranchisement, that create the inequities that show up. That really shines up my question for me and make me think about it more. About how that question can be used as we’re designing policy or procedures in schools.

Ally: He also says, and I agree with him when he says, that students know. Students know if you’re pitying them. They know if it’s a band-aid. They know if it’s really getting to the root of the problem or if it’s unjust. If you wonder about that, if you just ask kids like what’s going on? They’ll tell you.

Jeanie: Yes. Nobody wants to be fixed. Don’t tell me I’m broken, don’t pity me, don’t try to change me. Change the systems that create the inequities that make it hard for me. Yes, thank you for that.

Dismantling the myths of the culture of poverty

Gorski spends a whole chapter dismantling the myths of the culture of poverty.

Ally: And really addressing those stereotypes that are common stereotypes of families in poverty.

Jeanie: That section, in particular, you and I, that’s also posted as an article online. That section that dispels common stereotypes about poor families. That’s a really powerful section. You and I have used that in a Collaborative Practices course we co-facilitate to help people look at bias that they have unconsciously held.

We found that to be really painful in a lot of cases for our teachers who are like, “Oh, shoot! I had no idea.” Painful but fruitful that teachers are really having to scrutinize their own beliefs in ways that can be really uncomfortable.

I wondered if you wanted to talk about a particular stereotype that stands out for you from that section.

Ally:  I actually am reluctant to read any of these stereotypes because I think they perpetuate, they further perpetuate the story.

What I got out of this chapter is sort of understanding where stereotypes come from. That there’s an inside group and an outside group. Often stereotypes come from an outside group. They don’t come from the people who are experiencing those things.

All you need is a hint of truth for people to buy into it.

I’m going to read this part at the top of page 72.

we tend to require less evidence, and less accurate evidence, to convince us of the legitimacy of a stereotype about a group to which we do not belong then we require to convince us of a stereotype about a group to which we do belong. Social psychologists have referred to this phenomenon as in-group bias…

Jeanie: Yes. So, it’s who gets to call the shots. Who gets to decide?

Ally: Right.

Jeanie: It’s about power.

Ally: It’s about power. It’s less about what’s true and what’s not true.

When you hear Paul Gorski speak, he has this quiz that he makes you take. So, those questions are sort of jaw-dropping about… I even think he lists them in here. About the things that we believed to be true.

Photo from the book: Poverty Awareness Quiz
Click or tap to enlarge.

 

Jeanie: Yes. He calls on us again and again to evaluate those things we believe to be true. He throws a ton of research at us. This book has so many parenthetical citations that it exhausts me a little bit.

The one that stopped me in my tracks when I first read it and that I still struggle with is this idea about linguistic deficiency.

For me, the reason is that I grew up working poor. My family to this day does not speak with Standard American English grammar and syntax. They say words that embarrass me. “Ain’t” probably being the least embarrassing of them, but the way they talk is not the way that I talk.

What I love about Gorski is that he cites so much research that just made me have to rethink my thinking about that. He says,

Linguists roundly reject this superior/inferior dichotomy. Some call it “standard language ideology” in reference to the presumptuous and familiar term “standard English.” According to Kathryn Woolard and Bambi Schieffelin,  “Moral indignation over nonstandard forms [of language] derives from ideological associations of the standard with the qualities valued within the culture, such as clarity or truthfulness.” In fact, since at least the early 1970s linguists have bemoaned the ways of which students are taught to misunderstand the nature of language, including the false dichotomy of “correct/proper” and “incorrect/improper” language varieties.

In linguistic reality, all variations of a language and all dialects, from what some people call “Black English Vernacular” to the Appalachian English spoken by my grandma are highly structured, with their own sets of grammatical rules.

This notion that we have, that when kids speak in their home vernacular, they are less intelligent. That shows up for me. Like, I hold that bias and I have to work hard against it.

Ally:   I think as educators were in a unique position too because it’s not to say, “This is the only way to do it.”

We can say, “When you are writing a resume, when you’re applying for a job, when you’re writing an email to your boss, this is the way communication happens. In other circles, in other places, this is also powerful language and it’s still valued.

Jeanie: Yes. You said that so well. Folks, I’m going to pull us back to a more hopeful place. Because Gorski asked us to do all this hard work to look at ourselves really closely and the biases we hold. To work on recognizing bias in action and redressing it. He’s really asking us to do a lot and it’s hard work.

But he also has this section where he points out strategies that research has shown to be effective for children living in poverty. Let’s turn to that.

Instructional strategies for equity

Jeanie: There’s some great stuff in there. There’s a great little instructional strategies that work list. Then, he digs into them a little further.

These are good for all kids. Just like good trauma-informed practices is good for all kids.

These eight strategies are great for all kids, including kids living in poverty. Would you read the list of strategies that work for all students, not just those in poverty. Then, we can talk about a couple.

Ally:    

Photo of book with this quote: "The equity educator has the knowledge, skills, and will to: 1. consider data humbly, responsibly and collaboratively; 2. prioritize literacy instruction across the curriculum; 3. promote literacy enjoyment; 4.  have and communicate high expectations; 5. adopt higher-order, student-centered, rigorous pedagogies 6. teach critical literacy; 7. teach about poverty, economic injustice, and class bias; 8. analyze learning materials for class (and other) bias; 9. make curricula relevant to students experiencing poverty; 10. incorporate music, art, and theater across the curriculum; 11. incorporate movement and exercise into learning."
Click or tap to enlarge.

 

“These strategies just sound like good teaching,” he says.

Jeanie: They are.

For me, I, of course, adore “promote literacy enjoyment.” I hate when reading is turned into a chore. I want it to be fun. As a librarian, it was really important to me that I had books that kids could enjoy. That they felt drawn to. I wanted kids to love the books that they took home, right?

Like, the come to me and say, “Oh my gosh! I love this so much.” That was like my best reward. That combines with the making curricular relevant to the lives of our students. So, it’s really important to me that whether in classrooms or in libraries, that kids be able to see themselves in books.

That means having LGBTQ+ characters in books. That means having kids of color in books. Kids who are refugees in our stories. That we have stories about kids living in poverty where it’s not just demoralizing, right? We don’t have a single story of that, exactly. That we have opportunities for kids to see all different kinds of people like themselves and not in literature and in the curriculum.

It’s super important to me. I’ll give a little shout out to a book I’m in love with right now. Ann Braden’s The Benefits of Being an Octopus. It’s a great opportunity for kids to see their strength and resilience in a character, Zoey, who is experiencing poverty and some abuse in her life.

What rings true for you out of this list?

Ally: I love the last two about incorporating music, art, and theater across curriculum and incorporate movement and exercise into learning.

I think when kids are able to be physical on their bodies that the learning sticks with them.

But, I also want to draw attention to number one. Because we can do this easily. I want to stress how important this is to educational leaders that we take time to do this. Consider data humbly, responsively, and collaboratively.

 Data doesn’t have meaning until we look at it together and make meaning together. Then, create a vision for how we want things to be. I can’t do that by myself as a school counselor. You can’t do that on your own as a librarian. We have to do this collectively.

Jeanie: I think that you’re absolutely right about that Ally. That we need to work together in community to look at data and figure out what the biases are and how to redress them. I would recommend to administrators, and teachers and leaders who are interested in doing this work the book, Solving Disproportionality and Achieving Equity.: A Leader’s Guide to Using Data to Change Hearts and Minds by Edward Fergus.

This book was recommended to me by Jillian at the School Reform Initiative. I haven’t had a chance to put it into action yet, I have a copy and it’s just like this amazing opportunity to dig deep in data. You’re right, it doesn’t have meaning until we start to make sense of it and use it for the good of our students.

Focus on relationships

I also love that you called forth the same thing that Gorski calls forth at the end of his book which is a focus on relationships, right? That we need each other to do this important work. Gorski says,

Every practical strategy in the world will not work if we treat poor and working-class youth, or their families, even in the most implicit ways as though they are broken or some lesser other.

Remember, as we learned earlier, that research has shown that who are what we choose to blame for poverty guides the policies and practices we are willing to implement. In other words, what we believe about low income students, how we relate to them is just as important as how we teach them. In fact, it plays a considerable role in determining how we teach them.

This quote really reminded me of you because having known you and worked with you for such a long time, I know that you have this gift for seeing students, really seeing them. I wondered if you wanted to talk about what that means to you.

Ally: That’s really nice, Jeanie. I think what that means to me, in my own personal work that I do. I’m part of a Courage and Renewal cohort. During that work what I’ve realized is that my… I’m only good at my job when I can show up as my full self.

When I begin to be honest about who I am, with everything that I’m awesome at and also everything that I’m not so awesome at. If I can just be fully available for kids, it’s better for them.

I think fully seeing kids is creating spaces where they too can be their honest self. They don’t have to deal with judgment. They don’t have to deal with shame. That they can be a mess, because we’re all kind of a mess.

I think the more spaces we can create, not just for kids, but for people to be their full selves, the better aligned we’ll be as a society about like what matters to us. We can sort of follow our hearts and trust. Trust the choices that we’re making. To feel powerful about changes that we need to make.

Just even in my own personal stuff, I think we all got caught up in our insecurities and feel like, “Oh, I’ll never be able to do this things.”

When we create spaces for people to explore their full selves, they start to recognize that they have a lot of power. They have a lot of skills and they’re really beautiful. They can make changes and make things happen for themselves.

Jeanie: Yes. I think that the special thing that you do, Ally, is you… by helping kids feel fully seen, they also really trust you. So, they can…so many of the ways in which kids, especially kids experiencing poverty show up in schools is to hide.

You helped them realize they don’t have to hide themselves. That they can come clean about what they need or what’s going wrong in their lives.

Ally:  But, can I tell you? It’s sort of terrifying too, right? To hold this trust in a system that doesn’t necessarily work for them. In a system that sort of feels unjust. Like I have to talk to girls about their dress code issues. I have to tell kids that college is really important, right? Like, there are all these scripts that I have as part of being in the education system. I worry about having that. It feels like a huge responsibility to hold that trust.

So, this work around equity literacy is really good for me to make that the stories that I’m… these scripts that I’m using are not holding kids back, are not further perpetuating these stereotypes.

Jeanie: Yes. You reminding me that as educators in buildings, we really have to have a two-pronged approach. Like, we do need to play by the rules of the school even as we may be behind the scenes for kids, we may be talking to administrators, to other teacher and to school boards about why those rules need to change. That we do need to uphold policies even as we’re advocating for changes in them.

Ally: I think that’s where people in the world of equity in schools sometimes get sort of chewed up a little bit is in that, in the place of those two things. Sort of ground up in the wheels of holding and creating space and upholding the principles that are in the foundations of education.

Jeanie: It’s exhausting work.

Ally:  It is, but it’s so worthwhile when you get to see students being successful in opportunities that they have.

Access and opportunities, those are what we need to focus on for kids.

That’s what Paul Gorski argues about, access and opportunities.

Jeanie: Yes. Teachers, take care of yourself. We know you’re doing so much. We hope you’re doing a little self-care as well because it’s a lot, as Ally said, it’s easy to get ground up in the wheels of this work.

There is so much more to this book. It’s a thin little book, but there is so much more that we haven’t discussed because it’s such a rich resource. Just chock-full of profound thinking and references to research. I wonder if there’s anything else you’d like to call attention to.

Ally:  I don’t think so. I had a lovely conversation with you, Jeanie. I think we covered a lot of ground.

Jeanie: Yes.

Ally:  I can’t imagine people want to listen to this. Sorry.

Jeanie: How am I supposed to respond to that? Well, I enjoyed listening to you Ally. You have so many great insights. Thank you so much for joining me on the podcast to talk about this really important book.

Ally: Yes. Thanks, Jeanie for having me.

 

 

*Ally quoted from the 2nd edition of Reaching and Teaching Students in Poverty, while I quoted from the 1st edition.

#vted Reads: No Fixed Address with Annie Brabazon

Host Jeanie Phillips, left, with guest Annie Brabazon, right and a copy of No Fixed Address.

Reader, today we’re going to talk toilets. Now, not in a weird way or a gross way, but because they’re a central theme in Susin Neilson’s No Fixed Address. They’re big white porcelain symbols of the main character’s resourcefulness as he navigates housing insecurity, and they’re really important to think about in terms of access for your own students.

Really.

Have a seat, and let’s chat.

Jeanie:  I’m Jeanie Phillips. Welcome to #vted Reads. We’re here to talk books for educators, by educators, and with educators. Today I’m with Annie Brabazon, and we’ll be talking about No Fixed Address by Susin Neilsen. Thanks for joining me, Annie. Tell us a little bit about who you are and what you do.

Annie: Hi Jeanie, thanks for having me. I am a school librarian at Grand Isle School. We’re currently a K-8 school. At the end of this year, we will be becoming a K through six school.  I’ll be starting my ninth year in the fall. Prior to that, I was a public librarian for a while and then prior to that I worked in Higher Ed and student affairs. I’m on the Dorothy Canfield Fisher Book Award Committee. This is my third year. I’ll be stepping off at the end of this spring. It’s been a really great pleasure to be able to dive into a bunch of books and work with a committee of readers to figure out the best books that we want to present to kids in our community.

Meet Felix

Jeanie:  You guys do an amazing job at that. I always love the list and we’re going to talk more about that list at the end. But let’s start by introducing this fabulous book, No Fixed Address. I loved it so much. I read it in a day and I wondered if you might start by introducing us to our charming narrator, Felix.

Annie: Yes, I’d agree he’s really charming! Felix Knuttson, he’s 12 and I think he turns 13 in the course of the story. He lives with his mom who prefers that he call her Astrid, because she thinks “Mom” and “Dad” might create a little bit of a hierarchy, and she’s not really into that. And he’s a smart kid. He’s a really funny kid and he’s a really, really sweet kid that has to do a lot of adult things and kind of be the adult in his relationship with his mom. More than a kid should have to be.

…and his quirky family

Jeanie: Yeah. He has kind of an out of the box, non-heteronormative family. Do we want to talk a little bit about his family circumstances?

Annie: Sure. So, his mom, Astrid is not in a relationship with anybody. She goes in and out of different relationships. But that’s not really the main focus of the book. His dad is someone who he hears from once in a while, but is a gay man who donated his sperm to Astrid so that she could have Felix. Again, I think with both his parents, Felix kind of has to be the adult in those situations. His dad is a struggling artist who is, I think caught up a little bit in finding romance in his life a little more than he is in consistently being a part of Felix’s life. Felix is forgiving and understanding about that. More than I think, if that were me in that situation,  I think I might be.

Astrid is a mom who has a hard time holding down a job. She can’t always hold back what she’s thinking and feeling. And it doesn’t always work well in jobs that in particular involve customer service component to them. So she might lose jobs pretty frequently throughout the story. She struggles with depression. Felix calls it her slumps. And when those happen, he again has to step up and really be the parent and the adult in that situation.

Dealing with mental illness

Jeanie:  Yeah. He really describes the slumps really interestingly. Let’s think about that for a minute. I love where he talks about what it’s like when his mom is in a slump. I’m on page 87. I’ll just read a portion of it.

She likes to say that the day I was born was the happiest day of her life. And she named me after her brother, to keep his memory alive. I think that’s why she likes me to call her Astrid instead of “Mom,” because that’s what Original Felix called her.

I know some people find it weird. I remember other parents in the schoolyard thought I was precocious, calling her Astrid. But when they found out she wanted it that way, they looked at her like she was precocious.

I’m just trying to give some context before I mention Astrid’s Slumps. That’s her word for them. Slumps. She’s had them off and on for years, but they usually don’t last very long — a few days at most. During a Slump she stays in bed and I take charge. Mormor took charge when she was alive, but after that it was left to me.

So, Mormor is the grandmother who really, sort of anchored Felix before she passed away when he was a young man. I think you really hit on something interesting, Annie, which is that, because Felix’s parents are so immature, he has to be mature beyond his years.

Annie: Right. It’s amazing how he does that. And! What I love about him is that he also can be a kid and he has some terrific friends that help him be a kid and be silly and goofy and have that part of his life feel rich and full as well. So, I feel really happy for him that he can still have the opportunity through his friendships to have moments of being a kid.

The spiral path to housing insecurity

Jeanie:  So when the book starts, Felix is sitting in a police office talking to a police officer. He’s explaining their circumstances, particularly how he and his mother came to be living in this Westfalia van. I wondered if you could just give us a brief summary, as Felix does, of their struggles with housing.

Annie: So they haven’t always lived in a van. When the story starts, it’s about four months that prior to that, that things started to fall apart.

It’s so interesting for people that are not secure about their home situation or their living situation, how in the forefront it is of they’re thinking.

Felix can specifically talk about how at one point they lived in a 400-square-foot basement and then another point they lived in a 600-square-foot apartment and then they owned an 800-square-foot condo before they had to live with their grandmother Mormor. And then, once Mormor died and all of those other situations fell apart. They couldn’t continue to be in any living situation where they needed to pay rent. Astrid wasn’t holding up her end of the deal.

Jeanie:  Thanks for that summary. The part that really sticks out for me, because it’s true that Astrid doesn’t hold jobs very well, nor friendships, and that *that* makes their housing more unstable. But there’s a point at which Astrid and Felix, when Mormor dies, they inherit her house. They come into some money and they purchase a condo, right? And they’re living in this condo quite happily in a neighborhood he loves, with the school he loves. But the condo starts sinking. It’s structurally unsound and each person in those condos has to pay, I think it’s like $40,000. So, what was a stable housing situation that they could afford despite Astrid’s employment irregularities, they suddenly have to sell it at a loss. And that starts this downward spiral.

So, Astrid is not perfect, but this situation was out of her control.

Annie: So right. You’re right, absolutely right about that. And she has a sense that things start to spiral. Astrid also actually had a job as an art teacher. But again, a thing out of her control was that the enrollment and the art classes decreased. So they didn’t need to keep her. That was not anything that Astrid could control. So, some of those situations out of her control —  in combination with some of her challenges with holding down a job — made maintaining a stable home environment really hard.

Jeanie:  I think that’s really important.

I think it’s really easy to pigeonhole or stereotype poor people, and think that they are poor because of the bad choices they made. We all make bad choices. Some of us just have stronger safety nets.

Annie: Right. That’s a really good point because I think with Mormor gone, that was a big safety net for both of them. The man that Astrid had been sharing a living space with, left. That was another person that had been kind of a support and a safety net for them as well.

And I think some of the shame around insecurity around your home situation and not being able to talk to people, I think contributes to that spiral continuing because it’s uncomfortable to ask for help. It’s uncomfortable to seek out resources that might identify you as a person who doesn’t have a secure, stable home situation. Astrid was very proud and didn’t want to ask for a lot of support or help. Because I think she wanted to be able to provide that for Felix and maintain this hopefulness that things would work out.

The importance of a safety net

Jeanie:  I had a lot of empathy for the before and after Mormor. Like the way in which Felix’s grandmother was such an amazing support for him and for Astrid. My grandparents were a safety net for my family? And that I can’t imagine what my childhood would have been like without their support. NS I see this a lot for our Vermont students. I think this shows up a lot for students in our schools. They’re really reliant on the support of aunts and uncles and grandparents and other family members. And some of our students really lack those support networks.

So for me, this story is really important to have in Vermont school libraries. It’s important that many of our students could see themselves in Felix’s story.

Annie:  In my school community where I teach, I also live in the town next-door. A lot of our families or our kids are being raised by their grandparents; more and more that number is increasing. If they’re not being raised by them, they’re definitely being supported, and the parenting and the caring for them is being shared. So I do think that a lot of kids would see themselves in Felix. I also think in terms of security around a consistent home and space to live? That’s something more and more kids in the community where I live would identify with as well. And I do think that grandparents — it’s kind of a wonderful relationship to see with kids.

Parental love

Jeanie: I can’t say enough that Astrid really loves Felix. This kid is really well loved.

Annie: Oh, totally well loved. Yes. One of the moving parts for me was when Horatio, the hamster, died. Astrid had gone out to get a space heater for the van and ended up having to try to shoplift it and got caught. And so was held up at the police station because of that and wasn’t home for Felix when he woke up and discovered that Horatio was dead. But when she did come back her love and her comforting of him was just, that was just that such a great part of the book for me. It just really reminded me how much she does love Felix and how much he loves her. He even called her mom in that moment because his emotions were so strong. His grief was so great. He knew that even though he doesn’t call her mom, she is still that to him. She is still that one who cares and nurtures and takes care of him.

Jeanie:  I just don’t want to villainize her and I’m never fond of books that create a villain out of somebody who maybe struggles with mental illness, but who is doing the best she can. Astrid is *really* doing the best she can.

Annie: She totally is. The humor in this book that helps us kind of appreciate that about her too is what one of the other things that I really loved about this when he talks about Astrid’s lies and the different kinds of lies she’s telling.

A “Glossary of Lies”

Jeanie: I would love it if you would turn to page 31 and read the opening paragraph under Astrid’s Guidebook to Lies.

Annie:

I suppose I need to pause here to explain that yes, on occasion, my mother lies. But it’s important to note that she has levels of lies, and rules surrounding each. Sort of like the Church of Scientology and their levels of Operating Thetans, her rationales don’t always make a lot of sense. But this is how I break them down in my head.

Jeanie:  Let’s just go through the list.

The first one is The Invisible Lie

Annie:

This is your run of the mill white lie, that type we all tell  multiple times a day without even thinking about it. For example, say you’ve just been diagnosed with a terminal illness and your waiter/bus driver says, “How are you?” And you say, “Fine.”  Because it’s understood that they don’t really want to know the truth.

Jeanie:  Yeah. And then I love this one,

The “Give Peace a Chance” Lie

Annie: He refers to that a lot, and sees that in other people as well throughout the story. It’s a kind of lie that we say to spare someone’s feelings. Someone asked Astrid’s waiter friend if the pants she had on made her butt look big, and Astrid, of course, said, “No”. Because she didn’t want to hurt her feelings.

Jeanie:  Yeah. Then there is:

The “Embellishment” Lie

Annie:

Astrid  would argue that embellishing really isn’t lying, it’s just adding some flavor, like putting more spices into a dish. For example, she will pad her résumé with some things that aren’t, shall we say, accurate, depending on the type of job she’s applying for.

That’s a great one.

Jeanie Philips:  I love this one. It’s such a short description,

The “No One Gets Hurt” Lie

These are bald-faced lies aimed at helping out the liar in some way.  But — and this is crucial — they harm no one.

Annie: Yeah. Then

The “Someone Might Lose an Eye” Lie

These are the worst type of lies, the kind that have the potential to hurt the teller, the tellee, or both.

Jeanie: This is early on in the book, and what I love is that we come back to this again as both Astrid and Felix himself tell lies.

He’s really exploring morality in this really interesting way, in a life where he has to, because of shame and circumstance, tell different sorts of lies just to survive.

Annie: Right. He doesn’t want his friends to know that he doesn’t have a home. He uses some of these lies to just again like you said, not feel so horrible about himself and the shame that goes along with maybe not having a home. And the fear that, what would his friends think about him?

Homelessness?  “Houselessness”? Housing Insecurity?

Jeanie:  I think that brings up something really interesting because Felix doesn’t think of himself as homeless. And that just reminded me of a couple of things I’d like to process with you. One was a This American Life episode about a girl who found refuge in a library, and didn’t realize that the reason her mom took her to the library every day is because they were homeless. She didn’t realize until much later.

And then recently on a learning journey, I took to Hawaii to study, place-based learning, there’s a huge problem with people who don’t have adequate housing. So they set up encampments. And the advocates there are calling it “houselessness’. Because these folks are making homes.

And, in fact, Felix and his mother do make a home out of the Westfalia van. They just don’t have a house.

Then I think about how in schools we use this term housing insecure because many of our students without houses are living with family members or in houses that are too small. They’re sharing homes with other people. I’m thinking about, how the terminology impacts self-identity because Felix has this moment where he suddenly realizes, “oh.” He realizes that in contrast to the homeless man on the street, and it occurs to him suddenly, like, “I’m like that guy.”

Annie:  Right. I was thinking about that, especially when they finally get that apartment above the grocery store and…

Jeanie:  Shhhh, no spoilers!

What makes a home

Annie: Sorry! (I know, I was wondering if I should go there.) But I do think he sees that housing and having a home are different and they look different. His situation looks different from Bob, the man who was living in a cardboard box beside a building. Even when he brought his friends, Winnie and Dylan to the van, and he finally opened up to them about where his home was.

When he was talking to them and showing them around, he realized that he had a lot of what makes a home. It made it feel different for him, I think, to be open about it, and bring his friends there.

Jeanie:  Absolutely. It’s this huge moment in the book too that I think is really interesting to explore with kids about Winnie and Dylan have to decide whether or not to disclose this secret. Because Felix swears them to secrecy. He can’t tell anyone because his family is afraid of the Department of Children and Families. He’s afraid of that. He doesn’t want to be separated from his mom and he worries about that. So, he swears them to secrecy, and WE WON’T GIVE IT AWAY.

Winnie and Dylan really have to wrestle with whether or not to keep a secret.

Annie: The other part I think about is, so one of Felix’s strategies to try and change his situation and get he and Astrid out of the van is to enter this Who, What, Where, When game show. It’s kind of like a Jeopardy type of show and he’s a master at answering the questions. There’s history, geography, science, all, the whole gamut. He enters this contest hoping that the prize money will be what is needed to get he and his mom back on track again and having more housing security in their life. And at one point he realizes that they might be in a motel where the signs on the motel have lit up letters that are not lighting up. So the words aren’t clear. There are some shady characters that live there and there’s a whole list of what you can do and what you can’t do.

For him, that doesn’t feel like a home. For him, that feels like a place that’s not safe. I think it again makes him appreciate the van.

Even though there were a lot of struggles living there, there was the ability to be who he was and feel safe and secure with Astrid there.

Resiliency, resourcefulness, and morality

Jeanie: And he has to be incredibly resilient. Both he and Astrid do. He has all of these strategies for dealing with this housing situation, like keeping clean. He keeps a toiletry kit in his locker. Hiding the truth takes a lot of work, right? Like he has to sort of lie about where he lives, but he also has to sort of pretend like he has everything he needs and it requires a real resourcefulness. And then just the life skills he has for dealing with that reality. So, I’m on page 67 and it says,

As September drew to a close it got colder, especially at night. This is something you become acutely aware of when you live in a van.

But we adapted. As Astrid likes to say, living in a Westfalia definitely makes a person more resourceful. “Resourceful, Felix, is a good life skill to have.”

And we are nothing if not resourceful. Take Wi-Fi, for example. When we need it, we go to a coffee shop, or find an unsecured network. When something needs recharging, like a phone or batteries for our headlamp, we plug in somewhere like the Laundromat. Sometimes we plug in at a power source outside an empty house. On the west side of Vancouver, there are a lot of big, brand-new houses with no one living in them– Astrid says they are “investment properties.” It’s one of her pet peeves. “Our city is becoming a playground for the rich. Enormous, empty homes,  when so many people who live here can’t find affordable housing. Our politicians should be ashamed of themselves,” she says. Over and over and over and over.

He goes on to talk about food and how they survive on food. And this is a point where I got really — my heart broke for Felix even more. He says,

But to be clear, I am not malnourished; not too badly anyway. I don’t think I’m suffering from scurvy or a vitamin deficiency or anything like that. We shop at the No Frills, where you can get really good deals on produce they’re about to throw out. And once in a while my mom will–

and we come to a place of morality again. What are your thoughts about Felix’s resiliency and all of the life skills he has?

Annie: Yeah, I think it’s amazing. I know in addition to what you’ve talked about, just when Astrid is in one of her Slumps and she might not get out of bed, there’s in the van things he needs to get to that he can’t get to until she’s out of her bed. So, he learns to plan around that and access those things when he can, when it’s not a rush for him to get to school. Or sometimes he can’t, and he has to go to school in the clothes he slept in or wore the day before. So, he has a plan for cleaning himself up at school when those situations arise.

He just amazes me in his ability to get to school every day and be the amazing kid and friend to his friends that he is every day with everything he has to go through.

As far as the morality goes… So, sometimes Astrid needs to shoplift so that they can have food or things that they need to survive in the van. Felix struggles with that and I think he struggles from knowing that it’s not right to steal. Also that he worries about his mom getting caught and what that might mean for them in terms of them staying as a family.

He keeps track of the things that have been shoplifted with a plan to, when they get back on their feet again, reimburse all the places where things have been taken. Food or other items. Again, I think that just speaks a lot to his character and his understanding of right and wrong, but his ability also to understand that situations sometimes demand us to be resourceful in ways that are the right thing to do. And sometimes they’re things that aren’t the right thing to do, but they’re not hurting anybody.

Jeanie:  Yeah. Just like his lies.

Annie: Just like his lies. Right?

The Importance of Friends (and toilets)

Jeanie: Yeah. He so wants to be a good person. You’ve mentioned several times that he’s a good friend and he has good friends. Dylan was a friend who went to school with when they lived in their condo. They used to visit each other’s houses and when they moved out of the neighborhood, he didn’t have access to Dylan anymore. He loves to go to Dylan’s house because there’s lots of food.

Annie: Right, and a warm bed and a warm shower. You don’t have to work to have them be available. They’re just there.

Jeanie: And Dylan’s family is so welcoming. Then he makes this other friend.

He and Dylan end up being friends with this other person, Winnie who I think of as the Hermione Granger of this book.

Annie:  Yes. I agree. That’s great.

Jeanie:  Hermione, as you may or may not recall, listeners, (was I bet you do), was kind of an annoying know-it-all at the beginning of the book. She sort of wheedled her way into Harry and Ron’s friendship and eventually into their hearts and Winnie Wu sort of does something similar. She’s sort of an annoying know-it-all, and becomes their friend.

I really love this scene on page 72 and 73 when Dylan and Felix first visit Winnie’s house. Her mom is a doctor; I think she’s an obstetrician. So, her mom is sleeping after a late shift and, Mr. Wu, her father, is there. Winnie is fixing them snacks, but she makes this terrible gluten-free bread.

Winnie held out a plate to her Dad. “You sure you won’t have one?”

Mr. Wu padded his stomach, “Wish I could. Still stuffed from a late breakfast. Honey, do you mind getting my water glass? I left it in the other room.”

The moment she was gone, he motioned to us. “Quick. Take out the cheese and hand me the bread.” We did as we were told. We wolfed down the cheese while he slipped the bread into the garbage, making sure to put other items on top of it. When Winnie returned he told a Give Peace a Chance. “Your friends are bottomless pits! I’m making them lunch number two.” He started pulling stuff out of his grocery bags. “Steamed pork buns, anyone?”

“Ba, what have I said about pork?” Winnie chastised.

“Once in a while I need my fix,” he said. I ate four of them. They were legit delicious.

Mr. Wu seemed like a very good dad.

Before Dylan and I left, I used the bathroom. It was white and clean and smelled like lavender potpourri. They even had a heated toilet seat.

I sat there for a long time, feeling the warmth radiate through my bum. And suddenly, out of nowhere, tears pricked my eyes.

I longed for a toilet.

And I longed for my dad.

So, I really love this because actually, toilets are a big theme in this.

Annie: Yes. It’s so funny if you think about really his priority was having a home would mean having my own toilet. For him, there were some struggles in the book for just being able to have that privacy and that space to use the bathroom, and go to the bathroom. For any of us, that’s a really embarrassing thing to not have that. And for a 12-year-old boy, even more so.

Jeanie:  Yeah. Not having a house, living in a van is hard at the best of times. Like if you’re out camping on family vacation, there’s already a little hardship that goes with that. Anytime that times get tough, it gets even harder. So, when Felix gets really sick, it’s just awful. When it gets really cold. When his mom’s in a Slump, there are just so many times in which it goes beyond just slightly challenging to downright almost impossible.

Annie: Yeah, and something that most people would not have to endure over a long period of time. If your house gets stinky, you can clean it or air it out. Sometimes in a small space like a van that’s not so easy.

A teacher’s responsibility

Jeanie:  But he hides it. He manages really to mostly hide it from the teachers at his school. Like Mr. Thibault is his classroom teacher, I think.

Annie:  He picks up on it a little bit. He asks, I think one of the days when Felix wasn’t able to change his clothing, he checks in, if everything is okay. But the teachers don’t, for the most part, know, or push really hard to find out more.

Jeanie:  As an educator, I can understand that. Like it’s really hard to navigate. How do you help somebody?

I guess what’s really hard to navigate, is how do you make sure that you’re allowing somebody to claim their full dignity, but also to make sure they have everything they need.

I would really struggle with a Felix in my class, because even if I suspected things weren’t quite all right at home, I would also want him to have agency over his life.

Annie:  Right. Yeah, and to know how to let him know that resources are there without having to feel like you’re prying or talking about things that aren’t just comfortable for him to talk about or that he’s not ready to talk about. Yeah, I agree. You do want to be sensitive and respect people’s situations and dignity like you said. I think that would be really hard as an educator for me, too. To know how to navigate that with him.

Empathy

Jeanie:  Right. This book to me felt like such an important empathy read for adults who work with young people. Also for young people to really grapple with how easy it can be to lose your house or to be put in a predicament that it’s impossible to get yourself back fully on your feet.

Annie: Winnie, I think does a good job of modeling how to be a good friend around that. At one point in the story, I think she’s coming to understand that Felix might be poor. And she’s not, in her situation. Her mom is a doctor and her dad’s a nurse and she just, as kids can so well do with one another asks, “Are you poor, Felix?” And they try to talk about it a little bit and then she shares her food with him because so often he comes to school with no breakfast. Then having had no breakfast and then having no lunch to bring with him.

So, she just doesn’t make a big deal about it and just graciously and kindly shares her food with him. And it doesn’t try to save him or fix him, she just wants to know and just because she cares about them.

Jeanie:  There’s a real sweetness, a real tenderness in his friendships, and how they support each other.

Annie:  Yeah, absolutely.

Jeanie: There’s also great middle school dance kind of scene that happens, which is just so much fun. Readers you will enjoy that section of the book too.

Vermont’s Middle School Student Choice Award

This book is on, as you mentioned earlier, the Dorothy Canfield Fisher award list, which is our Vermont State Middle Grades Student Choice Award list. Recently in the news, we hear that a name change is planned for 2020. Do you want to talk a little bit about that process and what’s happening there?

Annie: Yeah, so I think people were ready to hear a decision about this. It’s been talked about for quite a while. I’m happy that we’re moving in that direction because I think, there’s a lot of different opinions out there. I think, once we learned that that name was serving to exclude some kids and some families from participating in that book award because of Dorothy’s Canfield involvement in the eugenics movement, that it was for me a no-brainer to look for some other name.

I think book awards, and especially student choice awards, should do all they can to include, and pull people into that experience versus serve to exclude.

So, the decision was made to change the name and Jason Broughton, the state librarian announced it at the Dorothy Canfield Fisher conference last week, and the plan is moving forward to when we announce the next list. When kids vote on this list in the spring, next April they’ll be voting on the current list that which includes No Fixed Address. They will also have an opportunity to vote on a new name for the award. So, they’ll be given some options.

And they’ll cast their vote for what they’d like the book award to be called from this point forward.

We thought that would be a great way to again, gives kids some ownership in the name and also, will make them more familiar with it, and maybe more excited about this book award as well. So, yeah.

Jeanie: That’s a great plan. So, my guess is that you just announced this year’s winner, which students in grades four through eight vote for. What’s the winner, from this past list?

Annie: So, Alan Gratz’s book Refugee won for this year. What’s exciting about that is this is the second year in a row for him to be a winning author. Last year’s Project 1065 won. Kids are really excited about his books and, so he’s a winner again. Second year in a row.

https://twitter.com/PALibraryVT/status/1120606563893489664

Jeanie:  That’s wonderful. When I was both a kindergarten to sixth-grade school librarian and then again in seven to 12, these books flew off my shelf.  You all put together such a lovely list. Some of my favorite middle grades reads have been on that list, including now Felix and No Fixed Address.

I wondered if there are some other gems on the list that you’d like to share with us.

Annie:  Yeah, so there’s a lot of great books, and I’m really excited about our new list.

We have some great Vermont author books on this year’s list.

We always like to try to put a creepy, scary book on the list every year. Small Spaces by Katherine Arden is a great creepy book, and also a great place book in terms of the setting in Vermont. This one’s going to fly off the shelves. I know for sure.

So, kids are kind of going on this field trip from Hell where they’re like stuck in this field and there are scary scarecrows and there is all kinds of mystery. It all revolves around this book that a woman was going to toss into a river and this kid grabbed it. Then strange things start happening. So, I can’t tell you more than that, but it’s going to be a really fun, scary book that I’m sure will fly off the shelves.

Jeanie:  It sounds like a winner. I know one of the Vermont authors is also Ann Braden.

Annie: Oh, yes. In her book, The Benefits of Being an Octopus, again, one of my favorites on the list.  And one that the minute I read it in a day, and I said, I could think of so many kids that I’ve worked with that this would be their experience. Again, it’s a book about a kid living in poverty, and living in a situation where her mom is not physically abused, but emotionally and mentally abused and stepping in, much like Felix to have to be the adult in that situation. and just take on a lot of responsibility as a middle school kid that shouldn’t have to be her life.

So, another resilient strong character that is struggling through some hard times in some, again, security around where home is and where there’ll be living and all those things that come with financial struggles and home stability struggles.

Jeanie:  I loved that book so much, and I’m really excited because Anne Braden has agreed to come to our Middle Grades Institute conference in June and she’s going to be doing some workshops and meeting with educators and meeting with the students who come there for camps.

Annie:  Oh, great. Yeah. I think kids will identify with that book so much. There are other issues too that I talked about and they’re like, gun rights and things like that. So, I think a lot of really interesting topics that kids will connect with and also be able to talk about and discuss with each other.

Another great Vermont author book is Just Like Jackie, which again, a girl who is biracial and lives with a grandparent, and is kind of trying to learn from him about her parents. But her grandfather is struggling with dementia or Alzheimer’s. And so she’s trying to cover up for him because again, that fear of what will happen to her family if people find out that her grandfather is not doing well.

Just so many of these books have such amazing, strong, resilient kids, and characters that I can’t wait for our students and our readers to connect with and learn about and hopefully identify with or learn from in some way.

Jeanie:  I was delighted to see that Amal Unbound by Aisha Saeed was on the list. That was a favorite of mine, and it’s set in Pakistan.

Annie: Yes. It’s one of those windows to the world about things that we might take for granted as, school and our day to day life isn’t always a given in other parts of the world. And so she’s a real hero for girls and the importance of education and risking her security and her family because of that.

She has to ultimately become an indentured servant for a wealthier man in her community. But while she’s there, she’s so strong in her beliefs about the power of education that she teaches another servant girl there to read who never had the opportunity to learn to read.

Jeanie:  I love those books with fierce characters.  She’s really fierce. I loved that one.

Annie: Front Desk is another great one by Kelly Yang, and again, this is about a Chinese American girl whose parents immigrated to the United States and live in California. They manage a hotel and she really steps up and manages the front desk. She’s good at math and her parents are trying to just make a living and make it in America. She again assumes a really important role in the success of the hotel and you also through her understand some of the prejudices and discrimination that Asian Americans experience. And then also some of the characters in the hotel. There is an African American man there who is experiencing some discrimination.

She starts to help readers understand the connection between prejudice and discrimination and how it cuts across a lot of different things in terms of our race, or socio-economic status and things like that.

So she’s a great character for shedding some light on that for all of us and for her own kind of understanding of that and wanting to do something about that. Her family tends to take in people that are either immigrating into the country and trying to get themselves established or experiencing some oppression in some way and they seek a little refuge in that hotel. And they help them out in the midst of their own, trying to get their feet on the ground and get established. So just the ability of people to care about each other even in spite of their own struggles and their own misfortunes in life.

Jeanie:  That feels like a great companion to another book on the list: Harbor Me by Jacqueline Woodson. That’s also about security and stability. In this case, there are some stories around immigration. Another book about communities that support you when you’re struggling. She always writes just the right book at the right time.

This is another perfect example of that. Six kids are allowed to come together in a classroom every Friday afternoon just to talk without any adults there. So, as they become more comfortable and more able to share and be vulnerable with each other, we learn that one has a parent that might be deported, and he’s not sure if he’ll ever see his dad again. Another boy is experiencing racial profiling out on the streets of New York and is scared because of that to be out there, walking around. Another has a father who is incarcerated and is soon to be released, and she’s been living with her uncle in the meantime. So, her anticipation and worry about how that reunification will be.

So, kids with a range of issues that are real and everyday.

For some kids here in Vermont, some of those might be things they connect to, but some of them might be windows to experiences that they might not have here.

Because of our demographics and because of living in a more rural setting versus an urban setting. So, I love those books that can kind of transport kids to places with other kids where they just might not have those experiences but can again build that empathy and that understanding and that broader lens to think about things.

Jeanie: Just like the kids in Harbor Me having a dialogue and finding common ground. Our Vermont students can have a dialogue with a book and find that common ground.

Annie: Absolutely. That’s a great way to say that. I love that.

Jeanie:  Well, I’m a huge fan of this book award program. As a librarian, I often had kids in small reading groups reading this book, teachers using them as readalouds, because they’re so good. It really refreshed their readaloud list and offered them something new.

I used to borrow books from the Department of Libraries book sets so that my kids could be reading these in small groups that could send you six or eight copies. So many of my students have loved this program over the years. So, just deep appreciation to the committee for continuing to provide a book list that is diverse and robust and has so many really beautiful stories on it.

Annie:  Yeah, it’s a lot of work, but it’s a lot of great work and it’s… I think we’re working every year to be sure that it reflects a lot of different perspectives. There’s a lot of diverse points of view, representation of different kinds of families, of different kinds of kids, of different places in the world, things like that. And that we also have… try to have something for everyone.

I think every year, non-fiction can be a little bit of a struggle on this list. Just finding interesting non-fiction that’s not too much that wouldn’t be something kids would want to dive into a for pleasure reading. Because these are more pleasure reading kinds of books. But also the importance, that some kids are really drawn to non-fiction. So finding those non-fiction sometimes is our challenge.

We always usually like to have some graphic novels on the list because we know that those are super popular and we have some great ones on that list. The Prince and the Dressmaker in particular is just a wonderful book about acceptance and being true to who you are. It’s just great. It’s a great book and it’s flying off the shelves before it even got on the list. It was flying off the shelves in my library.

Jeanie:  It’s a beautiful book. I love that one too.

Annie: Yes. Again, I think kids choose books for all different reasons and I think the artwork in that book has appeal for a lot of kids. The characters are amazing and the story is really a beautiful, important story.

Jeanie:  Thank you to the whole committee, but to you also for creating a list where so many kids can see themselves. I really appreciate that. And they can get to know people unlike themselves as well.

Annie:  Right. I think it’s great.

Jeanie:  It’s been such a pleasure talking to you about No Fixed Address and about the awards list. Thank you so much for coming in Annie.

Annie:  Well, thanks for having me and thanks for choosing this book. It is a great one on the list.

Jeanie:  Yes. I hope everyone will check it out. You’re going to want to read it aloud to somebody, I know I did.

#vted Reads: The 57 Bus with Caitlin Classen

In this episode of #vted Reads, we talk about the 57 Bus by Dashka Slater. Based on a real-life incident, this book chronicles the experiences of two young people before and after an act of violence.  We explore both perspectives of a specific crime: the victims and the perpetrators.  Along the way, we learn more about gender non-conformity, the challenging reality of living with neighborhood violence, the problems with the juvenile justice system, and how to construct an amazing non-fiction story.

So glad you are joining us for this episode of #vted Reads. Let’s get to the conversation.

Jeanie: I’m Jeanie Phillips and welcome to Vermont Ed Reads. We’re here to talk books for educators, by educators, and with educators.

Today, I’m with Caitlin Classen, and we’ll be talking about The 57 Bus by Dashka Slater.

Thanks for joining me, Caitlin.

Caitlin: I’m thrilled to be joining you.

Host, Jeanie Phillips, left with Caitlin Classen, right and two copies of the book The 57 Bus.

Jeanie: Tell us a little bit about who you are and what you do.

Caitlin: My name is Caitlin Classen. I am the librarian here at Albert D. Lawton Intermediate School in Essex Junction, meaning I work with about 365 sixth, seventh, and eighth-graders on a daily basis.

Jeanie: I just want to say we’re in a back room in Caitlin’s library, and it is one of the most charming middle-school libraries, or libraries in general, that I’ve ever been in. It’s really lovely here.

Caitlin: Thank you so much. It’s all kid artwork and kid-driven.

Jeanie: Yeah, it feels fantastic.

Caitlin: Thank you.

Jeanie: So The 57 Bus; we were just talking before we got started about how much we both adored this book. Usually, when I am doing a book, especially one written for young adolescents, I start with a summary. But this book is a little bit different, and so I’m going to ask you to just introduce us to the characters.

Would you start by introducing us to Sasha?

Caitlin: Yes. Both characters are super interesting and super compelling just as individual people. Sasha is very interesting to me as an educator because I learned a lot from this character.

Sasha is agender.

Basically, what that means is that Sasha does not identify as either male or female. They had originally started by identifying as genderqueer because they weren’t sure how they wanted to live their life. Sasha prefers the pronouns they or them.

It was a really interesting read because this kid is super smart and clever, and goes to these interesting schools for kids who are independent thinkers, and has these really supportive parents. I believe the dad’s a kindergarten teacher and the mom also works in education. It said as a bookkeeper at a private school. An only child.

What’s so cool about Sasha is that they dress in an interesting manner even for a big city like Oakland.

While Sasha wears a lot of bow ties and top hats and newsboy caps, they said at first it was a lot of steampunk influence. Sasha then adds the layer of putting on a skirt. The parents mentioned that they saw their child go from pretty reserved. They could blend in, pretty good at being invisible, and then made this decision, I want to say at like 15 or 16, to start dressing differently. The parents start worrying like, “What’s going to happen to our kid?” It’s a pretty progressive city, but there’s still that worry about how are people going to receive my child. I think that’s a big catalyst obviously of how we learn about the 57 Bus and the incident that occurred that afternoon.

Jeanie: You bring up so many interesting things for me, and I want to make sure our readers or our listeners know that this book is nonfiction which means even though I said the word “character,” Sasha is a real person.

Caitlin: Correct.

Jeanie: And Sasha’s parents are real people.

The introduction to Sasha in this book is such an empathy-building experience because you get to see Sasha’s journey as they figure out that they’re agender.

As they explore like, “Who am I really and what do labels mean?” Page 33 in this book, in particular, is just such a primer on the language of gender.

Caitlin: Correct it’s a whole different world. I think if you’re someone who is… I don’t want to say lucky enough to be born knowing how you identify, but in a way, it is a sense of luck that you don’t have to go through that battle of like, “Who am I, and what does this mean? How come there’s not a label for me? It’s not easy for me to fill out a census that says male, female, other.” I think that page 33 is just helpful for educators and adults everywhere, but especially if you’re working in a school because you never know what kind of kid is coming through your door.

Jeanie: I’m going to read a little bit of page 33. The title of the chapter is called, “Gender, Sex, Sexuality, Romance: Some Terms.”

Because language is evolving rapidly, and because different people have different preferences, always adopt the language individuals use about themselves even if it differs from what’s here.

That’s powerful.

Caitlin: I agree.

Jeanie: To me, that speaks of self-determination.

That as humans, we have the right to decide how we want to be referred, what we want to be called.

Caitlin: I agree. I think as educators, even though we work with children, people know who they are and how they want to be identified. It’s a very powerful page to read.

Jeanie: It continues on with terms for gender and sex, which is almost a full page. Agender is defined as:

doesn’t identify as any gender

and that’s how Sasha identifies. It continues on with terms for sexuality and terms for romantic inclination.

I really appreciate how it breaks these down to terms for gender, terms for sexuality which is different, and then terms around romantic inclination, which is also different.

It breaks them apart in ways that we don’t often do as a culture.

When we had… a couple years back, we had some transgendered students at my former school, Green Mountain Middle and High School, and it was a confusing time for faculty.

I feel like reading Sasha’s experience would have been really helpful.

The resource that was super helpful to us was Outright Vermont.

Caitlin: Yes, we love, we had Outright come last year and do a training with us. We love Outright Vermont.

Jeanie: Would you talk a little bit about what that looks like?

Caitlin: Sure. I’m sorry I can’t remember who it was, but it was a wonderful woman who came and did this presentation for our faculty last year. We also have students who are transgender and who are questioning and we want to be as supportive as possible for our kids. They basically broke this down, right.

How you identify your gender is not necessarily how you’re going to identify with your sexuality, and that doesn’t necessarily correlate with who your romantic interest will be in, and just gave us the language and the safe space to have those conversations because this is a new language for a lot of educators. 

I work with some people who have been in this building for almost 40 years. Things have changed a lot in the last 40 years.

Teaching yourself how to respect your students is how communities thrive.

I think we expect that respect back from them, but our kids are super open-minded. I think it’s where educators need to do a little more work to make sure that they feel like they are in a safe and inclusive space that understands who they are.

Jeanie: This is one area in particular where I feel like we can really learn from our students.

When I was at Green Mountain, it was Circle, the gay-straight alliance, that was really those kids knew so much more than I did. Having conversations with them was an education for me.

I’m thinking about What’s The Story? a couple of years ago. A group of students there created an incredible video, I think it’s called Breaking Binary, which I’ll put a link to in our transcript because that’s a really powerful student-created piece on gender and gender identity.

The other thing you touched upon that I think is really interesting is Sasha’s parents. This feels to me like a great book for parents of transgender youth or agender youth or genderqueer youth to read because Sasha’s parents really want to do the best thing.

They’re really supportive of Sasha; and yet they worry and they mess up. Later on in the book, when something happens, which we’ll get to, Sasha’s mom reverts to the old pronouns, forgets to use “they.” I just had such empathy for her.

Caitlin: I agree. She’s really trying, and I love that the mom says, “I’m trying and I still make mistakes, but I’m trying to be supportive.” I think that’s just so human. I think we want to say, “This is how you identify. Cool, you have my full support,” and you can and you are gonna make mistakes. I think it’s just owning that and being, like, catch yourself, fix it, acknowledge it, and then move on because that’s how you’re going to learn.

Jeanie: So we have Sasha. Super smart. I think Sasha is also not neurotypical.

Caitlin: Agreed.

Jeanie: I believe they’re on the spectrum.

Caitlin: I agree.

Jeanie: Sasha goes to a charter school across the city of Oakland and has this rich friend group. I mean, reading about those friends and the creative games they play and their like almost cosplay, they’re dressing up, is so fascinating. They’re such a quirky and interesting group of kids. Sasha’s got this really lovely home life and the kind of the kind of thing we want for all of our students.

Let’s now introduce Richard. Tell me a little bit about who Richard is.

Caitlin: Richard is pretty much the opposite of Sasha in most ways. Sasha came from a supportive, financially well-off area of Oakland, and Richard literally lives on the other side of the city. He comes from intense poverty and a lot of violence. This poor kid has had so much trauma in his young life; lost friends, had family members murdered, killed by gun violence in their neighborhood. Your heart breaks for this child.

Richard was born to a very young mom. I want to say she was like 15. The dad left the picture soon after, in and out of jail. This kid grew up in kind of an unstable environment.

When one of his aunts is murdered with the gunfire, the mom ends up taking in the two cousins. While his mom works, she’s working 12 or 14-hour days, they still don’t have a ton of money. This kid just kind of starts to get lost, not even in the system; just starts to get lost in general because Richard starts to skip school a lot.

I think it said Richard, when this event happened, was a junior in high school and had been to three different high schools. That’s already unsettling… and does not seem to be a bad child. I think that’s what we need to keep in mind is that they were both children.

Teenagers may seem big and scary, but they are still children.

Richard was a good kid. He took care of his little siblings and showed up when his mom needed him to show up. He even went to one of the guidance counselors at school and asked to be put in a program that helps with kids who have a lot of absences, like unexcused absences from school. Then– I can’t remember what her name was. I can look it up. It starts with a W. Basically said kids don’t really ask to be put in that program because it’s easier to put freshmen and sophomores back on the path towards being successful in high school, and Richard was already a junior when these events unfolded.

Jeanie: Is it Kaprice?

Caitlin: Yes. Kaprice Wilson? Yes. Kaprice Wilson.

Jeanie: Caprice loves him.

Caitlin: Yes.

Jeanie: Kaprice runs a special program for kids as you mentioned. She really gets these kids and what they’re what they’re up against.

To be fair, Richard’s mom is really trying hard and she adores Richard. He comes from a place of love. He’s well-loved, but resources are thin.

Caitlin: Time is one of those resources that she just doesn’t have that. If you’re working 12 and 14-hour days, you just don’t have that ability to be there with your kid as much as you would like to be.

Jeanie: He has a complicated relationship with his stepdad when she remarries. There’s a lot of children in the house, and the violence that he experienced isn’t just about those around him. He experiences violence from an early age when his aunt is killed, and then a friend is killed, another friend is killed, and he is in the juvenile justice system and has no one to confide in, no one to comfort him when his good friend is killed on the streets from gun violence.

Then there’s this scene where Richard is in a store and he’s robbed.

It says, I’m on page 98,

It was the end of October, two months into Richard’s junior year. He and his cousin Gerald were on their way to Cherie’s house to kick it with her brother and they stopped in at a liquor store to get something to drink. That’s when Richard ran into a boy he knew from around the way.

A few minutes later, two guns to his head.

Gerald was walking in front, so he didn’t see what happened. But suddenly Richard wasn’t wearing his pink Nike Foamposites anymore. Richard’s face was crimson, the way it always got when he was furious.

In Oakland, it’s called getting stripped. The kid took his wallet, money, phone, shoes, coat. Gerald wanted to go back, find the kids who did it, but Richard told him to keep walking.

He’d been caught without his people, that’s all there was to say. But at least he hadn’t been killed. Rumor was that the boy who robbed him had killed people.

Caitlin: Again, still just a kid.

Richard is just a kid. I can’t imagine having gone through something like that. That’s traumatizing enough, let alone having that heaped upon all of the loss and violence he’s already experienced.

I was, in this article that I was reading, The Fire on the 57 Bus in Oakland, which is from the New York Times Magazine; it’s written by Dashka Slater, the author of the book. There was also a line about that. He kept thinking about one of those robbers and Richard knew one and had thought that was a friend of his. So he also had this layer of deep betrayal because you think you’re safe but you’re not safe.

Jeanie: I think that that lack of trust permeates Richard’s life in school as well. He’s not sure who to trust. He gets in trouble at school. He ends up getting arrested at school later on for what happens next.

School doesn’t feel like a safe place, his neighborhood doesn’t feel like a safe place. It’s almost like Richard’s always living on edge.

Caitlin: Yes, because nothing is ever safe, and I can’t imagine how that stress must impact you as you’re growing. To just always be wary and to never feel like you have a place to land that you can trust.

From that same article, Richard is a kid who also was trying to advocate for himself, like he wanted to be in Kaprice’s program. He had said to her he was falling behind in school, which is when he started skipping school because he wasn’t understanding the content that was being taught. He himself wanted to be tested for learning disabilities. It wasn’t an educator saying, “I think we need to help this kid.” It was him saying, “There’s something wrong and I’m struggling, and I need help with that,” and that’s heartbreaking.

You feel for this kid, and he does commit a terrible crime. He hurt someone, but it’s still a child and a child’s way of thinking.

That’s what this book keeps bringing back, and I think this is really beautifully told story about how these were two people in the world and that right and wrong is not black and white. It’s that human condition that we forget when we look at these punishments in our justice system too.

Jeanie: One of the things that’s been coming out in the news a lot that I thought of as I was rereading this book was about the toll that racism takes on bodies, right? Thinking about African-American women are more likely to die or experience trauma when they give birth.

Caitlin: I just read that too.

Jeanie: Similarly, Richard lives in this environment, and you had some statistics earlier about incarceration rates for African-Americans in Oakland.

Caitlin: I do. For children in Oakland.

Jeanie: For children, yes.

Richard lives in this environment where the expectation is you might be shot or put in jail. You’re more likely to be shot or put in jail than probably finish high school.

Caitlin: Which is terrifying. That statistic said,

African-American boys make up less than 30% of Oakland’s underage population but account for nearly 75% of all juvenile arrests, and each year dozens of black men and boys are murdered within the city limits.

Jeanie: Even if he doesn’t know those numbers, that’s the daily fabric of his life, and the toll that must take.

Caitlin: I can’t even begin to imagine.

Being a librarian, I feel like I’m in a unique position also with my students to build empathy and understanding through literature because this is a life that I cannot imagine. But The 57 Bus put me in that position and makes you look at the situation from both Sasha’s point of view and Richard’s point of view and their families because what happens affects so many more people than just the two people on the bus.

Jeanie: Let’s get to what happens because from the beginning of this book, you know what happens. Sasha and Richard live in two very different sections of Oakland. What happens to make their worlds collide?

Caitlin: Sasha and Richard, like you said, come from two different parts of the city, but their paths cross on the 57 Bus. Sasha takes The 57 Bus everyday -it’s part of their commute to and from school – I believe for more than an hour, commutes for more than an hour, and is really comfortable taking the bus and has done it for a long time.

What Sasha is wearing on the bus is a key component of what happens. Sasha’s wearing like a shirt with a bow tie and happens to have a white tulle skirt on.

It’s a look, but Sasha’s never had any problems before and so had been reading a copy of Anna Karenina, which I love, and had fallen asleep on the 57 Bus and was sleeping in their seat.

Then Richard gets on the bus with, I want to say it’s two or three friends, two friends, and one is his cousin, Lloyd. Lloyd had been waiting for him after school also, so when Richard was dismissed, had been kind of egging him on and they were kind of in this heightened state. These three teenage boys get on the bus, and Lloyd’s trying to flirt with this girl in the front, and they’re just being really loud and rowdy, and then they notice Sasha.

They have a lighter, and goading each other on, they’re flicking the lighter, right? Like it’s a joke.

They light the lighter once and the skirt doesn’t catch on fire, so they’re laughing and then they flick it again. Then Richard’s getting egged on to light the lighter again, and I think it’s the fourth or fifth time that it catches.

What Richard expected was that it would be like a little flare up and Sasha would pat the flames out and it would be this funny incident, but what they weren’t expecting was that tulle is a fabric that lights like a candle.

In an instant Sasha, is surrounded by like white-hot flames and wakes up screaming, “I’m on fire I’m on fire,” and the bus stops. Sasha is on fire.

I can’t even imagine the terror you must feel. You were sleeping on the bus and you wake up in pain and… gets off the bus, and two passengers help Sasha put the fire out, knocked them to the ground and put the fire out, which is traumatizing for them as well. In this time, the boys get off the bus and they take off. Sasha is left on the ground in the cold November air with burns from thighs to calves, second and third-degree burns, and is walking on the sidewalk in shock and is calling their dad, Carl, talking to their dad on the phone.

People were just horrified and devastated.

I honestly don’t think that Richard knew what was really going to happen, and that’s that connection to the teenage brain and how teenagers think and how their minds work.

It’s a really horrible incident because the part of me that’s a teacher is like, “You know you’re not supposed to play with a lighter. That’s so ridiculous and so stupid. Why would you even risk it?”  But then when you hear Richard talk about the reasoning behind it, I believe him.

Jeanie: You described Sasha’s point of view really well.

One of the things I think that comes out is that Sasha’s friends are shocked because Oakland is such a queer-friendly place. This kind of thing doesn’t really happen.

Caitlin: In broad daylight. All right, so this is page 117 and it’s a chapter called Watching.

After he jumped off the bus, Richard strode away with his hands in his pockets, trying to look casual. Then he heard Sasha’s screams. He stopped, turned around, went back.

He stared at the bus, mouth open.

The bus had begun to move again. The driver, still unaware of the fire, was continuing along his route.

Richard ran after the bus. Suddenly, it lurched to the curb. Passengers spilled out, yelling and coughing. Another bus, the NL, had pulled up behind it, and after a moment, Richard turned around and climbed on. A few seconds later he got off again and walked back to where Sasha now paced the sidewalk on bare, charred legs.

He ambled past, snaking his head to stare at Sasha, then turned around and walked past Sasha again, still staring. Then Jamal and Lloyd got off the 57 and the three of them half walked, half ran to the other bus. That night, Jasmine noticed that Richard seemed sad.

“What’s wrong?” she asked.

He wouldn’t tell her.

Jeanie: Oh, that’s so powerful.

Richard has made this terrible mistake.

Caitlin: Terrible mistake.

Jeanie: He’s horrified. All the emotion of what happened, like his own guilt and his– he just doesn’t even know what to do.

Caitlin: And because I honestly don’t think he thought what happened was even a remote possibility.

Jeanie: I am a mother and I remember, when my son was young, talking to a mother whose kids were older, and she said, “Oh, you think it– it’s hard now,” like, “Mothering a toddler’s really hands on, but when they get older, it’s even harder because all this stuff is happening in their brain and you can’t access it.”

Right now, you know, “Okay, what you need is food, what you need is sleep,” but later you’re like… and so Richard, I feel for Jasmine, his mother. She can’t get in there to see what’s going on.

Caitlin: She clearly knew that something was bugging her child and he wouldn’t talk about it or didn’t have the language to talk about it.

Jeanie: Yes.

The emotional life of adolescence. We don’t give them enough credit for what they’re dealing with.

Caitlin: The world is big when you’re little.

I think people forget that teenagers are still just children, and the world is a big and scary place and it’s hard to talk about difficult subjects especially when you’re still trying to wrap your head around them.

Jeanie: I think this is a good place to talk about Dashka Slater’s way of writing this book. She’s a journalist and she’s read about this in the newspaper, this event that happened. this fire on the 57 bus, and she dug deeper. The section you were just talking about explaining what happens on the bus with the lighter, the reason that she knows all of that and is able to portray all of that is because she watches the surveillance videos that are on the bus.

Caitlin: Those videos have not only images but also sound, so she could hear what happened and how terrifying it was for not only for Sasha but for the other passengers as well.

Jeanie: Well, because she goes back and interviews passengers.

Her sources are so rich and varied. As librarians, we can totally appreciate this. She uses news reports, she goes to social media, she’s looking on Sasha’s Tumblr page, letters, all these different interviews, and then there are points at which she writes poems. She includes some really interesting perspectives as she’s writing this nonfiction book.

Caitlin: She’s an amazing writer and a beautiful researcher because this book feels complete in that sense. I feel like everyone was well-represented, and she really dives into how difficult a situation like this is because, again, things are not black and white and life is just shades of gray. But this is when, as we get further into the story and learn about the charges that Richard faces/

I think Dashka Slater did an amazing job weaving all of these different components together to give you this full story.

The chapters are so short that I think I got so carried away when I was reading it. All of a sudden, I look up and I’m like, “What time is it?” because the chapter is like, “Oh, I forgot about this person,” or, “Wait, how did this work out for this one?” and then all of a sudden you get these little two or three-page snippets of the story and it’s just fascinating.

Jeanie: Yes, I think this is a good place. We’re only halfway through the book at this point when the 57 bus fire happens because then she spent half her time before the fire really investigating who the two people are, Sasha and Richard. Then the second half of the book is what happens after, and there’s this… I didn’t think of it when I first read it, but when I was rereading, I felt like there was this foreshadowing. It’s on page 121. It feels to me now like such a foreshadowing of what’s to come. It says,

The ambulance took a long time to arrive. The police, on the other hand, came right away.

It feels like, as the story progresses, Sasha’s healing takes a long time, but boy does the justice system act fast.

Caitlin: We’re very quick to blame and assign punishments like that will fix the problem, and that’s not necessarily the case.

Jeanie: I’m not sure, we don’t want to give away the whole story to the reader, but there are some really important themes that happen through the rest of this book that I think are just rich, juicy questions to sort of dig into with teenagers or just ourselves, but especially with young people. Just thinking about a few: what makes something a hate crime? Because this is treated as a hate crime.

Caitlin: Correct, and that hate crime clause on the charges means that Richard doesn’t get to be anonymous, and the case is not kept confidential, and he could end up in an adult prison.

I think it’s so complicated and it’s so vicious in a sense, like the pursuit of justice is so bloodthirsty.

I’m of two minds on that because on the one hand, you hurt someone very severely. You caused someone, an innocent someone who was asleep on the bus, you caused severe harm to that person, but on the other hand, this is still a 16-year-old.

I think because we’re in education, we understand how the teenage mind works, and in a lot of cases, it doesn’t work the way you would hope it would.

Jeanie: It’s still developing.

Caitlin: It’s still developing and how do you–? Yes. Does Richard need to be punished? I agree. Yes, you do, but there are different ways to deal with finding justice for people. I think a key component… I don’t want to give away too much of the book because it’s so good and people should read it because it’s so good, but there’s so many levels to how Richard is treated, and how Sasha treats Richard, and how the families interact. It’s just a complicated situation, but it is a rich discussion book.

Jeanie: Well, it’s so easy.

I think Dashka Slater talks about how in the news reports the way justice is viewed is very binary. Sasha is a victim; Richard’s the perpetrator of the crime. He’s all bad; Sasha’s to be pitied. But Sasha doesn’t want pity, and Richard’s not all bad.

It’s so much more complicated, and Dashka Slater takes the time to, instead of glossing over and making it simple; bad, good, must be punished–

Caitlin: Must be pitied.

Jeanie: –must be pitied, because nobody does anything else for Sasha. Dashka Slater takes the time to really get in the tangle, get in the mess of it, and look at it from all these different lenses.

Caitlin: That’s what makes a good researcher and writer because she chooses to get in the thick of it and is objective, and this book doesn’t take sides, which I think is really so important because she’s looking at it from, “Here is what happened. Here are all the perspectives of what happened.”

Jeanie: I love that you use that word “objective.”

While she is objective, she’s also compassionate.

Caitlin: Absolutely.

Jeanie: She looks at it with this lens of compassion for everyone. Instead of objective like cold, there’s this real warmth of understanding that I think we can learn from.

Caitlin: I agree.

Jeanie: Some other questions that came up are about the juvenile justice system.

Richard has been in the juvenile justice system before, and now because he has that record and because this is called a ‘hate crime’, he’s suddenly charged as an adult even though I think he’s 15.

Caitlin: Yes, 15. I believe he’s 15 when the crime happens, the incident happens. It’s just… it’s horrifying. And the charges are huge. Like you said, the police are the first to arrive and it’s very… the justice system moves fast. He is charged with aggravated mayhem and assault with intent to cause great bodily injury. Both of those are felonies, and each come with a hate crime clause that would add an additional one to three years in state prison to his sentence. If he was convicted, Richard faced a maximum sentence of life in prison at 15 or 16 years old.

Jeanie: The juvenile justice system has already failed him. It’s part of why he’s behind in school, his time there. It’s pulled him out of his family unit and isolated him. Because he ended up in that system with friends, they were separated, so he had no one.

Caitlin: There’s a scene where he finds out where his good friend got shot and killed. He’s in a juvenile hall when that happens. Jasmine, Richard’s mom, had said she called to tell him and that he just started crying and he didn’t even hang up the phone. He just put it down, and she heard him walk away. You can’t hold your child, you can’t be there as they go through this loss. It’s brutal.

Jeanie: The other thing that happens in this story is… and we think about this in the justice system that are often asked,

“Does the perpetrator have remorse?”

Richard has so much remorse for what he’s done.

Caitlin: Oh, heaps of remorse.

Jeanie: Dashka Slater really looks at what would be different, what would happen if it was a restorative justice system. There’s this powerful investigation of how this could be different, and not just for Richard but also for Sasha and Sasha’s family. Do you want to talk about that at all?

Caitlin: I do. I think– personally, I believe in restorative justice and I think that it’s a process that can really work.

When I look at these two kids in this book, this would have been a perfect case for restorative justice process.

Restorative justice is basically acknowledging that harm was done to the community and how do you repair the harm that was done. That can look different case by case because no two situations are the same. So how do how do you repair the harm that you caused?

Restorative Justice at Randolph Union

I think, had these two children been able to communicate, and not necessarily right away because Sasha was in the hospital for a long time, healing. Then months and months of healing after because burns are no joke and they affected everything from how you shower to how hard it is to walk.

I mean there is some anger that comes with that. I think there is a little bit of, “Why me?” But Sasha does a really beautiful job of backing out of that mindset and looking at this as truly a mature individual.

I think restorative justice would have made a big difference.

I mean you can cut this if you need to, but I think the part about the letters that Richard wrote are hugely indicative of who Richard is as a person. Richard, on his own, four days after being arrested, wrote a letter to Sasha and basically was like,

“Dear victim, please know this wasn’t my intention and I cannot believe I harmed you the way I did. It was a mistake and I didn’t intend it,”

in this beautiful letter. Then writes a second letter, and the lawyer chooses to not share those letters. The family, Sasha and Sasha’s family, do not read those letters for 14 months, and I think that is a miscarriage of justice also.

Jeanie: Richard’s already faced so much injustice in his short life.

Caitlin: Correct, and it seems like such a genuine offer, these letters, this heartfelt apology, and that’s what they are. It says, “I did this horrible thing and I accept the punishment that comes along with this. I just need you to know that I’m sorry and that this was never the intention,” and those letters weren’t shared for 14 months. As the families mentioned later in the book too, what would have been different if they had been shared earlier? And the lawyer’s rationale was they have admissions of guilt and we can’t share them. I understand that as well.

I just look at these two people in the world whose paths crossed in this unfortunate way, and what would have been different if we had taken a restorative justice angle on this? Because Richard, at sentencing, is 16. That’s just a child.

Jeanie: Recently, I went with students from The Dorset School, sixth-graders who were doing a cooking class, and they had this series of meetings with the Dismas House. Now, Dismas House has this beautiful mission. Dismas House first came to Dorset School and talked to the sixth-graders about their work, and then the sixth-graders went and cooked and shared a meal with the residents at Dismas House.

This is lodged in my heart, the mission of Dismas House. The meals are about food …but they’re also about reconciliation. Terese, the executive director, said they’re meant to reconcile these former prisoners with society because they’ve done harm, right? And so they need to reconcile. But it’s also meant to reconcile society with former prisoners because society has done harm. A society that allows some people to live in poverty is a harmful society.

I just think about Richard. It’s all focused on the harm he’s done to someone else, and there’s never any point in which society has to reconcile with Richard for the harm it’s done to him.

Caitlin: Which is heartbreaking. It’s such a painful book. It’s such a painful book because I feel helpless? Reading this book. You know, I work with middle schoolers that are 11 to 14 years old.

My 14 -year-olds, they make so many mistakes and they make a lot of bad decisions, but that doesn’t mean that they’re bad people.

I think, “Where will they be in two years and what if one of my kids ends up facing life imprisonment in a federal prison?” I just cannot even comprehend what that would do to someone and the fear you must feel. This is a case where I do not think the punishment fit the crime.

Jeanie: Yes. I feel like there’s a long road we can go down, too, about once you have an offense, once you’ve been charged with something, it’s so much easier for you to get sucked into this system endlessly and end up incarcerated for life. Most, especially young men, when they’re most likely to trip up is until they’re in their early 20s, right? If we’re just slapping on punishments, what learning gets to happen, right?

Caitlin: There you go. That’s during the development of your brain, right?

Jeanie: Yes. Through your early 20s. Yes. Okay. Too bad we’re not in charge of the justice system, Caitlin.

Caitlin: Right, we’d make some changes.

Jeanie: We totally would.

By the way, listeners, readers, just because this book hurts a little doesn’t mean you shouldn’t read it. You really should. It’s so powerful.

Caitlin: I think because of the hurt you should read it. Like we were talking before, it’s that empathy. Being a reader means you get to live so many lives and go through so many situations, and I’m so grateful for The 57 Bus because it put me in a situation that I’m still having trouble coming to terms with, and that’s a good book.

It makes you look at the world differently, and I feel like I learned lessons.

The first time I read The 57 Bus, I talked at people about it for a long time because of just how I had to process it. It’s a rich discussion book.

Jeanie: Great. Let’s talk about that some more. How might you use it with students?

Caitlin: Right now, my kids, I do a lot of word-of-mouth recommendations with them with the readers advisory. We’re always looking for ways to get them engaged in narrative nonfiction because that’s something they tend to kind of push against.

Their assumption is that nonfiction is just information, and it’s boring, and I don’t want to read it. I’ve been promoting this book because of: one, the writing style is so gripping.

You are sucked in from the first page and those short chapters. It just means the story is coming together in these little bits and pieces as you’re reading it, and you cannot stop piecing together the puzzle and what happens. It’s compulsively readable.

For my kids, they’ve been sharing it with word of mouth. So one will finish and come with a friend at the library and say, “I just finished this, but so-and-so would like to check it out.” So we just do that.

It’s not been on the shelf because we’re just passing it from hand to hand, and I think that’s a sign of a great book, fiction or not.

For them to be this invested in nonfiction and to come to me with questions and say things like, “Do you have any other books like this book?” That’s a magical book.

Jeanie: Yeah, and what book’s like this book? Oh, there are so many different questions I could ask right now. What book is like this book? The book that I thought of, and I haven’t read it yet although I read the adult version of it, is Just Mercy by Bryan Stevenson, which is a look at prisoners on death row and really about the injustices that they face. That’s one that I would recommend for a reader of this book is Just Mercy. Do you have any others?

Caitlin: Well, my first question is always,

“What about this book? What aspect of this book?” because this book has so many interesting topics and questions, and themes come up in it.  I have to kind of drill down with them and say, “What in particular? Was it the justice system? Was it the LGBTQ rights aspect of things? Or was it this kind of brutal treatment of this kid?”

Both kids, really. Sasha gets attacked and Richard is basically condemned to this prison sentence.

Based on whatever really piques their interest, you can go all sorts of ways, which is the joy of being a reader because there’s so many good choices out there.

For me, when it comes to nonfiction, it made me think of… we have two books that our kids are really into right now. One is The Borden Murders, just because they’re interested in that system and what happened with Lizzie Borden. Then the other one we’re very invested in right now is Getting Away With Murder, which is the Emmett Till story. And they’ll read them and they’ll come back to me like, “Do you have any other books like this one?”

That’s when you know that you’ve got them on this interesting path, and it’s really good to stoke the fires of their own inquiry and what they’re like drawn to read about.

What makes my job so great is I have to be like, “But what’s going to keep you reading? What about this book?” When it comes to fiction… we did a bunch of book clubs in December. We had like 19 different book clubs with one of our 90-kid teams, and they were obsessed with All American Boys by Jason Reynolds and Brendan Kiely.

Jeanie: It’s a fabulous book.

Caitlin: Amazing book, an amazing book. I think it really correlates nicely with The 57 Bus, so that’s one that I’m like, “If you’re looking more for a story,” because this is nonfiction that reads like a story.

Jeanie: That really gets into the nuances too, Jason Reynolds. I think A Long Way Down.

Caitlin: A Long Way Down. The thing about All American Boys is, again, it’s told from two perspectives, so you have Quinn and you have Rashad, and you’re learning. I feel like that was very much like The 57 Bus.

Jeanie: It’s also two perspectives across difference like this book, where you have a white perspective and an African-American perspective. Yes, I would totally suggest The Hate You Give, Dear Martin, all of those books that are really about violence in a community are great.  

Caitlin: Have you read Ghost Boys?

Jeanie: No, I haven’t yet.

Caitlin: *gasps* It’s Jewel Parker Rhodes, Ghost Boys, and I would say it’s very much like a middle grade The Hate You Give.

Jeanie: Great, that’s a great recommendation.

Caitlin: We have The Hate You Give and All American Boys, but Ghost Boys has really exploded with the kids, and that’s a big… it’s the same, these big ideas, these big topics.

The world can be a scary place, and the more you read about it, the more you’re able to understand your position in the world.

Jeanie: I think there’s also a lot of books about non-gender-conforming students out there that could be another avenue to point kids who are interested in that element. One of my favorites is from the Green Mountain Book Awards from a couple of years ago, Beautiful Music For Ugly Children, which is a fictional account of a transgendered young person. Or If I Was Your Girl, also a fictional account of transgender, and then George.

Caitlin: We love George.

Jeanie: Which is a little bit younger. I think George is fourth grade.

Caitlin: Yes. George, I believe, was 10, 10 years old.

Jeanie: Every Day is a great exploration.

Caitlin: That is a great book.

Jeanie: David Levithan, a great exploration of like… it’s not that the character is gender fluid. I don’t want to go into it too much because you’ll give it away!

Caitlin: But it’s such an interesting book!

Jeanie: It’s such an interesting look at gender through fiction.

Caitlin: It is because you’re a person before you’re a gender. I think that’s something that we have to teach, that comes up a lot when you’re working with kids, is like how someone identifies is not necessarily important. Who you are as a person is what’s important.

Every Day is an interesting look at that situation because if you wake up in a different body every day, which is what A, the main character does…

Jeanie: Ooh! Don’t give it away!

Caitlin: I won’t, but I just think that’s an interesting topic to discuss with kids.

Jeanie: Yes, I really loved that book and my students loved that book. The only book I’ve been able to find written for young people about being agender or sort of gender non-conforming or gender-fluid has been Symptoms of Being Human, and I didn’t love it. I had it on my shelves in my library and I think it was an important book to have. I think one of the reasons I didn’t like it is because it was written by a cisgendered person.

George is powerful in part because it’s written by somebody who’s had that experience.

For that reason, I think there are a lot of great memoirs that might be interesting; Some Assembly Required by Arin Andrews, Rethinking Normal: A Memoir in Transition, or Girl Mans Up. Those are all great books told from the perspective of somebody who’s had that experience.

Caitlin: Yes, you need to be… I think it’s important to come from a place of authority when you are trying to teach a topic like this that is still relatively new in terms of YA and middle-grade books.

Jeanie: It’s sort of reminds me of that #OwnVoices movement.

Caitlin: Yes.

Jeanie: Yes. There’s also a book that I had in my library that I found really useful to have called This Book is Gay. It’s great because it just sort of walks you through like page 33 does about what are the different terms. It’s great primer on semantics and also gay culture, and I think that’s another great book to have on your shelf in a library. Any other books that came up for you?

Caitlin: I mean, not off the top of my head. I think your list is great, and the couple that we talked about like All American Boys, that looks amazing. And The 57 Bus. I just keep coming back to The 57 Bus was just so well done.

Dashka Slater gave us a gift when she published this book. As a middle grade educator, I’m so thankful that a book like this exists. I hope she writes more.

Jeanie: If I were still in a school, I would want to… I used to teach a unit with a colleague about the juvenile justice system, and we would read Monster. I feel like this book would be a great book to dig into with kids to help them better understand the justice system.

Caitlin: I agree. We’ve been talking about this book for like an hour, and I’m like, but I still have things I need to say. I still have themes and topics that I want to dive into, but I also think that people need to read this book.

Jeanie: And then I’m also– I think it could be used with a journalism class, anywhere where you’re doing that nonfiction writing to really explore the different ways you can tell the same story.

https://twitter.com/PeterLangella/status/1044712015774851072

Caitlin: I think what we brought up before is this compassionate, objective viewpoint.

Dashka Slater did a beautiful job writing this book and bringing in all of those components like social media, and watching the footage of the actual incident, and reading the newspaper articles. That’s what learning about a topic is, it’s getting into it and looking at it from all points of view.

Jeanie: Right. Her sources are so varied. We love that as librarians.

Caitlin: I do love it.

Jeanie: I know we could keep talking about this book for days. I so appreciate you sitting down with me and sharing the story of Sasha and Richard and digging in with me.

Caitlin: Oh, thank you for having me. I could talk about this for 10 days.

Jeanie: Thanks for listening, everybody. I’m Jeanie Phillips, and this has been an episode of vted Reads, talking about what Vermont’s educators and students are reading. Thank you to Caitlin Classen for appearing on the show and talking with me about The 57 Bus. If you’re looking for a copy of The 57 Bus, check your local library. To find out more about vted Reads, including past episodes, upcoming guests, and reads and a whole lot more, you can visit vtedreads.tarrantinstitute.org. Follow us on Twitter and Instagram @vtedreads. This podcast is a project of the Tarrant Institute for Innovative Education at the University of Vermont.